Beethoven’s Ninth, tributes to the festival’s history will be highlights
Guest artists include CMF founder Giora Bernstein, pianist Olga Kern, Time for Three
By Peter Alexander
CMF Music Director Jean-Marie Zeitouni
The Colorado Music Festival will celebrate its 40th anniversary this summer, and music director Jean-Marie Zeitouni has been looking at the festival’s history.
His programs for the coming summer recall the Roman god Janus, looking backward and forward at the same time. “If you look at every series, you will see that they have a commemoration of the past, but at the same time they are moving in a new direction,” Zeitouni says. “I think almost every single work on the program has to do with the history of CMF.”
The full 2017 schedule, opening June 29 and closing Aug. 4, was announced to festival patrons last night (Jan. 22). The season includes Thursday Festival Orchestra concerts, Saturday chamber music concerts, and Sunday Chamber Orchestra concerts, as in past years. In one change from recent seasons, all concerts this summer will be in the Chautauqua Auditorium. With a few exceptions that are noted below, all will begin at 7:30 p.m.
Olga Kern, photographed by Chris Lee at Steinway Hall, 12/9/13.
As part of Zeitouni’s homage to festival history, long-time CMF patrons will recognize several guest artists who have been here before:
- Pianist Olga Kern, who played all the Rachmaninoff piano concertos in two nights during the 2013 Festival, will return to perform with Zeitouni and the Festival Orchestra on opening night, June 29. She will also present a solo recital July 1.
- The festival’s founder, Giora Bernstein, will return to conduct Mozart and Bach July 2.
- The popular Time for Three string trio will return to collaborate with Steve Hackman, who led the festival’s “Music Mashup” series for two summers, performing on that series’ successor, now called “Happy Hour @Chautauqua,” July 18.
The summer’s Festival Orchestra lineup is dominated by two massive ninth symphonies:
- A sure audience favorite, Beethoven’s Ninth will be presented July 13. It will come right in the middle of the CMF calendar, as “a way to mark a certain Apex” of the festival, Zeitouni says. Soloists for the performance will be soprano Mary Wilson, mezzo-soprano Michelle De Young, tenor Jason Baldwin and bass-baritone Keith Miller.
On the same program, De Young will perform Mahler’s Songs of a Wayfarer, and the orchestra will present the North American premiere of A Little Summer Suite by Betsy Jolas.
- Mahler’s Ninth, the composer’s last completed symphonic work, will form the entire Festival Orchestra program Aug. 3. This concert completes a cycle of Mahler symphonies that was begun by former CMF music director Michael Christie. “The idea is that for the last week of the festival we would do something for the orchestra, and believe me this is a piece that they’ve all been dying to play,” Zeitouni says.
In addition to returning artists listed above, there are a number of notable visiting artists. These include:
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Elina Vähälä
Finnish violinist Elina Vähälä playing John Corigliano’s “Red Violin” Concerto July 6;
- Pianists Christopher O’Riley, the host of NPR’s “From the Top,” and Pablo Ziegler playing tangos on the “Happy Hour@Chautauqua” series July 11;
- Pianist Stewart Goodyear playing Shostakovich’s Piano Concerto No. 1 for piano, trumpet and strings, July 16; and
- Italian Van Cliburn Competition medalist Benedetto Lupo, playing two Ravel piano concertos July 20. Lupo will be the CMF artist-in-residence for 2017. In addition to the Ravel concertos, he will play a solo/chamber concert with CMF musicians July 22, and a concert with the CMF Chamber Orchestra July 23.
- Clarinetist Boris Allakhverdyan, a former member of the CMF orchestra and now principal clarinet of the Los Angeles Philharmonic, will perform chamber music with current members of the orchestra July 29, and the Copland Clarinet Concerto on a chamber orchestra concert July 30. The latter, titled “Classically Jazz,” will also feature music by Kurt Weill, Scott Joplin, Leonard Bernstein, George Gershwin and Darius Milhaud.
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Gil Shaham
To round out the summer, superstar violinist Gil Shaham will perform with Zeitouni and the Festival Orchestra for the Festival Finale concert, Aug. 4. One of the most recognized classical artists today, Shaham performs in recital and with orchestras worldwide. In addition to a violin concerto yet to be determined, the program for the Festival Finale will include Beethoven’s joyful and boisterous Seventh Symphony.
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Kern’s performances fit nicely into Zeitouni’s plan of commemorating the old alongside the new. On the Opening Night program June 29, Kern will reprise her 2013 performances of Rachmaninoff’s Rhapsody on a Theme of Paganini, but that will be paired with a completely new work for the festival, Prokofiev’s First Piano Concerto.
Olga Kern
The two concertos are part of an all-Russian program, opening with Shostakovich’s brash and colorful Festive Overture and ending with Rachmaninoff’s lushly Romantic Symphony No. 2 in E minor. Both works are part of the festival’s history, but neither has been heard at CMF since the 1990s.
Another example of joining commemoration with new directions will be the CMF’s “mini-festival.” The idea of a series of concerts arranged around a single theme and performed in the same week was started by Christie. Zeitouni brought the model back last year with a Brahms mini-festival. This year, the mini-festival will reflect Zeitouni’s background and specialty: French music.
Jean-Marie Zeitouni
“I grew up with the Montreal Symphony playing Ravel and Debussy, so I have a special love for it,” Zeitouni says. “It is repertoire with which I have intimate affinities, but it is also repertoire in which the orchestra is allowed to shine.”
The mini-festival of French music comprises three concerts, July 20–23:
- A Festival Orchestra concert July 20, featuring Debussy’s impressionist scores Prelude to the Afternoon of a Faun and Iberia; Lupo playing Ravel’s Concerto in G and Concerto for the Left hand; and the orchestral showpiece La Valse.
- A chamber music concert July 22 will feature Lupo playing a half-recital of Debussy’s music for solo piano, followed by Fauré’s Quartet No. 1 for piano and strings with CMF musicians.
- The July 23 chamber orchestra concert will present some little known works by Fauré, Dukas, Saint-Saëns and Cecile Chaminade, with orchestra members as featured soloists. The concert will end with music from Offenabch’s saucy comic opera Orpheus in the Underworld.
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One new feature of the festival will be “Symphony Sampler” concerts, a series of abridged repeats of Thursday night Festival Orchestra programs presented Fridays at 6:30 p.m. July 14, 21 and 28. These informal concerts will offer only one or two major works from the previous night’s full program, with Zeitouni presenting an introduction to the music for people who might be new to classical performances. The early start time and shortened program leave time for a post-concert dinner, either at the Chautauqua Dining Hall or elsewhere in Boulder.
Christopher O’Riley
Another modification of past summers appears with the “Happy Hour@Chautauqua” events, Tuesdays July 11, 18 and 25. An outgrowth of previous Music Mashup events, these concerts are designed to bring classical and popular music together. Presented without intermission, each concert will be preceded by a “happy hour” offering complementary food and drinks.
After performances by pianists Christopher O’Riley and Pablo Ziegler July 11, and Time for Three July 18, the series culminates with Hackman conducting an all-new mashup with the orchestra July 25. Unlike Hackman’s previous scores for CMF, this will not feature just one classical work or pop group, but under the title “Classicalapalooza” it will being together music by various artists from both genres.
The 2017 Click Commission winner by composer Julian Wachner will be performed on the Festival Orchestra concert July 27, along with Scriabin’s Poem of Ecstasy (1908) and The Planets by Gustav Holst (1914–15). There will be little other new music during the summer, however: Corigliano’s Red Violin Concerto from 1997 will be performed on an American program July 6 and Jolas’s Little Summer Suite will precede Beethoven’s Ninth Symphony July 13, but no other works later than the middle of the 20th century are on the schedule.
This is only a summary of the full 2017 CMF calendar. A complete listing of the summer’s concerts and ticket information can be found on the CMF’s newly redesigned Web page. Tickets will go on sale to the general public March 20, including season subscriptions, ticket packages and single tickets.
For Sam Young, an ex-Boulderite living in Los Angeles, touching the wild was an epiphany: “Whenever I come to a place like this, I re-evaluate my entire life and think, ‘Is it all wrong, what I’m doing?’”
Washington, very much a city-dweller from New York, had an experience that captures just what Lias hopes the composers will discover in their brush with nature. “We hiked up this high mountain pass and we were given space to go out on our own and just sit quietly and reflect,” she recalls. “I felt like an intruder in some ways — like my breathing was too loud.
Of all the participants, David John Lang may have captured the power of wilderness most eloquently. After returning to his home, in Adelaide, South Australia, he writes: “I took my journal, in which I often write letters to God, but I was surprised at how little I wrote while I was in Alaska. It was like I was too busy being a listener for once, hearing and seeing and loving God’s creation.
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