ARS NOVA SINGERS WILL BE JOINED BY THE TRIO DUENDE FOR A MUSICAL “SALON”

Online event Sept. 25 replaces a planned fundraising gala

By Peter Alexander Sept. 21 at 9:30 p.m.

Thomas Morgan, music director of Boulder’s Ars Nova Singers, says “sitting on a beach in Maui sounds like a pretty good idea.”

Napili Bay, Maui, Hawaii

“All of us want to be traveling right now,” he continues, speaking after a year when most of us stayed in place. And while you and I may not be able to drop everything and fly to Hawaii, Morgan has the answer: he has programmed a piece of music that captures the Maui beach experience. “Napili Bay 2 p.m.” by J.A.C. Redford will be presented as part of an online performance by Ars Nova Saturday (Sept. 25).

“This piece is really evocative of [the beach at Napili Bay],” he says. “It’s spectacularly well written for the choir, and the chorus really loves to sing it. It’s a wonderful piece.”

The performance is part of “Sounds from the Soil: A Salon” to be streamed on YouTube at 7:30 p.m. Saturday, Sept. 25, and will remain available through Wednesday, Oct. 13. The program, which was recorded at Lone Hawk Farm in rural Boulder County, features Morgan conducting Ars Nova, plus the Duende Trio of mezzo-soprano Shannon Pennell, violinist Mintze Wu, and guitarist Alfredo Muro. Information and tickets can be found here.

Ars Nova Singers, Thomas Morgan, director (center)

The program developed from Ars Nova’s planned fall gala, a fund-raising event to kick off the 2021–22 season. The gala was scheduled for Sept. 11, but “we realized that probably wasn’t going to be an appropriate time to do a fundraiser, indoors,” Morgan says. “Fortunately, we were able to make the change and not do it as an in-person event. We kept the date and took the choir out [to Lone Hawk Farm] and recorded both indoors and outdoors.”

Lone Hawk Farm is a working organic farm and event venue located in the country between Boulder and Longmont. The program is a collection of pieces that are new to Ars Nova and others they have performed before. Among the latter is Crucifixus by Antonio Lotti a Baroque piece that was on Ars Nova’s very first concert in March 1986. Morgan says he wanted to perform the Crucifixus because “it connects to our very first concert, so it’s like beginning again after this current wave of the pandemic.

“It’s a wonderful eight-voice piece that builds in a really elegant way with a lot of suspensions and resolutions. It’s a really fun piece for the choir to sing.”

Alfredo Muro

The members of the Trio Duende all have prior connections to Ars Nova. Pennell is a member of the choir, and both Wu and Muro have played with the group before. The trio is intriguingly multi-cultural: Pennell is a Coloradan living in Lyons, Muro is from Peru, and Wu is a native of Taiwan who used to live in Lyons and now resides in Carbondale, Colo. Wu in particular is a shape shifting musician who has performed everything from Bach to Celtic fiddling—sometimes on the same program—and now has taken up bossa nova.

“The first time the trio got together was 2014,” Wu explains. At the time, she was living in Lyons, where she organized the eclectic “Sound of Lyons” music festival. They recently got together again in Carbondale, where Wu lives now and has curated the Garden Music series. That was where Morgan heard them and invited them to play for the Ars Nova gala/online “Salon.”

Mintze Wu

The name Trio Duende comes from the Spanish word meaning “soul” or “passion.” It was a word that Muro’s wife used to describe how the three musicians perform together. “She was talking about when we play together there is this quality of passion, of being very inspired,” Wu says. “And so we decided to use that name.”

For the online performance, Trio Duende presents three pieces, including Antonio Carlos Jobim’s iconic bossa nova Garota de Ipanema (Girl from Ipanema). Wu and Muro will also play a duo, and Muro will play solo pieces on guitar.

Thomas Morgan

Morgan talks about other pieces that Ars Nova will perform: “I should probably mention Samuel Coleridge-Taylor‘s little motet ‘Summer is Gone,’” he says. “Coleridge-Taylor was a British composer of African descent. He achieved a lot of success as a composer, including three tours of the United States in the early 1900s. This little piece is based on the poem ‘Bitter for Sweet’ by Christina Rosetti. It’s perfect for this time of year and for the changing of season. It’s just a beautiful little piece.

“Our recording of it was done right near sunset at a beautiful location out in the country. It really looks good.”

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Sounds from the Soil: A Virtual Salon
Ars Nova Singers
Thomas Edward Morgan, artistic director and conducto
Trio Duende, guest artists: Shannon Pennell, mezzo-soprano, Mintze Wu, violin, and Alfredo Muro, guitar

  • Antonio Lotti: Crucifixus
  • Cary John Franklin“The Merry-Go-Round at Night”
  • Sibelius, arr. Blake Morgan“This is My Song” (Finlandia)
  • J.A.C. Redford: “Napili Bay, 2 p.m.”
  • Samuel Coleridge-Taylor: “Summer is Gone”
  • Josef Rheinberger: Abendlied
    —Ars Nova
  • Antonio Carlos Jobim and Vinicius de Moraes: Garota de Ipanema (The Girl from Ipanema)
  • Luiz Bonfa and Antonio Maria: Manha de Carnaval (Morning of Carnival)
  • Baden Powell and Vinicius de Moraes: Samba Em Preludio
    —Trio Duende
  • Instrumental works
    —Mintze Wu, violin, and Alfredo Muro, guitar

7:30 p.m. Saturday, Sept. 25
TICKETS
NOTE: This event will premiere on YouTube. A performance link will be sent to ticket-buyers just before showtime, valid to watch through October 13.

Takács Quartet opens 2021–22 campus concert series Sunday

Performances will be available for in-person attendance and streaming

By Peter Alexander Sept. 10 at 4:30 p.m.

The CU College of Music and the resident Takács Quartet go into the 2021–22 academic year with a full schedule of on-campus concerts.

Naturally, this marks a change from last year, when COVID-19 and construction in the Imig Music Building prevented the usual activities in the college from taking place in person. What effect the emergence of the Delta Variant of COVID-19 will have remains unknown, but for now the live series gets under way at 4 p.m. Sunday (Sept. 12) in Grusin Music Hall with a full concert program. The Takács series also includes guest performances by the Parker Quartet from Harvard University.

Takács Quartet— Amanda Tipton, Photographer

At this time, masks are required in public indoor spaces on the CU Boulder campus regardless of vaccination status. Furthermore, an order from Boulder County Public Health also mandates masks indoors in public spaces throughout Boulder County. This order applies, regardless of vaccination status, to all persons age two and up. Dates in the future remain subject to any changes in university policy. 

As in past years, all Sunday Takács programs are scheduled to be repeated on Monday evenings. Each concert will also be available through a ticketed live stream Sunday afternoon that will remain available up to one week after the Monday performances. Details and tickets to live performances and the streams are available through CU Presents.

In addition to familiar works from the standard repertoire—quartets by Haydn, Mozart and Schubert—the Takács Quartet will play two important works by Czech composers that are heard less often. These are the String Quartet No. 2 by Leoš Janáček, titled “Intimate Letters” by the composer (Sept. 12 & 13); and the String Quartet No. 1 by Smetana, titled ”From My Life” (Oct. 31 & Nov. 1).

Written in 1928, Janáček’s Quartet No. 2 was inspired by the composer’s unrequited love for a married woman nearly 40 years his junior. The title refers to the more than 700 letters between Janáček and the woman, Kamila Stösslová, who remained emotionally distant but was with the composer when he died. Janáček wrote to Stösslová, “You stand behind every note” of the quartet.

One of his last works, the quartet was premiered a month after Janáček’s death.

Smetana’s quartet was also written relatively late in the composer’s life and is also autobiographical. The name “From My Life” was provided by the composer, making the quartet, and along with Janáček’s Quartet No. 2, one of the few deliberately programmatic chamber works. 

The first three movements refer to different stages in Smetana’s life—his youthful romanticism, his love for dancing as a young man, and his love for his wife. The final movement dramatizes the persistent ringing that developed in the composer’s ears in his later years, represented by a sustained high E, and his subsequent loss of hearing.

The quartet was composed in 1876 and given its official public premiere in 1879. For an earlier private performance the viola part, which has a prominent solo at the beginning of the first movement, had been played by the young Dvořák.

Another lesser known work will be performed during the fall, Henri Dutilleux’s Aini la nuit (“Thus the night”) Oct. 31 and Nov. 1. Composed over period of years 1973–76, Dutilleux’s quartet was inspired in part by the quartets of Beethoven, Bartók and the 12-tone works of Anton Webern.

A meticulous composer who has a relatively small output, Dutilleux was not a strict adherent of serialism, although he does make use of pitch series. The quartet, aimed at evoking a sense of the night, is in seven strongly contrasting movements with four very short interludes he called “parentheses” serving as transitions between movements.

Though performed relatively infrequently, Ainsi la nuit is regarded as one of the most important works for string quartet from the late 20th century.

Parker Quartet. Photo by Luke Ratray.

The Parker Quartet, whose members are Blodget Artsists-in-Residence at Harvard University’s College of Music, will complete the fall series with guest performances Nov. 21–22. Their program has not yet been announced.

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Takács Quartet
Fall 2021 concert series

Takács Quartet

  • Haydn: String Quartet in F minor, Op. 20 No. 5 
  • Leoš Janáček: String Quartet No. 2, “Intimate Letters” 
  • Schubert: String Quartet No. 14 in D minor, “Death and the Maiden”

4 p.m. Sunday, Sept. 12; 7:30 p.m. Monday, Sept. 13
Grusin Music Hall 

Takács Quartet

  • Mozart: String Quartet in D minor, K421
  • Henri Dutilleux: Ainsi la Nuit
  • Smetana: String Quartet No. 1 “From My Life”

4 p.m. Sunday, Oct. 31; 7:30 p.m. Monday, Nov. 1
Grusin Music Hall 

Parker Quartet

  • Program TBA

4 p.m. Sunday, Nov. 21; 7:30 p.m. Monday, Nov. 22
Grusin Music Hall 

In addition to live performances, each concert will be streamed live on  Sundays, and each stream will remain available until one week following the Monday performances. Details and tickets to both live performances and the streams are available through CU Presents.