Piano virtuosity, with and without the Boulder Chamber Orchestra

Spanish pianist Victoria Aja will be heard in two performances in Boulder

By Peter Alexander

Bahman Saless. Photo by Keith Bobo

Bahman Saless. Photo by Keith Bobo

When a soloist comes all the way across the Atlantic, Bahman Saless likes to give her a real opportunity to be a star.

That is certainly the case for Victoria Aja, a Spanish pianist who has played extensively in Europe but is not well known here. Aja will be the soloist with Saless and the Boulder Chamber Orchestra on their next concert, at 7:30 p.m. Friday, Oct. 3, in the First United Methodist Church in Boulder (program to be repeated at 7:30 p.m. Saturday in the Broomfield Auditorium; tickets). And a week later, she will play a solo recital, “A Night of Spanish Piano Masterpieces,” at 7:30 p.m. Friday, Oct. 10, in Grace Lutheran Church in Boulder (tickets).

“I really wanted to expose her to the Boulder audiences, in her own intimate setting, which is she does a lot of piano recitals,” Saless says. “I decided, she’s come all the way from (Spain) to here, we will basically host her the entire week, and have her do another recital program of just Spanish music.”

Pianist Victoria Aja

Pianist Victoria Aja

For the orchestra program, Aja will play two large pieces, virtual concertos, with the BCO: a chamber orchestra version of Manuel de Falla’s atmospheric piano showpiece Nights in the Gardens of Spain; and French composer Cesar Franck’s more serious work Symphonic Variations for piano and orchestra.

The orchestra will also play two works that complete the Spanish/French pairing: de Falla’s “Ritual Fire Dance” from El Amor Brujo and the early Symphony in C major by Georges Bizet.

The solo recital program of Spanish music, to be played without intermission, will include the complete Suite from El Amor Brujo, arranged for piano, as well as other works by de Falla, Isaac Albeniz, Joaquin Larregla, and two of the Fifteen Basque Preludes by Padre Jose Antonio Donostia.

Aja comes from the Basque region of Spain, near the border with France. A Basque musicologist and composer, Donostia based his Basque Preludes on the traditional music of the region.

Saless learned of Aja when she wrote to him a few years ago, including a resume and several DVD recordings of her solo recitals. “I had been wanting to do a Spanish program for quite a while, and I thought she would probably be a good fit,” Saless says.

“She is really from the more gypsy end of Spanish pianists—very sort of hot blooded, you know, rubatos, a crazy pianist. She specializes in de Falla, so I thought, let’s bring her in, we’ll do something cool and crazy.”

Boulder Chamber Orchestra. Photo by Keith Bobo.

Boulder Chamber Orchestra. Photo by Keith Bobo.

Friday and Saturday’s orchestra program, Oct. 3 and 4, is titled “Glamour,” but not for the exotic European piano virtuoso. “No,” Saless says, “really the glamour comes from the French-Spanish (culture) of that era, when the music was written. It’s very chic.

“It’s an amazing, exquisite program. It’s really very luscious. Sandwiched by the “Fire Dance” at the beginning and the Bizet Symphony at the end, it’s a really fun and jolly concert. In between, the de Falla pieces are so exotic and I think people are not used to hearing so much color. Color is everywhere with de Falla, and with that sense it’s a really unusual concert for us because you don’t do much color with a chamber orchestra.”

But Saless believes that the Oct. 10 solo recital will be Aja’s “signature event.”

“She is much more of a recital pianist than an orchestra pianist,” he explains. “I think that concert is really going to be fun, filled with music that you just will not hear here in the US. It will showcase her very stylistic, gypsy sort of piano.

“She’s extremely musical— she cannot not be musical!”

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“Glamour”

Boulder Chamber Orchestra
Bahman Saless, conductor, with Victoria Aja, piano
“Ritual Fire Dance” from El Amor Brujo by Manuel de Falla
Nights in the Gardens of Spain by Manuel de Falla
Symphonic Variations for piano and orchestra by Cesar Franck
Symphony in C major by Georges Bizet

7:30 p.m. Friday, Oct. 3, First United Methodist Church, Boulder
7:30 p.m. Saturday, Oct. 4, Broomfield Auditorium

Tickets

“A Night of Spanish Piano Masterpieces”

Victoria Aja, piano
Presented by the Boulder Chamber Orchestra
7:30 p.m. Friday, Oct. 10
Grace Lutheran Church, Boulder

Tickets

Boulder’s Barsamian joins Kronos Quartet for Oct. 8 concert at Macky

Concert will feature music commemorating the 1914 outbreak of World War I

By Peter Alexander

Kronos Quartet performing Beyond Zero. Photo courtesy of Kronos Quartet

Kronos Quartet performing Beyond Zero. Photo courtesy of Kronos Quartet

The Kronos Quartet, always bold, brings Boulder artists to Boulder for their appearance at Macky Auditorium at 7:30 p.m. Wednesday, Oct. 8.

The concert will feature the world premiere of Speak, Time by Yuri Boguinia, who grew up in Boulder; and an appearance by broadcaster and writer David Barsamian, who founded Boulder’s Alternative Radio in 1986.

Barsamian will speak while Kronos performs songs from the early years of the 20th century. That performance will lead to the major work of the program, filling the second half of the concert: Beyond Zero: 1914–1918, a new multimedia work for string quartet and film that Kronos commissioned for the centennial of the outbreak of World War I.

Kronos

Courtesy of Kronos Quartet

Beyond Zero was written by Serbian composer Aleksandra Vrebalov and will be performed with film restored by experimental filmmaker Bill Morrison from extremely rare and badly deteriorated original films of the war.

Read more in Boulder Weekly.

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CU Presents: Kronos Quartet
Death to Kosmische by Nicole Lizée
World premiere of Speak, Time by Yuri Boguinia
Four songs from the time of World War I with David Barsamian
Beyond Zero: 1914–1918 by Aleksandra Vrebalov, with film by Bill Morrison
7:30 p.m. Wednesday, Oct. 8, Macky Auditorium
Tickets