Music from Native America, across Latin America, and India, Nov. 2 and 3
By Peter Alexander Oct. 30 at 9:30 p.m.
The next concert by the Boulder Chorale starts with drums playing the rhythm of the heartbeat.
Boulder Concert Chorale. Photo courtesy of Boulder Chorale.
“That’s a great way to start, since that’s the first rhythm we all hear, the heartbeat of the mother,” Vicki Burrichter, Boulder Chorale’s director, says. “I wanted to start there and expand out from there.”
The concert, titled “Rhythm Planet,” will be presented in Boulder Saturday and Sunday (Nov. 3 and 4). The idea behind the concert is that rhythm is found in all cultures, all over the planet. “I wanted a program that focused on rhythm from around the world,” Burrichter says.
Vicki Burrichter. Photo by Glenn Ross.
That first piece, with the heartbeat drumming, will be Mahk Jchi, which she describes as “a Sioux nation piece. I thought we need to start with our own (North American) cultures. I love this song—I’ve done it for 20 years with other choruses.”
Unsurprisingly, a lot of the music on the program comes from the African musical diaspora in Latin America, and particularly from Brazil, where powerful rhythm is a prominent element of the musical styles that developed there. The second piece on the program exemplifies how the music of Brazil has travelled around the world: “To the Mothers of Brazil: Salve Regina” was written by Swedish composer Lars Jansson, for a visit to Brazil.
“It’s an homage,” Burrichter says. “It’s like a Western chant, except more rhythmic. It layers and layers, the chorus doing sacred texts that just build and build, and the percussion builds—it’s really stunning. I was really happy when I found that piece!”
Brazilian composer Gilberto Gil
More thoroughly Brazilian will be “Batmacumba” by Gilberto Gil, arranged by Marcos Leite, both renowned Brazilian musicians. Burrichter discovered Leite’s choral arrangements through Brazilian friends who had sung in his vocal groups. “As far as I know, nobody else in the U.S. is doing this piece,” she says.
“It’s a wonderful Tropicalisima piece about combining pop culture—Batman—with Macumba, which is one of the religions of Brazil. In the late 1960s, early ‘70s, there was a lot of experimentation combining pop culture with indigenous African rhythms. It’s a really cool, exciting piece.”
“Batmacumba” is one of two pieces to be sung by the Boulder Chamber Chorale, a smaller group from within the Concert Chorale. The other is “Gede Nibo,” which comes from the Haitian Vodou religious tradition. Because both pieces come from syncretic religions that include African elements, “they make a nice couple,” Burrichter says.
Karl Albrecht (Bobbi) Fischer
In addition to these shorter pieces, Burrichter wanted a larger piece that could serve as a centerpiece of the concert. She found an unusual work that includes various Latin rhythmic elements and again illustrates the reach of Latin music: the Missa Latina (Latin Mass) by Karl Albrecht (Bobbi) Fischer, who is mostly active in Germany as both composer and performer.
The word “Latina” in the title is a pun, referring to both the setting of the Catholic Mass in Latin, and the use of Latin American musical styles and rhythms—particularly the tango. The Missa is scored for chorus and soloists with violin, bandoneon (or accordion), jazz trio and additional percussion.
“I heard it on YouTube, and it was absolutely wonderful,” Burrichter says. “It uses a lot of tango rhythms from Argentina, but also a little bit of salsa, a little bit of Cuban son, and other rhythms from Latin American countries. I loved it!”
Also on the program will be “Barso Re,” written by A.R. Rahman, a composer and music director who works in India’s film industry. The song came from the award-winning soundtrack for the 2007 Hindi film Guru. “I’ve listened to that song since it came, out, “ Burrichter says.
The first half of the concert ends with a percussion improvisation by Carl Dixon, from the Boulder Samba School; Vincent Gonzalez, who performed on the Chorale’s recent concert of Brazilian music; and Michael D’Angelo, who traveled wit the Chorale to the Netherlands this past summer.
“I have asked the guys to put together a history of percussion in five minutes or less,” Burrichter says, laughing. “I tasked them to see what they could create together in terms of interlocking and building rhythms from different cultures. I think it will be fascinating to see what they come up with.”
The concert concludes with an arrangement of Michael Jackson’s “Earth Song,” arranged for the Chorale by Adam Waite, who also arranged the opening piece. “It’s about saving the planet, and it has a beautiful, haunting melody. The message is exactly what I wanted to convey: this is our planet, and we should try to be in rhythm together.”
Burrichter adds one thought, that she does not select pieces to fit a musical trend. Her programs grow out of her own curiosity and fascination with different styles of music. “I listen to music from all over the world, and I’ve done that for 50 years,:” she says.
“This is going to be one of the most exiting programs I’ve done here.”
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Boulder Concert Chorale, Vicki Burrichter, director
With various guest artists
Correction: 4 p.m. Saturday and Sunday, Nov. 2 and 3
Pre-concert discussion 3:30 p.m. Saturday and Sunday
First United Methodist Church, 1421 Spruce, Boulder
CORRECTION: The dates of the performances were corrected on Nov. 1. The concerts are Saturday and Sunday, as originally stated; the correct dates are Nov. 2 and 3.