Michael Christie, former music director of CMF, wins Grammy for Best Opera Recording

Live Recording from Santa Fe Opera also features CU alumnus Wei Wu

By Peter Alexander Feb. 12 at 12 noon

Michael Christie, who was music director of the Colorado Music Festival 2001–2013, won a Grammy for a live recording from the Santa Fe Opera.

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Santa Fe Opera: The (R)evolution of Steve Jobs. Photo by Ken Howard.

The two-CD set of composer Mason Bates’ and librettist Mark Campbell’s The (R)evolution of Steve Jobs was recorded during the world premiere run of the opera at the Santa Fe Opera’s summer festival in 2017. It was released on the PENTATONE label. It beat a recording from the Metropolitan Opera and three other nominees to win the category.

Christie, who was recently appointed music director of the New West Symphony in Thousand Oaks, Calif., conducted the opera in Santa Fe, and later at the Indiana University Opera Theater in Bloomington, Ind.

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Wei Wu celebrates his Grammy.

Among other cast members, the recording includes a performance by bass Wei Wu, an alumnus of the CU College of Music, as Jobs’ guru Kobu. Others in the cast included tenor Garrett Sorenson, mezzo-soprano Mariya Kaganskaya, mezzo-soprano Sasha Cooke, baritone Kelly Markgraf, baritone Edward Parks, and soprano Jessica Jones.

Christie is currently conducting performances of Verdi’s La Traviata at the Lyric Opera of Chicago and was unable to attend the Grammy ceremonies. He issued a statement this morning: “I can say the whole experience was quite surreal.

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Michael Christie

“I’m in Chicago at the moment getting ready to open La Traviata at the Lyric Opera of Chicago so couldn’t be present in LA for the award. I have to tell you though, I’m not sure I could have handled being in the audience waiting for that envelope to be opened! Instead, I was in Macy’s (so grateful they provided wifi in the store!!!) alternately shopping for socks and watching the live stream when the award was announced! I just started laughing.

“Any one of the five outstanding nominees should have won and yet they called out ours. I’m so grateful to Santa Fe Opera, our marvelous colleagues of the Santa Fe Opera Orchestra and its powerful chorus, (CD producer) Elizabeth Ostrow, creators Mason Bates and Mark Campbell, my amazing colleagues on stage.

“I also want to shout out to the extraordinary artists at Indiana University who gave the second performances of the opera in September. You all made an indelible impression on the piece and you share in its history.

“Congratulations to everyone involved!”

Christie joins a distinguished roster of Grammy winners in the Best Opera Recording category, including Seiji Ozawa, James Conlon, Alan Gilbert, Kent Nagano and Sir Charles Mackerras.

The recording of The (R)evolution of Steve Jobs can be purchased from ArkivMusik or Amazon.

Other nominees for Best Opera Recording were John Adams’ Doctor Atomic by the BBC Symphony and BBC Singers John Adams conducting; Jean-Baptiste Lully’s Alceste by Les Talents Lyriques and Choeur de Chamber de Namur, Christophe Rousset conducting; Richard Strauss’ Der Rosnekavalier by the Metropolitan Opera Orchestra and Metropolitan Opera Chorus, Sebastian Weigle conducting; and Verdi’s Rigoletto by the Kaunas City Symphony Orchestra and the Men of the Kaunas State Choir, Constantine Orbelian conducting.

Michael Christie will conduct world premiere at the Santa Fe Opera in 2017

Santa Fe’s 2016 season has also been announced

By Peter Alexander

Michael Christie conducts the Minnesota Opera

Michael Christie conducts the Minnesota Opera

Santa Fe Opera (SFO) general director Charles McKay has announced that The (R)evolution of Steve Jobs, a new opera by Mason Bates, will have its world premiere as part of the company’s 2017 season.

The announcement was made Aug. 5 at a press conference in Santa Fe. The opera’s libretto will be by Mark Campbell, who is well known as the librettist of the Pulitzer Prize-winning opera Silent Night. The stage director will be Kevin Newberry, and the conductor will be Michael Christie, music director of the Minnesota Opera and former music director of Boulder’s Colorado Music Festival. This will be Christie’s Santa Fe Opera debut.

The (R)evolution of Steve Jobs has been commissioned by the SFO, where it will be the company’s 15th world premiere.

Santa Fe's unique opera house

Santa Fe’s unique opera house

Known as an adventurous company, the Santa Fe Opera has attracted both audiences and press from around the world for their world premieres, including this year’s production of Jennifer Higdon’s Cold Mountain, co-commissioned with Opera Philadelphia and the Minnesota Opera, in collaboration with North Carolina Opera. (Limited seats are still available for Cold Mountain performances Aug. 17, 22 and 14.)

The company has also recently announced their 2015–16 season, which will not include premieres, but will feature several operas that are not often heard. The operas scheduled for July and August 2016 are Romeo et Juliette by Charles Gounod; Capriccio by Richard Strauss; Vanessa by Samuel Barber; La Fanciulla del West (The girl of the golden West) by Giacomo Puccini; and Don Giovanni by Mozart. Tickets will be on sale on the SFO Web page in the fall.

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Librettist ark Campbell (left) and composer Mason Bates (right) at the Santa Fe Opera press conference announcing the premiere of Bates's

Librettist Mark Campbell (left) and composer Mason Bates (right) at the Santa Fe Opera press conference announcing the premiere of Bates’s “(R)evolution of Steve Jobs.”

Mason Bates is known both as a composer and as a DJ in the San Francisco Bay Area. His compositions are characterized by the inclusion of electronic effects into orchestral works and other music. His “Observer in the Magellanic Cloud” for chorus with electronic sounds was performed last year by Boulder’s Ars Nova Singers and director Thomas Edward Morgan.

For The (R)evolution of Steve Jobs, Bates said that he will include electronic elements, some based on samples of early computing gear, and acoustic guitar, an instrument that Jobs especially loved. “You will not have heard these sounds before in an opera house,” he said at the press conference.

In a statement on his Web page, Bates wrote “What fascinates me about the story of Steve Jobs is that it exists at the intersection of creativity, technology, and human communication—and I think that can make for thrilling opera.

Mason Bates. Photo by Lydia Danmiller.

Mason Bates. Photo by Lydia Danmiller.

“Imagine, for example, the possibilities for bringing to life Kobun, the spiritual advisor to Steve Jobs—an important and overlooked figure who receives stunning treatment by librettist Mark Campbell. A panoply of Tibetan prayer bowls and Chinese gongs drift across the electronics, sometimes sounding purely ‘acoustic,’ sometimes imaginatively processed as if in a nirvana-esque limbo. Think of how eerily beautiful those sounds can sound when supporting the mystical textures of a low bass voice.

“In fact, Jobs’ search for inner peace is the story of the opera—which, in a sentence, is about a man who learns to be human again. The key role in this journey is his wife Laurene, who acted as the electrical ‘ground’ to the positive and negative charges of Jobs. . . .

“Because the subject is so well known, we’ve taken a poetic and non-linear approach. Anchoring this imaginative, non-chronological telling are numbers—real musical numbers—and a clear-as-crystal through-line: how can you can simplify human communication onto sleek beautiful devices, when people are so messy? We’ll travel with Jobs on his journey from hippie idealist to techno mogul and, ultimately, to a deeper understanding of true human connection.”

NOTE: Edited Aug. 16 to include that fact that The (R)evolution of Steve Jobs will be Michael Christie’s debut with the SFO.