Live-streamed Concerts and Operas around the World

Helpful guides from WKAR public radio at Michigan State University 

By Peter Alexander March 14 at 11:45 a.m.

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Berlin Philharmoniker

Readers of this page are referred to a very helpful list of live-streamed, and archived streaming performances that has been posted by Michigan State University Public Radio station WKAR. You can find this helpful list here.

The musical riches from the Metropolitan Opera, the Chamber Music Society of Lincoln Center and the Berlin Philharmonic Digital Concert Hall are remarkable, and in addition there are many live performances from around the world that you can enjoy from home.

Latest Coronavirus Cancellations

List of classical music events in the Boulder area canceled due to health concerns

By Peter Alexander Updated March 13 at 4:56 p.m.

I will maintain a list of events that have been canceled in the classical music community of Boulder County and nearby at this Web page, and as they come to my attention. The most recent cancellations and announcements will always be at the top, but all events will be maintained on this one page. I will include all of the classical music organizations usually covered here, and any others in the associated music community. As only one person, I cannot vouch for up-to-the-second accuracy, but I will do my best. Nor can I attempt to cover jazz, pop or folk music events, musical theater or dance. I appreciate your understanding, and hope that you all stay safe and healthy.

Longmont Symphony, April 4

The Longmont Symphony has released the following statement, concerning the cancellation of their concert planned for April 4:

In an effort to protect the health and safety of our patrons, musicians, community and staff, the Longmont Symphony Orchestra Board of Directors has cancelled the April 4 Concert, A Fanfare for All, featuring percussionist Cameron Leach. At this time, there is no plan to reschedule this concert for a future date.
All patrons currently holding tickets for this concert are asked to consider the cost of their ticket as a donation to help defray the financial loss we will incur. All donors will receive a donation letter from the Longmont Symphony Orchestra. Those who do not wish to make a donation should call the office (303-772-5796) for a refund.
We will continue to monitor the status of the virus locally, as well as statewide, and will not hesitate to issue more news releases as prudent. As of this announcement, the May 9 Pops Concert, LSO at the Movies!, has not been cancelled.
Thank you for your continued support of the Longmont Symphony Orchestra during this challenging time for our community.

Center for Musical Arts in Lafayette

The Center for Musical Arts in Lafayette has closed, tentatively until mid-April. The following announcement went out last night (March 12 at 8 p.m.):

As of this evening, there are confirmed cases of COVID-19 in Boulder County, which has led Boulder Valley School District to close. We follow BVSD’s lead when it comes to school closures, so the following is effective immediately:

    • All building activities are suspended
    • Individual lessons will take place online only
    • All other groups and classes will be put on hold until further notice (tentatively mid-April)

 

Longs Peak Barbershop Chorus April 18

The Longs Peak Barbershop Chorus of Longmont has canceled its planned spring show, scheduled for April 18. In addition, all rehearsals have been canceled until further notice.

Seicento Baroque Ensemble March 13 & 15

Seicento Baroque Ensemble has canceled performances of its planned program of French Baroque music and dance, “Airs & Graces,” planned for Denver and Longmont March 13 and 15 respectively. The following announcement appears on their Web page:

Dear Patrons,

In response to the growing concerns over COVID-19 our venues (Regis and Stewart Auditorium) have made the difficult decision to cancel the performances this weekend. In order to ensure the safety of our patrons and musicians and to aid in containing the spread of the virus we have decided to cancel our corresponding events, the family concert and the dance workshop.

We hope that you might consider your ticket purchase a tax deductible donation to the organization to help us recuperate costs. If you prefer a refund we certainly understand.

We deeply appreciate your support, if you have any questions please feel free contact us.

Boulder Chamber Orchestra remainder of season

The Boulder Chamber Orchestra has canceled the remainder of their  2019-20 season, including concerts in April and May.  The board has issued the following statement:

It is with a profound sense of loss and sadness that the BCO Board of Trustees has decided to cancel the remainder of the 2019–20 season, including the April 18 concert and the May 7 Mini Chamber Concert. We are extremely mindful of the health of our patrons, musicians, and guests and given the current state of uncertainty surrounding the coronavirus, we believe it is in the best interests of the organization to cancel the upcoming concerts.

We are very sorry for any inconvenience this situation my cause any season pass holders and are asking for your understanding while we consider the possibility of moving the scheduled concert to next fall. If we are unable to logistically make such a move work with the scheduling,, we would like to offer our season pass holders two options: one, to be reimbursed $25.00 for the concert (which will require the season pass holders to contact our office via email or U.S. Mail to request a refund in writing in the next thirty days) or two, to invite all season pass holders to our 2020–21 house party in the fall for no charge. . . . If you do not contact us for a refund or to attend the house party, the organization will send you a charitable donation form for a $25 donation.

The entire Board of Trustees would like to thank our loyal patrons and season pas holders for our continued support

Boulder Concert Band March 14 (date corrected)

The Boulder Concert Band has canceled its concert, “Americans We—A Panorama of American Music” scheduled for Saturday, March 14, at the First Congregational Church in Boulder.

A member of the band’s board of directors commented:

We certainly wanted the ’show to go on,’ but the safety of our band members, volunteers, and audience is paramount during this unprecedented Coronavirus pandemic, so we have cancelled our March 14 concert.

We’re closely monitoring the communications from public health officials, including the Centers for Disease Control and Prevention and local health departments regarding the novel coronavirus (COVID-2019) cases, and following the recommended guidelines, so stay tuned about our May season finale concert.

Boulder Chorale cancels concerts March 14 & 15

Boulder Chorale has announced the cancellation of “A World in Harmony,” a pair of concerts scheduled for Saturday and Sunday, March 14 and 15, at the First United Methodists Church in Boulder.

The complete statement from Boulder Chorale is now available:

With the changes to the COVID-19 situation in Colorado over the past 12 hours, we have made the tough decision to cancel our upcoming A World in Harmony concerts this weekend.  We are committed to supporting the efforts of local officials to slow and contain the spread of COVID-19 in our area by limiting large group gatherings.  The health and well-being of our audience members, singers, staff, and the larger surrounding community is of utmost importance at this time.

We hope to reschedule this performance when it is safe to do so, and we will keep you informed as we have more information.

For all ticket holders, your ticket is valid for a rescheduled performance of this program. If you prefer you may donate the value of your ticket to the Boulder Chorale or request a refund by emailing sing@boulderchorale.org.

Thank you for your patience and support as we navigate this rapidly changing situation.  If you have any questions, please don’t hesitate to reach out. Email will be answered as quickly as possible.
We look forward to gathering together again in harmony and community soon when the threat of COVID-19 has safely passed.  Until then, stay healthy and safe.

Pro Musical Colorado concerts March 20–22

Colorado Pro Music Chamber Orchestra has joined a growing list of music organizations in the bOulder area who have canceled planned performances due to the coronavirus/COVD-19.

A program titled “Composing Climate” was scheduled for March 20, 21 and 22 in Longmont, Denver and Boulder, respectively. However, in light of other cancelations occurring in the area—including  all performances on the CU campus (see previous posts)—the decision has been made to cancel those concerts as well.

All Spring 2020 performances on the CU Campus

CU Presents and the University of Colorado, Boulder. have just announced the cancellation of all Spring 2020 College of Music events. Their statement specifies that:

This includes Eklund Opera, Artist Series, Takacs Quartet, ensemble performances and all other events. We will be in touch with ticketholders soon regarding next steps.

Please note that this includes the Eklund Opera production of  The Marriage of Figaro (scheduled for March 13–15) and the performance by the Kronos Quartet (March 19) previously covered in Boulder Weekly and on this blog. All faculty recitals and ensemble concerts of the College of Music are also included in the campus-wide cancellation.

The following is also posted on the CU Presents Web page:

We are currently working with the university to understand the impact this has on our events and will update patrons with more information as soon as possible. . . . CU Presents is committed to the health, safety and wellbeing of everyone at our events. We are actively monitoring the global coronavirus or COVID-19 situation and would like to point you to updates and resources from the University of Colorado Boulder and Boulder County Health.

Boulder Phil concerts March 21 and 22

The Boulder Philharmonic Orchestra has canceled their performances with Frequent Flyers Aerial Dance scheduled for March 21 in Boulder and March 22 at the Pinnacle Performing Arts Complex in Denver.

This cancellation was brought about by the university-wide shut down of public events on the University of Colorado Boulder campus. The Boulder Phil released the following statement:

We regret to report that the Boulder Phil will be unable to proceed with concerts scheduled for March 21 at Macky Auditorium and March 22 at Pinnacle Performing Arts Center. CU announced today the suspension of all campus classes and gatherings, and we are supporting public health and safety by suspending our concerts until the virus threat has passed. We hope these preventative measures will be effective as our community does its part to protect our citizens.
We view this change as a postponement, and we will reschedule the concert if at all possible. We will keep you informed of developments as we have information.
For all ticket holders, your tickets is valid for a rescheduled performance of this program, or for exchange to a future concert. If you prefer you may donate the value of your ticket to the Phil, or request a refund, by calling the box office, 303-449-1343 starting Monday.

Longmont Chorale cancels all spring performances

The Longmont Chorale has cancelled the remained of their scheduled performances of the 2019–20 season, including concerts planned for March, April and May.

Bob Balsman, president of Longmont Chorale, Inc., released the following statement:

Dear Longmont Chorale audience members,

Due to new CDC guidelines regarding those in vulnerable age groups and/or having underlying health issues being urged to avoid large public gatherings, we have made the difficult decision to end our season, effective immediately. This includes the Viva Voce concert in April.

Please read the update posted on Thursday, 3/06/2020 on the CDC website here.

As much as we all love singing together and for our audience, we need to follow the recommendation to avoid large gatherings to protect everyone’s health.

Please watch our website, social media, and your email for more information.

We hope you will follow the practices listed by health authorities like the CDC and WHO. Stay well, and we’ll be in touch again soon.

BREAKING: FURTHER CANCELLATIONS

Colorado Pro Musica joins list of groups who have canceled performances

By Peter Alexander March 20 at 6:05 p.m.

Colorado Pro Music Chamber Orchestra has joined a growing list of music organizations in the bOulder area who have canceled planned performances due to the coronavirus/COVD-19.

A program titled “Composing Climate” was scheduled for March 20, 21 and 22 in Longmont, Denver and Boulder, respectively. However, in light of other cancelations occurring in the area—including  all performances on the CU campus (see previous posts)—the decision has been made to cancel those concerts as well.

I will keep an ongoing list of known cancellations on the blog, as they come in. People who are holding tickets to canceled events are advised to check the Web pages of the presenting organizations to find out about their policies in this situation.

UPDATE: Cancellations of CU Performances; statement from Boulder Phil

Eklund Opera, Takács Quartet are included in the latest round of cancelations

By Peter Alexander March 11 at 3:57 p.m.

CU Presents and the University of Colorado, Boulder. have just announced the cancellation of all Spring 2020 College of Music events. Their statement specifies that:

This includes Eklund Opera, Artist Series, Takacs Quartet, ensemble performances and all other events. We will be in touch with ticketholders soon regarding next steps.

Please note that this includes the Eklund Opera production of  The Marriage of Figaro (scheduled for March 13–15) and the performance by the Kronos Quartet (March 19) previously covered in Boulder Weekly and on this blog.

The following is also posted on the CU Presents Web page:

We are currently working with the university to understand the impact this has on our events and will update patrons with more information as soon as possible. . . . CU Presents is committed to the health, safety and wellbeing of everyone at our events. We are actively monitoring the global coronavirus or COVID-19 situation and would like to point you to updates and resources from the University of Colorado Boulder and Boulder County Health.

The Boulder Philharmonic has sent a statement to its patrons and ticket buyers concerning the cancelation of its upcoming concerts March 21 and 22. This information will be shortly available on the Boulder Phil Web page.  Here is the message that has been sent to patrons:

We regret to report that the Boulder Phil will be unable to proceed with concerts scheduled for March 21 at Macky Auditorium and March 22 at Pinnacle Performing Arts Center. CU announced today the suspension of all campus classes and gatherings, and we are supporting public health and safety by suspending our concerts until the virus threat has passed. We hope these preventative measures will be effective as our community does its part to protect our citizens.
We view this change as a postponement, and we will reschedule the concert if at all possible. We will keep you informed of developments as we have information.
For all ticket holders, your tickets is valid for a rescheduled performance of this program, or for exchange to a future concert. If you prefer you may donate the value of your ticket to the Phil, or request a refund, by calling the box office, 303-449-1343 starting Monday.
___________________
NOTE: As much as possible, I will attempt to keep updates concerning cancellations due to the novel coronavirus/COVID-19 current on the Web page. Anyone with further information is encouraged to contact this site at alex.peterm@gmail.com.

Boulder Phil announces 2020–21 Season

High drama from Hollywood to Peter Schaefer’s Amadeus to Wagner’s Ring Cycle

By Peter Alexander March 9 at  3 p.m.

The Boulder Philharmonic’s recently announced 2020–21 season will feature a full production of Peter Schaeffer’s Tony-winning play Amadeus, with live actors and orchestra; the return to Boulder of popular soloists Rachel Barton Pine (violin) and Jake Shimabukuro (ukulele); and two new works that were co-commissioned by the Boulder Phil.

Boulder Philharmonic in Macky

Boulder Philharmonic

Other highlights of the season will include concert music by Hollywood composers, an orchestral compilation of the most popular music from Richard Wagner’s epic four-opera cycle, The Ring of the Nibelungen, and a quirky 10-minute mashup of all nine Beethoven symphonies by Dutch composer Louis Andriessen.

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Charlie Chaplin in “Modern Times”

The orchestra’s 63rd season opens Oct. 3 with “From Vienna to Hollywood,” a concert featuring music by Charlie Chaplin, written for the film Modern Times; a violin concerto by Erich Wolfgang Korngold, a transplanted Austrian composer of film and concert music who lived in United States in the 1930, ‘40s and ‘50s, performed by violinist Philippe Quint; and Brahms’s First Symphony.

The remainder of the season comprises five further main season concerts, including the live performance of Amadeus Jan. 23, 2021, plus the annual performances of Nutcracker with Boulder Ballet Nov. 27 and 29, and “Jake Shimabukuro & the Boulder Phil” Feb. 6. (See the full listing of concerts and dates, below.)

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Rachel Barton Pine

The first of the two co-commissions will be performed Feb. 3, as part of a program titled “Ravishing Rachmaninoff.” Rachel Barton Pine, who was last in Boulder in 2014, will play the new Violin Concerto written for her by jazz pianist/arranger Billy Childs, which was commissioned by a number of orchestras around the country. The concerto is one of several projects Pine has undertaken to amplify African-American voices in classical music.

The season’s other new piece, Drew Hemenger’s Ozymandias, was initiated by the Boulder Phil and commissioned together with the Rogue Valley Symphony of Ashland, Medford and Grants Pass, Ore. A musical response to climate change, Ozymandias will feature tenor Matthew Plenk, faculty member at the University of Denver, and the University of Colorado Festival Chorus.

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Scenic design from the 1876 first performance of Wagner’s Ring Cycle

Ozymandias will be part of a program titled “Epic Tales,” although it might as well have been titled “Downfalls.” In addition to Hemenger’s score about climate change, the concert will include two other works that illustrate tales about bad choices that lead to bad results: Richard Strauss’ epic tone poem Don Juan, whose protagonist ends up in hell; and a 45-minute compilation of orchestral highlights from Wagner’s Ring Cycle, which ends with Brunnhilde’s fiery immolation and the collapse of Valhalla.

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Michael Butterman

The selection includes the most popular excerpts from Wagner’s four-opera cycle, presented in order: “The Entry of the Gods into Valhalla,” “The Ride of the Valkyries,” “Magic Fire Music,” “Forest Murmurs,” “Siegfried’s Rhine Journey” and “Brunnhilde’s Immolation Scene.” “It runs about 45 minutes, so we’ve cut out about 14 hours,” writes Boulder Phil music director Michael Butterman by email.

“Come to think of it, “ he adds, “We’re doing a lot of distilling this season: Mozart’s life in one evening, all of The Ring Cycle in 45 minutes; and Beethoven’s Nine Symphonies in 10 minutes.”

The “Season Finale” will take place May 2, 2021, with Andriessen’s 10-minute mashup of all nine Beethoven symphonies, The Nine Symphonies of Beethoven; Beethoven’s full, unexpurgated Third Symphony, the “Eroica”; and new Takacs Quartet member Richard O’Neill playing William Walton’s Viola Concerto.

Richard O'Neill Music Stand

Violist Richard O’Neill

“Our goal is to create programs and experiences that resonate with the artistic and intellectual pulse of our audience,” Butterman writes. “A work about our changing planet, a hybrid concert-play, a quirky condensation of Beethoven’s symphonies in 10 minutes—these are experiences that I believe Boulderites will enjoy.”

Additional events in the 2020-2021 season include concerts at Boulder Public Library, “Events of Note” featuring guest artists in intimate venues, pre-concert talks with Butterman, the #nophilter Happy Hour series with a string quartet of Boulder Phil musicians playing pop, rock, and metal, and the continuation of the “Nature & Music” guided hikes with Boulder Open Space & Mountain Parks naturalist Dave Sutherland.

Subscription packages are now available,. For more information, call 303-449-1343 or click here. Single tickets will go on sale June 1.

# # # # #

 

Boulder Philharmonic: 2020–21 Season
(All performances in Macky Auditorium unless otherwise indicated)

B.Phil

“From Vienna to Hollywood”
7:30 p.m. Saturday, Oct. 3
2 p.m. Sunday, Oct. 4, Pinnacle PAC
Michael Butterman, conductor
Philippe Quint, violin

Charlie Chaplin: “Smile” from the film Modern Times
Erich Wolfgang Korngold: Violin Concerto
Brahms: Symphony No. 1 in C Minor, pp. 68

“Royal Fireworks!”
2 p.m. Sunday, Nov. 8, Pinnacle PAC
7 p.m. Sunday, Nov. 8 (note early start time)
Michael Butterman, conductor

Francis Poulenc: Suite française
Kurt Weill: Suite from The Threepenny Opera
Gounod: Petite Symphonie
Handel: Music for the Royal Fireworks

Tchaikovsky: The Nutcracker
With Boulder Ballet
Gary Lewis, conductor
2 & 7 p.m. Friday, Nov. 27
2 p. m Sunday, Nov. 29

Amadeus by Peter Schafer
With CU Department of Theater and Dance, Boulder Chamber Chorale
Michael Butterman, conductor
Bud Coleman, Director
7:30 p.m. Saturday, Jan. 23

Jake Shimabukuro & the Boulder Phil
7:30 p.m. Saturday, Feb. 6
Program TBA

“Ravishing Rachmaninoff”
7:30 p.m. Saturday, Feb. 13
Michael Butterman, conductor
Rachel Barton Pine, violin

Sergei Rachmaninoff: Vocalise
Billy Childs: Concerto for Violin and Orchestra
Rachmaninoff: Symphony No. 2 in E Minor, op. 27

“Epic Tales: Music to Honor the Earth”
7:30 p.m. Saturday, March 20
Michael Butterman, conductor
Matthew Plenk, tenor, and the CU Festival Chorus

Richard Strauss: Don Juan
Drew Hemenger: Ozymandias: To Sell a Planet
Richard Wagner: The Symphonic Ring

“Season Finale: Eroica”
7 p.m. Sunday, May 2 (note early start time)
Michael Butterman, conductor
Richard O’Neill, viola

Louis Andriessen: The Nine Symphonies of Beethoven
William Walton: Viola Concerto
Beethoven: Symphony No. 3 in E-flat Major (“Eroica”)

Longmont Chorale cancels spring performances

COVID-19 Coronavirus cancelations have come to Boulder County

By Peter Alexander March 7 at 10 a.m.

The Longmont Chorale has cancelled the remained of their scheduled performances of the 2019–20 season, including concerts planned for March, April and May.

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Longmont Chorale

Bob Balsman, president of Longmont Chorale, Inc., released the following statement:

Dear Longmont Chorale audience members,

Due to new CDC guidelines regarding those in vulnerable age groups and/or having underlying health issues being urged to avoid large public gatherings, we have made the difficult decision to end our season, effective immediately. This includes the Viva Voce concert in April.

Please read the update posted on Thursday, 3/06/2020 on the CDC website here.

As much as we all love singing together and for our audience, we need to follow the recommendation to avoid large gatherings to protect everyone’s health.

Please watch our website, social media, and your email for more information.

We hope you will follow the practices listed by health authorities like the CDC and WHO. Stay well, and we’ll be in touch again soon.

At this time, the Longmont Chorale is the first musical organization in this areas whose cancellations has come to my attention. At least one other organization is trying to arrange live streaming for a planned performance, so that at-risk persons can enjoy the music without going out, but nothing has been announced at this time.

I will try to  watch for any further announcements or cancellations from groups in this area in response to the spreading Coronavirus outbreak.

CU Macky Auditorium Statement Regarding COVID-19

By Peter Alexander March 6 at 9:15 p.m.

The University of Colorado, Boulder, posted the following information on Tuesday, March 3, for visitors and potential visitors to Macky Auditorium. It is important to note that to date no Macky events have been cancelled or postponed. However, it is worth noting that CU Presents, the Boulder Philharmonic and other organizations are thinking ahead to the possibility that events may have to be changed in the future, depending on the spread of the Novel Coronavirus.

At this time there have been two announced cases of COVID-19 in the State of Colorado.

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COVID-19 INFORMATION FOR MACKY VISITORS

The University of Colorado Boulder’s Macky Auditorium is committed to the health, safety and well-being of everyone at our events. We are actively monitoring the global coronavirus or COVID-19 situation, and would like to point you to updates and resources from the University of Colorado Boulder and Boulder County Health.

To promote the safest possible conditions on campus, CU Boulder is providing enhanced cleaning throughout campus with increased attention to commonly touched surfaces in addition to hand sanitizer stations in key places throughout the venue during events. You can support these efforts by:

  • Washing your hands often with soap and water for at least 20 seconds or use an alcohol-based hand sanitizer,
  • Covering your mouth and nose with a tissue or your sleeve (not your hands) when coughing or sneezing.
  • Avoiding contact with people who are sick, especially if they are exhibiting cold or flu-like symptoms.
  • Staying home if you are sick. Avoid contact with others except when seeking medical care.
  • Contacting your medical provider if you have any questions or health concerns.

Events at Macky Auditorium are currently happening as scheduled. If circumstances change, we will prioritize the health of our audience, performers and staff by implementing and communicating appropriate changes. In the event of a cancellation, we’ll notify all ticketholders by email and/or phone as soon as possible and notices will be posted in our outgoing voicemail, website and social media.

We highly encourage those who feel unwell to stay home. Given the different presenters that bring events at Macky, each one with its own ticketing policy, please reach out to the appropriate contact if you have questions about your tickets:

  • CU Presents: You may call the box office at 303-492-8008 if you need to exchange tickets for an upcoming performance.
  • Boulder Philharmonic: You may call the Ticket Office at 303-449-1343 if you need to exchange tickets for an upcoming performance.
  • Other events: Please call 303-492-8423 for more information.
  • If the event you are attending is not ticketed, please check our website, our Facebook page or Twitter handle (@mackyauditorium) for updated information.

Boulder Philharmonic Statement on COVID-19

By Peter Alexander March 6 at 9 p.m.

The Boulder Philharmonic released the following statement from Executive Director Katherine Lehman at 4:30 p.m. this afternoon:

The Boulder Philharmonic is committed to the health and safety of everyone who attends our events. We are closely monitoring the global coronavirus situation and are in daily contact with our local, state, and federal partners. With cases now appearing in Colorado we will respond with all due caution to any potential health threat in our community. We are working with our partners at Macky Auditorium to take all appropriate safety precautions.
Currently there have been no scheduling changes to our events. We will update all patrons if any changes occur. Please be aware that we will not hesitate to postpone or cancel events if the situation warrants.
We know our patrons are thinking carefully about purchasing tickets for upcoming performances. To offer increased planning flexibility during this time, we are waiving all single ticket exchange fees for performances through April 30, 2020.
We also highly encourage those who feel unwell or who may be at increased risk to stay home, and we are happy to exchange any existing tickets for future events. You may call the Ticket Office at 303-449-1343 if you need to exchange tickets.
Again, all concerts are currently happening as scheduled. If we receive the recommendation to cancel events, we will prioritize the health of our audience, musicians and staff by implementing and communicating appropriate changes that ensure a safe environment. In the event of a cancellation, we will notify all ticketholders by email, phone and/or text at least 2-3 hours before the concert.
Sincerely,
Katherine Lehman
Executive Director
B.Phil

 

Colorado Music Festival announces 2020 summer season

Beethoven celebration, living composers, chamber music series are scheduled

By Peter Alexander Feb. 6 at 2 p.m.

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Chautauqua Auditorium, site of Colorado Music Festival performances

The 2020 Colorado Music Festival (CMF) will include concerts celebrating the 250th anniversary of Beethoven’s birth, works by living composers throughout the summer, a chamber music series named in honor of Robert Mann, first violinist of the famed Juilliard String Quartet for more than 50 years, and two Sunday concerts devoted to the music of Mozart. (See the full summer schedule and programs below.)

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Juilliard String Quartet. Photo by Lisa-Marie Mazzucco.

The current Juilliard Quartet will launch the Robert Mann Chamber Music Series, June 30. Other prominent guests during the summer will include composer John Adams, conducting his Third Piano Concerto Must the Devil Have all the Good Tunes with pianist Jeremy Denk, July 19; the St. Lawrence String Quartet, July 7; the Brooklyn Rider String Quartet, July 14; and 24-year-old Canadian pianist Jan Lisiecki, playing all of the Beethoven piano concertos on three concerts, July 23–26.

The season was unveiled to the festival contributors and board members Tuesday (Feb. 4). In introducing the concert schedule, the festival’s music director, Peter Oundjian, said “The festival is an inspiration to me. It’s been great fun putting together this season.”

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CMF music director Peter Oundjian

This is Oundjian’s second year as music director. He noted that this was the first time that he could plan the entire festival from the very beginning. Consequently, the season reveals his vision for the festival, particularly the inclusion of music by living composers. The emphasis on chamber music reflects the fact that Oundjian was first violinist of the Tokyo String Quartet for 14 years.

The attention to music by living composers includes two world premieres of works commissioned by the CMF. The first concert (June 25–26) will open with Forestallings by Hannah Lash, who was a CMF “Click Commission” composer in 2016, when she performed the premiere of her Second Harp Concerto. The second world premiere, a new work by Chinese-born American composer Wang Jie, will be performed by Oundjian and the Festival Orchestra July 16.

The opening concert combines two main themes from the summer: the Beethoven anniversary and music by living composers. Lash’s score was inspired by Beethoven’s Second Symphony. It will be followed by John Adams’ Absolute Jest, a score that quotes and reshapes music from Beethoven’s late quartets. The performance will feature Boulder’s and CU’s Takács Quartet as guest artists, with the Festival Orchestra. And officially launching the Beethoven celebration, the concert will end with Beethoven’s Seventh Symphony.

At the opposite end of the season, the Festival Finale concert on Aug. 1 will feature a single work, Mahler’s Symphony No. 5 in C-sharp minor. Oundjian will conduct.

John Adams.2 CREDIT Vern Evans

Composer John Adams. Photo by Vern Evans.

John Adams’ music will be heard throughout the festival. In addition to Absolute Jest on the opening concert and his appearance July 19 conducting Must the Devil Have all the Good Tunes, his String Quartet No. 2 will be played July 7 by the St. Lawrence String Quartet; and City Noir will be performed on a Festival Orchestra concert conducted by Oundjian July 16. Extending the Adams’ family presence in the festival, a Chamber Concerto by his son, Samuel Adams, will be performed July 16.

In a welcome contrast to previous years and most orchestras around the country, another trend that emerges from the festival program is the inclusion of women composers. As noted, the entire festival opens with a new piece by Hannah Lash.

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Brooklyn Rider

The July 14 program by Brooklyn Rider includes works by no fewer than five women: Caroline Shaw, Gabriela Lena Frank, Du Yun, Matana Roberts and Reena Esmail. Wang Jie’s world premiere will be July 16; “Kaleidoscope,” an inventive program of unusual instrumental combinations will open with Joan Tower’s “Fanfare for the Uncommon Woman” No. 5 July 17; and the July 19 orchestra program will open with Tumblebird Contrails by Gabriella Smith.

Maintaining a pattern from previous festivals, major concerts by the Festival Orchestra will be Thursday nights. Three of those programs, including the Festival Opening Night June 25, will be repeated the following Friday. The second and third Festival Orchestra programs will be repeated as well: July 2 and 3, with guest conductor Andrew Grams, featuring guitarist Sharon Isbin and music by Aaron Copland; and July 9 and 10, a program of Russian Masters conducted by former music director and principal guest conductor Jean-Marie Zeitouni.

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Jean-Marie Zeitouni

In addition to Oundjian and Zeitouni, two guest conductors will lead Festival Orchestra concerts during the summer: Andrew Grams, who has been part of the CMF in the past, July 2 and 3; and Gemma New, a young conductor from New Zealand, making her CMF debut July 5. Colorado Symphony associate conductor Christopher Dragon will lead the Family Concert July 11.

In addition to those already named, a number of guest soloists will appear during the summer. Some of them will be returning after previous performances at CMF, but others will be appearing at the festival for the first time. These guest artists are the piano duo of Christina and Michelle Naughton, June 28; pianist Conrad Tao July 5; pianist Nareh Arghamanyan July 9 and 10; violinist Angelo Xiang Yu and actor John de Lancie July 12; violinist Tessa Lark and saxophonist Timothy McAllister, July 16; pianist Christopher Taylor and marimbist Jisu Jang July 17; and violinist Augustin Hadelich, July 30.

Colorado Music Festival subscription renewals are now available for those who have subscribed in the past. Single tickets will go on sale Monday, March 16. For information on tickets, call 303-440-7666, or click here.

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2020 Colorado Music Festival Schedule
All performances in the Chautauqua Auditorium
All performances at 7:30 p.m. unless otherwise specified

CMF - Oundjian - credit Michael Quam EDIT

Photo by Michael Quam (2019)

Opening Night
Thursday, June 25, and Friday, June 26
Festival Orchestra, Peter Oundjian, conductor
Takács Quartet

Hannah Lash: Forestallings (World premiere; Colorado Music Festival commission)
John Adams: Absolute Jest (2012)
Beethoven: Symphony No. 7

Sunday, June 28
Festival Orchestra, Peter Oundjian, conductor

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Christina and Michelle Naughton

Christina and Michelle Naughton, piano duo

Mozart: Overture to Così fan tutte
Mozart: Concerto for Two Pianos, K365 (316a)
Mozart; Overture to The Magic Flute
Mozart: Symphony No. 36 in C Major, K425 (“Linz”)

Tuesday, June 30
Robert Mann Chamber Music Series: Juilliard String Quartet

Beethoven: String Quartet in F Major, op. 18 no. 1
Benjamin Britten: String Quartet No. 3
Brahms: String Quartet in A Minor, op. 51 no. 2

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Sharon Isbin. Photo by Henry Fair.

Thursday, July 2, and Friday, July 3
Festival Orchestra, Andrew Grams, conductor
Sharon Isbin, guitar

Ravel: Alborada del gracioso
Joaquín Rodrigo: Concierto de Aranjuez
Chris Brubeck: Affinity (2016)
Copland: “Buckaroo Holiday” from Rodeo
Copland: Suite from Our Town
Copland: “Party Scene” and “The Promise of Living” from The Tender Land
Copland: “Hoe-Down” from Rodeo

Gemma New 3, credit-© Roy Cox (1)

Gemma New. Photo by Roy Cox.

Sunday, July 5
Festival Orchestra, Gemma New, guest conductor
Conrad Tao, piano

Mozart: Chaconne and Pas seul, ballet music from Idomeneo
Mozart: Piano Concerto in A Major, K488
Mozart: Symphony No. 40 in G minor, K550

Tuesday, July 7
Robert Mann Chamber Music Series: St. Lawrence String Quartet

Haydn: Quartet in D Major, op. 20 no. 4
John Adams: String Quartet No. 2 (2014)
Debussy: String Quartet in G minor, op. 10

Thursday, July 9, and Friday, July 10
Russian Masters
Festival Orchestra, Jean-Marie Zeitouni, conductor
Nareh Arghamanyan, piano

Mussorgsky: Night on Bald Mountain
Tchaikovsky: Piano Concerto No. 1 in B-flat minor
Prokofiev: Symphony No. 5 in B-flat Major

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Christopher Dragon

Saturday July 11 at 11 a.m.
Family Concert
Christopher Dragon, guest conductor
Really Inventive Stuff, guest artists

Bizet: “Les Toreadors” from Carmen
Leopold Mozart: “Toy Symphony” (formerly attributed to Joseph Haydn)
Francis Poulenc: The Story of Babar, the Little Elephant

Sunday, July 12
Festival Chamber Orchestra, Jean-Marie Zeitouni, conductor
Angelo Xiang Yu, violin; John de Lancie, actor

György Ligeti: Concert Românesc (1951)
Ravel: Tzigane, Rapsodie de concert for violin and orchestra
Brahms: Hungarian Dances Nos. 1 and 6
Pablo de Sarasate: Zigeunerweisen
Mendelssohn: Incidental Music for A Midsummer Night’s Dream

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Caroline Shaw. Photo by Kate Moreno.

Tuesday, July 14
Robert Mann Chamber Music Series: Brooklyn Rider String Quartet

Caroline Shaw: Schisma (2018)
Gabriela Lena Frank: Kanto Kechua #2 (2018)
Du Yun: i am my own achilles’ heel, a form that would never shape (2018)
Matana Roberts: borderlands (2018)
Reena Esmail: Zeher (Poison) (2018)
Beethoven: String Quartet No. 15 in A minor, op. 132

Thursday, July 16
Festival Orchestra, Peter Oundjian, conductor
Tesssa Lark, violin, and Timothy McAllister, saxophone

Wang Jie: World premiere (Colorado Music Festival commission)
Samuel Adams: Chamber Concerto (2017)
John Adams: City Noir (2009)

Jisu.Jung

Jisu Jung

Friday, July 17
“Kaleidoscope”
Festival Orchestra members, Christopher Taylor, piano, and Jisu Jung, marimba

Joan Tower: Fanfare for the Uncommon Woman No. 5 (1993)
Nico Muhly: Big Time for string quartet and percussion (2012)
Eric Ewazen: Northern Lights (1989)
Derek Bermel: Turning (1995)
Nebojsa Zivkovic: Trio per Uno (1995/1990)
William Bolcom: Piano Quintet No. 2 (2011)
Keith Jarrett: The Köln Concert (Part IIC) (1975)
Leigh Howard Stevens: Rhythmic Caprice (1989)

Sunday, July 19
Festival Orchestra, Peter Oundjian and John Adams, conductors

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Jeremy Denk. Photo by Dennis Callahan.

Jeremy Denk, piano

Gabriella Smith: Tumblebird Contrails (2014)
John Adams: Piano Concerto No. 2,  Must the Devil Have All the Good Tunes? (2019)
Christopher Rouse: Symphony No. 6 (2019)

Tuesday, July 21
Robert Mann Chamber Music Series: Festival Orchestra members

Mozart: String Quintet in G minor, K516
Brahms: String Quintet No. 2 in G Major, op. 111

Thursday, July 23
Beethoven Piano Concerto series
Festival Orchestra, Peter Oundjian, conductor
Jan Lisiecki, piano

Beethoven: Overture to Fidelio
Beethoven: Piano Concerto No. 2 in B-flat Major, op. 19
Beethoven: Piano Concerto No. 1 in C Major, op. 15

Friday, July 24
Beethoven Piano Concerto series
Festival Orchestra, Peter Oundjian, conductor
Jan Lisiecki, piano

Beethoven: Coriolan Overture, op. 62
Beethoven: Piano Concerto No. 3 in C minor, op. 37
Beethoven: Piano Concerto No. 4 in G Major, op. 58

Sunday, July 26
Beethoven Piano Concerto series
Festival Orchestra, Peter Oundjian, conductor
Jan Lisiecki, piano

Beethoven: String Quartet in C-sharp minor, op. 131 (arr. Peter Oundjian)
Beethoven: Piano Concerto No. 5 in E-flat Major, op. 73

Tuesday, July 28
Robert Mann Chamber Music Series: Festival Orchestra members

Beethoven: Quintet in E-flat Major for Piano and Winds, op. 16
Beethoven: Septet in E-flat Major, op. 20

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Augustin Hadelich

Thursday, July 30
Festival Orchestra, Peter Oundjian, conductor
Augustin Hadelich, violin

Beethoven: Violin Concerto in D Major, op. 61
Beethoven: Symphony No. 5 in C minor, op. 67

Saturday, August 1
Festival Finale
Festival Orchestra, Peter Oundjian, conductor

Mahler: Symphony No. 5 in C-sharp minor

CMF Orchestra 2019-3

Peter Oundjian conducting the CMF Orchestra (2019)

 

2019: Many farewells in the music world

Remembering some of the fabulous musicians we have lost

By Peter Alexander Dec. 28 at 3:20 p.m.

Below are listed some of the musicians we lost in the past 12 months. There is kind of melancholy symmetry to the fact that Carol Channing, famous for the role of Dolly Levi in Hello Dolly, is the first person in the list, and Jerry Herman, that evergreen show’s composer and lyricist, is the last.

These are just the names that caught my eye. Feel free to add any names that have been overlooked.

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Who else? Carol Channing

Jan. 15: Carol Channing, the instantly recognizable Tony-winning platinum blond who became permanently associated with the role of Dolly Gallagher Levi in Hello Dolly, a role she revived at the age of 74, 97

Jan. 17: Theo Adam, German bass-baritone known for Wagnerian roles including Hans Sachs and Wotan, which he sang at Bayreuth, the Wiener Staatsoper and the Metropolitan Opera, 92

Jan. 26: Michel Legrand, arranger and composer of hundreds of film scores, known especially for the music for The Umbrellas of Cherbourg and “The Windmills of your Mind” from The Thomas Crown Affair, 86

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Sanford Sylvan as Chou En-lai

Jan. 26: Sanford Sylvan, American baritone who was particularly memorable in operas by John Adams, including as Chou En-lai in Nixon in China and Leon Klinghoffer in Death of Klinghoffer, 65

Feb. 20: Dominick Argento, celebrated composer of songs, choral music, and 14 operas including Postcard from Morocco and Casanova’s Homecoming, 91

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Hilde Zadek

Feb. 21: Hilde Zadek, Austrian soprano who sang at the Wiener Staatsoper from her remarkable debut as Aida—without ever having previously studied the role or even sung onstage—in 1947 until her retirement in 1971, and at other major houses world-wide, 101

Feb. 28: Andre Previn, pianist/composer/conductor whose career spanned jazz, pop and classical music, and who once received three Academy Award nominations in a single year (1961), 89

March 1: Joseph Flummerfelt, American choral conductor known for collaborations with the New York Philharmonic and other orchestras, who also trained younger choral conductors at the Westminster Choir College, 82

March 3: Peter Hurford, British organist, composer and choir director known for his performances of J.S. Bach and a complete recording of Bach’s organ works, 88

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J.H. Kwabena Nketia

March 13: J.H. Kwabena Nketia, Ghanaian scholar and composer who was recognized as the leading scholar of African music, well known to anyone who studied ethnomusicology in the past several generations, 97

March 15: Michael Gielen, German conductor known for his performances of contemporary music and radical productions he led at the Frankfurt Opera, 9

March 16: Dick Dale, guitarist whose left-handed, upside-down playing technique and Lebanese ancestry contributed to his famed “Surf Guitar” style, featured in in the hit song “Misirlou,” 81

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Marilyn Mason

April 4: Marilyn Mason, concert organist and teacher at the University of Michigan for a remarkable 67 years, and a champion of music by living composers, 93

April 5: Sam Pilafian, virtuoso tubist who played everything from classical to jazz, helped found The Empire Brass, taught with exuberance and earned ecstatic reviews everywhere he worked, including Mr. Rogers’ Neighborhood, 69

April 16: Jörg Demus, Austrian pianist who made more than 350 recordings; accompanied Dietrich Fischer-Dieskau, Elly Ameling, and other major vocalists; and performed classical-era four-hand works with Paul Badura-Skoda, 90

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Doris Day singing ‘Que será, será” in The Man Who Knew Too Much

April 22: Heather Harper, Northern Irish-born soprano known for her performances of Ellen Orford in Peter Grimes and other roles in Benjamin Britten’s operas, as well as repertory from the Baroque to the 20th century, 88

May 13: Doris Day, born Doris Mary Ann von Kappelhoff, a singer who was compared to Bing Crosby and Frank Sinatra before she became the perpetually chaste star of films including Pillow Talk and That Touch of Mink, 97

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Dr. John

June 6: Dr. John, the six-time Grammy winning New Orleans pianist, singer and songwriter whose musical gumbo blended everything from Mardi Gras flamboyance to voodoo mystery, and whose real name was Malcolm John Rebennack, Jr., 77

 

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Franco Zeffirelli’s Turandot

June 15: Franco Zeffirelli, Italian film and opera director who brought lavish, extravagant productions to the Metropolitan Opera and other houses around the world, including popular versions of Carmen, La Bohéme and Turandot (1987) at the Met, 96

June 15: Michael Jaffee, co-founder with his wife Kay of the Waverly Consort, which got its start preparing music for a graduate musicology class at New York University and went on to become one of great popularizers of early music, 81

June 23: Spiro Malas, a bass with a long career in supporting roles at the New York City Opera and the Metropolitan Opera, who found fame as Tony Esposito in the 1992 Broadway revival of The Most Happy Fella, 86

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Vivian Perlis

July 1: Sid Ramin, a lifelong friend of Leonard Bernstein who won both an Oscar and a Grammy for his work orchestrating West Side Story, 100

July 4: Vivian Perlis, founder of Yale University’s Oral History of American music, an archive of 3,000 recordings collected over more than 40 years with interviews of composers and other important musicians including Aaron Copland, Elliot Carter, Duke Ellington and John Adams, 91

July 6: João Gilberto, the recording artist and songwriter credited as the creator of the complex Brazilian song style known as bossa nova (“the new thing”), 88

July 9: Aaron Rosand, violinist who performed worldwide and whose students won many major violin prizes, and who sold his Guarneri del Gesù violin for $10.1 million, of which he gave $1.5 million to the Curtis Institute in Philadelphia, 92

July 12: Robert Orth, an American baritone known for creating roles in new operas, having sung the premieres of Jake Heggie’s Dead Man Walking, Ricky Ian Gordon’s Grapes of Wrath, and Heggie and Gene Scheer’s Moby-Dick, among many others, 72

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Ben Johnston

July 21: Ben Johnston, American composer, an advocate of just intonation, a longtime faculty member at the University of Illinois, Urbana-Champaign, whose best known work, string quartet/variations “Amazing Grace,” was performed by several groups including Kronos, 93

July 25: Anner Bylsma, Dutch cellist who won the Pablo Casals International Competition, served as principal cellist of the Royal Concertgebouw Orchestra and became known for his historical performances of Baroque music, 85

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Hal Prince

July 31: Hal Prince, the legendary Broadway producer and multiple-Tony winner who collaborated with Bob Fosse, Jerome Robbins, Leonard Bernstein, Stephen Sondheim, and others, and produced and/or directed shows including West Side Story, Fiddler on the Roof, Sweeney Todd and Phantom of the Opera, 91

Aug. 17: Rosemary Kuhlman, mezzo soprano who sang the role of Amahl’s mother in the 1951 world premiere telecast of Gian Carlo Menotti’s Amahl and the Night Visitors on NBC, a role she sang for many years and that led to a career at New York City Opera, 97

Aug. 23: Mario Davidovsky, Pulitzer Prize-winning Argentine-American composer known for combining live performance with electronics, former head of the Columbia-Princeton Electronic Music Center, 85

Sept. 17: Harold Mabern, a Blues and jazz pianist, composer, recording artist and teacher who worked with “Cannonball” Adderley, Miles Davis, Lionel Hampton and others over a long career as a self-described “”Blues player with chops,” 83

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Christopher Rouse

Sept. 22: Christopher Rouse, Pulitzer- and Grammy-winning composer of vivid, energetic and often loud orchestral works that grew out of his enjoyment of rock music and his studies with George Crumb, 70

Sept. 23: Myron Bloom, principal horn of the Cleveland Orchestra under George Szell, later principal of the Orchestre de Paris and faculty member of the Indiana University Jacobs School of Music, 93

Sept. 25: Paul Badura-Skoda, Austrian pianist who was known for his elegant and refined performances, who overcame an early prejudice against period keyboard instruments to record the complete sonatas of Mozart, Beethoven and Schubert on both modern and historical instruments, 91

Sept. 29: Martin Bernheimer, the ruthless and feared, but also widely respected music critic of the Los Angeles Times, where he won the 1982 Pulitzer Prize for criticism and twice won the ASCAP Deems Tayler Award, as well as the Financial Times and other outlets, 83

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Jessye Norman

Sept. 30: Jessye Norman, exceptional dramatic soprano who performed leading roles at the Metropolitan Opera, La Scala and other major houses, became the youngest winner of Kennedy Center Honors in 1997, received the National Medal of the Arts and a Grammy Lifetime Achievement Award and was a Commander of the French Order of Arts and Letters, 74

Oct. 4: Diahann Carroll, tony-winning singer and actress, for whom Richard Rodgers wrote a part in No Strings after he saw her in Harold Arlen’s House of Flowers, and who then went on from success in musicals, to her first move role in Carmen Jones, and finally became the first black woman to have her own TV show, Julia, 84

Oct. 22: Raymond Leppard, English conductor who made a reputation reviving early Baroque operas, tailoring them to what he considered modern tastes rather than recreating original performances (which he called a “faddish pursuit”), then went on to conduct orchestras in St. Louis, Manchester and Indianapolis, 92

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Chou Wen-Chung

Oct. 25: Chou Wen-Chung, Chinese-born composer who taught for many years at Columbia University, one of the first composers to blend Asian and Western sounds in his scores and was called “the godfather of Chinese contemporary music” by his student, composer Tan Dun, 96

Nov. 24: Juan Orrego-Salas, distinguished Chilean-American composer who taught composition for 26 years and co-founded the Latin-American Music Center at Indiana University, 100

Nov. 30: Mariss Jansons, Latvian conductor who led the Bavarian Radio Symphony and the Concertgebouw Orchestra of Amsterdam and whose touring appearances around the world were widely anticipated, 76

Dec. 12: Dalton Baldwin, American pianist who was known and widely admired as a recital accompanist to some of the greatest singers of his time, including Elly Ameling, Frederica von Stade, Jessye Norman, Nicolai Gedda and Gérard Souzay, 87

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Cover of Christmas album by Peter Schreier

Dec. 25: Peter Schreier, German lyric tenor and conductor who trained in East Germany and performed more than 60 opera roles in major opera houses world wide, and whose final performance in 2005 was Bach’s Christmas Oratorio in Prague, in which he both conducted and sang the role of the Evangelist, 84

Dec. 26: Jerry Herman, composer of notable Broadway musicals about vibrant women—Hello, Dolly and Mame—and notably the first musical featuring gay lovers, La Cage aux Folles, winner of many awards including Tonys for Dolly and La Cage, which also won the Tony for best revival in both 2004 and 2010, 88

NOTE: Edited to correct typos, 12/28 and 12/29