Dvořák’s “underrated masterpiece”

Boulder Symphony and Boulder Chorale join forces for the Stabat Mater

By Peter Alexander May 9, 2019 at 9:30 p.m.

Violin

Photo courtesy of Boulder Symphony

Antonín Dvořák has written some of the most, and least, familiar works in the classical music repertoire.

On the one hand are the “New World” Symphony, the Cello Concerto—both written in the United States—and a handful of other pieces that are immediately recognizable to most concertgoers. And on the other hand are many pieces almost never heard outside of the composer’s native Bohemia, including most of Dvořák’s operas and almost all of his sacred vocal music.

Among the latter is the Stabat Mater, a large-scale religious cantata for chorus, orchestra and four soloists, based on the 13th-century sacred hymn text “Stabat mater dolorosa” (Grieving mother, standing at the cross). Now the Boulder Symphony and the Boulder Chorale have joined forces to bring Boulder audiences a piece that conductor Vicki Burrichter calls “an underrated masterpiece.”

Burrichter, who is artistic director of the Boulder Chorale, will conduct the performances Saturday and Sunday, May 11 and 12.

Read more in Boulder Weekly.

# # # # #

“Spirit”
Boulder Symphony with the Boulder Chorale
Vicki Burrichter, conductor

J.S. Bach: Concerto for oboe, violin and strings
Keynes Chen, violin and leader; Ingrid Anderson, oboe

Dvořák: Stabat Mater
Julianne Davis, soprano; Clea Huston, mezzo-soprano; Jason Baldwin, tenor; and Malcolm Ulbrick, baritone

7 p.m. Saturday, May 11
2:30 p.m. Sunday, May 12
First Presbyterian Church, 1820 15thSt., Boulder

Tickets

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