Frequent Flyers join Boulder Phil for ‘Butterfly Lovers’

Concert April 30 includes music celebrating rebirth and reconnection

By Peter Alexander April 27 at 5 p.m.

Two years ago, conductor Michael Butterman had drafted a program to celebrate the return of spring with the Boulder Philharmonic Orchestra.

That program, originally planned for April 2020, had to be postponed, due to COVID. But now the long-planned concert celebrating renewal and rebirth has itself been resurrected for performance at 7:30 p.m. Saturday (April 30) in Macky Auditorium (tickets here).

A previous performance by Frequent Flyers Aerial Dance with the Boulder Philharmonic

“This was a program that was originally intended to reflect the notion of rebirth that happens in springtime,” Butterman says. “It still reflects that, but it has an additional layer of meaning for us—our own emergence from our pandemic isolation.”

The starting point for the program was The Butterfly Lovers Violin Concerto by Chinese composers He Zhanhao and Chen Gang, which the Philharmonic will perform with violin soloist Claude Sim and Boulder’s Frequent Flyers Aerial Dance Company. Before that performance the concert will open with Undistant by Mason Bates, which addresses our return to human interaction after the recent period of widespread self isolation.

Original costume design for Stravinsky’s Firebird by Léon Bakst (1913)

Filling out the program will be first Rimsky-Korsakov’s Russian Easter Overture, which has obvious seasonal significance. The final piece will be Stravinsky’s Firebird Suite, which Butterman selected because it ends with the rebirth of knights and 13 princesses who have been under a magic spell—another connection to the idea of renewal.

The Butterfly Lovers Violin Concerto was written by two Chinese students of Western music at the Shanghai Conservatory and premiered in 1959. Written for a Western orchestra, it is based on a Chinese legend of lovers who are separated by death, but reunited as butterflies. “It works very well for Western audiences,” Butterman says. “It’s extremely relatable on first hearing.”

Butterman and the Phil have done a number of performances with Frequent Flyers. He thought that The Butterfly Lovers would be a good piece for further collaboration and suggested it to Nancy Smith, Frequent Flyers’ artistic director. “It strikes me that it has a narrative arc, and certainly has potential as a work for visual interpretation,” he says.

“(Smith) agreed and they really embraced the thing. They constructed this large wing-like structure that will be hung above the stage. It acts as one fixed structure for most of the piece, but it also has hinges and it can bend like butterfly wings. It will be quite something to see!”

Violinist Claude Sim

The soloist, Claude Sim, is associate concertmaster of the Colorado Symphony. The Phil’s concertmaster, Charles Wetherbee, was first scheduled to perform the concerto, but when he became unavailable Sim stepped in to serve as soloist and as concertmaster for the concert.

The one piece that was not in the original program Butterman conceived two years ago is Bates’s Undistant. That is the piece on the program that best connects with the idea of people re-emerging from isolation as the pandemic abates—at least a little. “Undistant is a piece that (Bates) wrote in 2020, and it is a work that mirrors in some ways our separation,” Butterman says.

Michael Butterman. Photo by Jiah Kyun.

“There are two groups of musicians that are placed away from the rest of the orchestra. (Bates) has written an electronica part that incorporates static, sounds of Zoom and other communication platforms that we came to use a great deal during the pandemic. Over about seven minutes he brings these different elements back together, and there are little wisps of Beethoven’s ‘Ode to Joy,’ just enough that it’s recognizable. That begins to coalesce until we have an affirming and positive ending.”

Apart from the theme of rebirth and renewal, there is one thing that joins all four pieces musically, and that is their uplifting endings. It’s there in all four pieces. In Bates’s Undistant, it is the transformation from separation and static to hints of the “Ode to Joy.” In the Butterfly Lovers, it’s the overcoming of first separation and then death through the transformation of the lovers into butterflies, gently portrayed in music.

In the second half, the Russian Easter Overture opens with the solemn tones of two Russian Orthodox hymns, “Let God Arise!” and “An Angel Cried.” Rimsky-Korsakov wrote in an autobiography that “the gloomy colors of the Andante lugubre seemed to depict the holy sepulcher . . . [and] the solemn trumpet voice of the Archangel is then displaced by a tonal reproduction of the joyous, dance-like tolling of the bells.”

The progress of Stravinsky’s Firebird is no less joyous, with “The Infernal Dance of Katschei” being followed by the “Berceuse”—a tender lullaby that lulls Katschei’s demonic minions to sleep—and the “Finale” that portrays in music the return of Katschei’s prisoners to life.

You might say these are four variations on the theme of life returning after a long winter—or a pandemic.

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“The Firebird and Frequent Flyers”
Boulder Philharmonic Orchestra, Michael Butterman, conductor
With Claude Sim, violin, and Frequent Flyers Aerial Dance

  • Mason Bates: Undistant
  • He Zhanhao and Chen Gang: The Butterfly Lovers Violin Concerto
  • Rimsky-Korsakov: Russian Easter Overture
  • Stravinsky: Firebird Suite (1919)

7:30 p.m. Saturday, April 30
Macky Auditorium

TICKETS

Boulder Phil announces its 65th anniversary season

Masterworks concerts for 2022-23 will all be in Macky Auditorium

By Peter Alexander April 27 at 12:15 a.m.

The Boulder Philharmonic announced programming for its 2022–23, 65th anniversary season Tuesday evening (April 26). All subscription concerts for the coming year will be once again in Macky Auditorium

Pianist Angela Cheng returns to Boulder to perform with the Phil April 22, 2023

The season introduced by music director Michael Butterman includes some warhorses— Rachmaninoff’s Rhapsody on a Theme of Paganini and Richard Strauss’ Don Juan—some less familiar standard works—Bruckner’s Symphony No. 7 and Ravel’s Piano Concerto in G—and a healthy dose of new and unfamiliar works (see full programs below). Particularly noteworthy will be two world and one Colorado premiere of commissioned works.

Some features of the season will be familiar to current and past Boulder Phil patrons. One will be the return to Macky. The annual Nutcracker performances with Boulder Ballet are scheduled for Nov. 25 and 27. There will be a seasonal special event, “Holiday Brass with the Phil,” Dec. 18. The Phil’s Executive Director, Sara Parkinson, announced the resumption of the educational Discovery Concerts for school students.

Long-time concertgoers will welcome the return of former CU faculty member and audience favorite Angela Cheng April 22, who has not appeared in Boulder since 2009. Other soloists during the season will include tenor Matthew Plenk, on the opening night concert Oct. 8; double bassist Xavier Foley and violinist Eunice Kim Nov. 12; and violinist Stefan Jakiw March 25. 

Concertmaster Charles Wetherbee will solo with the Phil Jan. 22, 2023

Boulder Phil concertmaster Charles Wetherbee has been on medical leave, but is expected back next season and will play Mozart’s Violin Concerto No. 5 with the orchestra Jan. 22.

One prominent change for the season is that the Saturday evening concert time has been moved to 7 p.m. from 7:30 p.m., in response to feedback from ticket buyers. That change affects all the masterworks concerts except “Afternoon with Bruckner,” at 4 p.m. Sunday, Jan. 22. In conjunction with the change of curtain time, the Phil will try different forms of related programming for its concerts, including pre-concert lectures, intermission features and post-concert talk-back sessions.

One special event in the season will bring the popular Denver-based multi-instrumental band DeVotchKa to Macky Auditorium to perform with the Phil. That performance will take place at the “old” time of 7:30 p.m. Saturday, May 6, 2023. Further details of that concert are pending.

The opening night concert Oct. 8, titled “Hymn to the Earth,” includes the first of the season’s premieres, a Boulder Phil co-commission that was postponed from a planned earlier season due to COVID: Ozymandias: To Sell a Planet. This musical alarum for threats to the planet was composed by the American composer Drew Hemmenger and uses Percy Shelley’s poem “Ozymandias,” as well as texts from native American sources, United Nations climate reports and speeches by Greta Thunberg. 

The Colorado premiere of another co-commission, Jennifer Higdon’s Suite from Cold Mountain, follows on Nov. 12, and another world premiere of a new work by Boulder High School graduate Leigha Amick will be presented April 22, 2023.

Season tickets will go on sale Monday, May 2, and tickets to individual concerts will be available Monday, Aug. 22. Purchases can be made by calling the box office at 303-449-1343, or through the Boulder Phil web page.

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Boulder Philharmonic Orchestra
Michael Butterman, music director
2022-23 Season
All performances in Macky Auditorium except as otherwise noted

Conductor Michael Butterman with the Boulder Phil in Macky Auditorium

Opening Night: Hymn to the Earth
Boulder Philharmonic, Michael Butterman, conductor
With Boulder Phil Chorus and Matthew Plenk, tenor

  • Michael Abels: Global Warming
  • Drew Hemenger: Ozymandias: To Sell a Planet (Co-Commission & World Premiere)
  • Mozart: Overture to Don Giovanni
  • Wagner: Trauermusik from Götterdämmerung
  • Richard Strauss: Don Juan

7 p.m. Saturday, Oct. 8

Gran Duo: Higdon and Foley
Boulder Philharmonic, Michael Butterman, conductor
With Xavier Foley, double bass, and Eunice Kim, violin

  • Jennifer Higdon: Suite from Cold Mountain (Co-Commission & Colorado Premiere)
  • Xavier Foley: For Justice and Peace
  • Giovanni Bottesini: Gran Duo Concertante
  • Dvořák: Symphony No. 8 in G major

7 p.m. Saturday, Nov. 12

The Nutcracker with Boulder Ballet
Boulder Philharmonic, Gary Lewis, conductor 

2 and 7 p.m., Friday, Nov. 25
2 p.m. Sunday, Nov. 27

Special Event: Holiday Brass with the Phil

4 p.m. Sunday, Dec. 18
Mountain View United Methodist Church, Boulder

Afternoon with Bruckner
Boulder Philharmonic, Michael Butterman, conductor
With Charles Wetherbee, violin

  • Mozart: Violin Concerto No. 5
  • Anton Bruckner: Symphony No. 7 in E major

4 p.m. Sunday, Jan. 22, 2023

Jackiw Plays Bruch
Boulder Philharmonic, Michael Butterman, conductor
With Stefan Jakiw, violin

  • George Butterworth: The Banks of Green Willow
  • Max Bruch: Scottish Fantasy
  • Rachmaninoff: Symphonic Dances

7 pm. Saturday, March 25, 2023

Ravel and Rachmaninoff
Boulder Philharmonic, Michael Butterman, conductor
With Angela Cheng, piano

  • Leigha Amick: “Resound Boulder”” Commission 
  • Ravel: Piano Concerto in G
  • Rachmaninoff: Rhapsody on a Theme of Paganini
  • Tchaikovsky: Romeo and Juliet: Fantasy Overtur

7 p.m. Saturday, April 22, 2023

Special Event: DeVotchKa + Boulder Phil

7:30 p.m. Saturday, May 6, 2023