A star-studded week at CU

By Peter Alexander

It will be a week of superstars in Boulder.

First will be famed Wagnerian soprano Deborah Voigt, presenting her one-woman show Voigt Lessons at Macky Auditorium on Saturday. Then the University of Colorado Boulder’s own superstars, the Takács String Quartet, begin a spring series of concerts in Grusin Hall with some of the stars from the CU Boulder music faculty Sunday and Monday. And next Wednesday, Feb. 22, Yo-Yo Ma presents a concert in Macky that, alas for latecomers, has been sold out for months.

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Deborah Voigt. Photo by Heidi Gutman.

Voigt’s one-woman show was written for her by Terrence McNally, the Tony-, Obie- and Emmy-award winning playwright, screenwriter and librettist for musicals and operas. A brutally honest retelling of her struggles during her career, the show is, Voigt says, “very much a story about a Midwest girl who turns out to be an international opera diva.”

The script includes songs that are especially meaningful to Voigt — most of them not operatic or art songs. “When people come to the theater, they’re not given a list of songs,” she says. “I want them to be surprised.”

She does reveal that she opens with a Carpenters song, “because I was a huge Karen Carpenter fan, and that’s the music I listened to. There is an art song and a definite nod to opera, of course.”

Voigt Lessons is based in part on Voigt’s 2015 book, Call Me Debbie: True Confessions of a Down-To-Earth Diva. Both the book and the show are remarkably frank about Voigt’s problems with weight, with addictions, and with relationships. “I just wanted to be honest about everything that had happened,” she says.

She’s pretty sure everyone will enjoy the show. “It’s going to be an entertaining evening,” she says. “There are some laughs, maybe a couple of funny expletives, there’s some drama. It’s a very intimate show.”

The Takács Quartet opens its spring series of six concerts performing with percussionist Douglas Walter and clarinetist Daniel Silver, both CU faculty members, Sunday and Monday Feb. 19 and 20. The concert will open with Beethoven’s String Quartet in G major, op. 18 no. 2. Walter will play Michael Colgrass’ Variations for Four Drums and Viola with Takács member Geraldine Walther, and Silver will join the full quartet for Brahms’ Clarinet Quintet in B minor, op. 115.

Takasce SQ

Takacs Quartet. Photo by Keith Saunders.

That pattern of that program — guests from the CU faculty and one Beethoven quartet — will continue in the other concerts this spring. “We are so grateful to have so many talented artists and wonderful people to collaborate with on the music faculty,” Ed Dusinberre, the quartet’s first violinist, says. “This year we decided we would, more than usual, make them a feature of our programming.”

The collaboration with CU faculty is important to the quartet, because it gives them opportunities to perform music that otherwise is difficult for them to put together. “We decided to feature pieces here (in Boulder) that we wouldn’t so easily be able to do on the road,” Dusinberre says.

“When we’re on the road, there’s not a lot of time to rehearse. Those (pieces with CU music faculty) are the sorts of pieces that we wouldn’t typically get together on the road.”

The Beethoven quartets on the concerts form a small sample of the full cycle of the composer’s 16 quartets that the Takacs are playing at Wigmore Hall in London and various places in the U.S. As associate artists of the Wigmore, they were invited to perform the full cycle during the current season.

9780226374369The Beethoven performances also tie in to Dusinberre’s recently published book, Beethoven for a Later Age: Living with the String Quartets, a highly readable personal recollection of Dusinberre’s experiences with the quartets that also provides remarkable insights into the lives of professional quartet players.

The upcoming concerts March 19 and 20 will feature Beethoven’s final String Quartet in F major, op. 135, and Haydn’s String Quartet in F major, op. 77 no. 2. Walther and guests Abigail Nims, alto, and Margaret McDonald, piano, will perform Two Songs for Alto, Viola and Piano by Brahms.

And on April 30 and May 1 the quartet will play Beethoven’s String Quartet in B-flat major, op. 18 no. 6. Soprano Jennifer Bird will perform Chausson’s Chanson perpétuelle with the full quartet and Alexandra Nguyen will perform Clara Schumann’s Three Romances, op. 21, with Dusinberre. That program and the spring concert series will conclude with Schubert’s much-loved “Trout” Quintet, with David Korevaar, piano, and Paul Erhard, double bass.

Read more at Boulder Weekly.

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Voigt Lessons
Deborah Voigt, soprano
7:30 p.m.. Saturday, Feb. 18, Macky Auditorium

Takacs Quartet
4 p.m. Sunday, Feb. 19
7:30 p.m. Monday, Feb. 20
Grusin Music Hall, CU Imig Music Building

Tickets

CU’s Takács Quartet and Edward Dusinberre in the news

The Economist praises Dusinberre’s “fascinating book”

By Peter Alexander

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Edward Dusinberre

The Economist, the weekly newsmagazine published in London, has published an article—it is more a description of the book and its subject than a review—about Takács Quartet first violinist Edward Dusinberre’s new book on the Beethoven string quartets.

The Tákacs is the quartet-in-residence at the University of Colorado, Boulder College of Music; Dusinberre and the other members are Ralph E. and Barbara L. Christoffersen Faculty Fellows.

Beethoven for a Later Age: The Journey of a String Quartet was published in England by Faber & Faber and will be published in the U.S. by the University of Chicago Press in May. “Mr Dusinberre is the lead violinist of the Takács Quartet, one of the world’s most highly regarded string ensembles, and he has written a fascinating book about the musical life of this group of players,” the publication states in the unsigned article.

“Interwoven with that is the story of Beethoven’s 16 string quartets, works of extraordinary power written over a quarter-century that moved the genre on from the earlier masters and are now regarded as the apogee of the chamber-music repertoire.” (Read the full article in The Economist.)

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Tákacs Quartet. Photo by Keith Saunders.

Like most books today, Beethoven for a Later Age has already attracted a number of celebrity blurbs and reviews. For example, pianist Garrick Ohlsson comments, “Dusinberre brilliantly spans Beethoven’s life, works, and the real issues of music making for his contemporaries into our time—via the working process of a great modern quartet living with Beethoven’s creations in the twenty-first century.”

Writing in the The Telegraph, Rupert Christiansen points out that Dusinberre intends to do more than elucidate the music. “Dusinberre’s second, and perhaps more daring, aim is to reveal something of the personal dynamics of the Takács Quartet itself, generally ranked as one of the two or three finest quartets active in the world today,” he writes.

“The glimpse Dusinberre gives us of their working is fascinating, but the alchemy that makes the Takács perform as sublimely as it does remains a mystery.”

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25329.books.origjpgBeethoven for a Later Age: The Journey of a String Quartet. By Edward Dusinberre. 232 pages, 14 line drawings. Faber & Faber; £18.99. To be published in America by University of Chicago Press in May; $30. ISBN: 9780226374369; an e-book edition will also be published.

 

 

Takacs Quartet’s Dusinberre on music and health

An article in The Guardian explores a most unusual topic: Life insurance for string quartet players

By Peter Alexander

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Edward Dusinberre

Edward Dusinberre, the first violinist of the Takacs Quartet, CU artist-in-residence and Ralph E. and Barbara L. Christoffersen Faculty Fellow at the CU College of Music, writes in The Guardian:

The foundation of a string quartet is formed over a long period of time from the musical and personal bonds that evolve between four individuals. Nonetheless, the decision we took several years ago to purchase life insurance polices for each other felt awkward. Until we became accustomed to our peculiar status as each other’s beneficiaries, minor illnesses were observed with wry attentiveness.

The article gives a peek into the inner workings of one of the world’s most celebrated string quartets, and also serves as teaser for Dusinberre’s book, Beethoven for a Later Age: The Journey of a String Quartet published in England by Faber and Faber and coming later this spring from Chicago University Press in the United States.

Read the entire article in The Guardian.

Grammy-nominated Takacs Quartet explores new repertoire

Pianist Margaret McDonald collaborates in performances of Janáček and Elgar

By Peter Alexander

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Tákacs Quartet. Photo by Keith Saunders.

The Takacs Quartet has such a long and distinguished history, has performed and recorded so much music, that it is surprising to learn that there is major repertoire that has not appeared on their programs.

In fact, their list of unplayed works will shrink by two at their performances Sunday and Monday (4 p.m. Jan. 10 and 7:30 p.m. Jan. 11) in Grusin Music Hall. And unsurprisingly, neither is for string quartet alone: The Takacs and pianist Margaret McDonald will perform Edward Elgar’s Quintet for piano and string quartet; and McDonald and first violinist Edward Dusinberre will present Leoš Janáček’s Sonata for violin and piano.

Completing the program will be Beethoven’s String Quartet in D major, op. 18 no. 3.

This will be the first concert by the Takacs following the announcement in December that their album with pianist Marc-Andre Hamelin of Shostakovich’s Piano Quintet and String Quartet No. 2 has been nominated for a Grammy Award. It is their fifth nomination and will be their second award if they win. The Grammy Awards will be presented Feb. 15.

“We’re always trying to combine music that’s very much our standard repertoire with newer things,” Dusinberre says. “It’s fun with (Elgar and Janáček), since they’re written at a similar time around the First World War, and the musical language couldn’t be more different.”

Read more in Boulder Weekly.

CU Presents offers a wide-ranging smorgasbord for 2015–16

Series will include Irish Chamber Orchestra, Indigo Girls, Twyla Tharp—and much more

Soweto Gospel Choir will be one of the colorful attractions of the 2015–16 season of CU Presents

Soweto Gospel Choir will be one of the colorful attractions of the 2015–16 season of CU Presents

By Peter Alexander

CU Presents, the series of ticketed events presented by the University of Colorado, Boulder, has announced their broad array of events for the 2016–16 season.

As in years past, the season encompasses a smorgasbord of events, from classical music and opera to popular music, jazz and gospel. Both professional touring attractions and performances by CU-based groups are included in the season. (See the full season listing below.)

Tákacs Quartet. Photo by Keith Saunders.

Tákacs Quartet. Photo by Keith Saunders.

Among the musical highlights will be the Irish Chamber Orchestra conducted by their “principal artistic partner” and former Tákacs quartet member Gábor Tákacs-Nagy in November, the Indigo Girls performing with the CU Symphony in March, and of course the world renowned Tákacs Quartet itself through the season. The Takacs series—divided into the Sunday afternoon Chamber Series and the Monday evening Encore Series—will feature one program by the Attacca Quartet, an award-winning ensemble formed at Juilliard in 2003. You can preview the Attacca with their CD recording, “Fellow Traveler: The Complete String Quartets of John Adams.”

Other musical events will include the San Francisco Jazz Collective performing a “Tribute to Michael Jackson” in October and the Soweto Gospel Choir performing a Christmas concert in December. Rising Stars of the Metropolitan Opera will perform in March, and in April composer/pianist Pablo Ziegler and violinist Lara St. John will perform tangos by Ziegler and Astor Piazzolla.

Diavolo Dance Co. Photo by Ammerpohl.

Diavolo Dance Co.

There will be dance performances by Twyla Tharp Dance, celebrating the choreographer’s 50th anniversary and appearing in Boulder for the first time since 1979; the unique Diavolo Dance Co., which bills itself as “architecture in motion”; and LA-based contemporary dance group Bodytraffic.

Next year’s schedule from the CU Eklund Opera Program will feature Macky Auditorium productions of Rossini’s comedy Cenerentola (Cinderella, sung in Italian with English surtitles); and Francis Poulenc’s haunting Dialogues of the Carmelites (sung in French with English subtitles). The spring will also see a Music Theatre production of Aaron Copland’s rarely performed Tender Land.

Series tickets will go on sale Monday (March 30) at cupresents.org.

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CU Presents
2015-16 season

Twyla Tharp/ Photo by Marc VanBorstel.

Twyla Tharp. Photo by Marc VanBorstel.

Artist Series

Twyla Tharp Dance
50th Anniversary Tour
Sunday, Sept. 27, 7:30 p.m.

SF Jazz Collective
Tribute to Michael Jackson
Friday, Oct. 9, 7:30 p.m.

Irish Chamber Orchestra, Gábor Takács-Nagy, conductor
Friday, Nov. 6, 7:30 p.m.

Gabor Tákacs-Nagy. Photo by Klaus Rudolph.

Gabor Tákacs-Nagy. Photo by Klaus Rudolph.

Soweto Gospel Choir
Christmas concert
Friday, Dec. 11, 7:30 p.m.

Diavolo Dance Co.
Thursday, Jan. 21, 7:30 p.m.

Bodytraffic
Sunday, Feb. 14, 7:30 p.m.

Rising Stars of the Metropolitan Opera
Tuesday, March 1, 7:30 p.m.

Indigo Girls. Photo by Jeremy Cowart.

Indigo Girls. Photo by Jeremy Cowart.

Indigo Girls with the CU Symphony Orchestra
Thursday, March 31, 7:30 p.m.

Pablo Ziegler and Lara St. John
Piazzolla Central Park Concert Redux
Friday, April 15, 7:30 p.m.

Holiday Festival
7:30 p.m. Friday, Dec. 4
4 p.m. Saturday, Dec. 5
7:30 p.m. Saturday, Dec. 5
4 p.m. Sunday, Dec. 6

Eklund Opera Program
La Cenerentola (Cinderella)
By Gioachino Rossini
(Sung in Italian with English surtitles)
Friday, Oct. 23, 4 p.m.
Saturday, Oct. 24, 7:30 p.m.
Sunday, Oct. 25, 2 p.m.
Tickets start at $14
Macky Auditorium

Dialogues of the Carmelites
By Francis Poulenc
(Sung in French with English surtitles)
Friday, March 11, 7:30 p.m.
Saturday, March 12, 7:30 p.m.
Sunday, March 13, 2 p.m.
Tickets start at $14
Macky Auditorium

The Tender Land
By Aaron Copland
(Sung in English)
Friday, April 22, 7:30 p.m.
Saturday, April 23, 7:30 p.m.
Sunday, April 24, 2 p.m.
Tickets start at $14
Music Theatre

Takács Quartet

Attacca Quartet

Attacca Quartet

Chamber Series
4 p.m. Sunday, Sept. 20
4 p.m. Sunday, Oct. 11 (The Attacca Quartet)
4 p.m. Sunday, Nov. 8
4 p.m. Sunday, Jan. 10
4 p.m. Sunday, Feb. 28
4 p.m. Sunday, April 24

Encore Series
7:30 p.m. Monday, Sept. 21
7:30 p.m. Monday, Oct. 12 (The Attacca Quartet)
7:30 p.m. Monday, Nov. 9
7:30 p.m. Sunday, Jan. 11
7:30 p.m. Monday, Feb. 29
7:30 p.m. Monday, April 25

Spring Swing
CU-Boulder College of Music jazz bands and ensembles
2 p.m. Sunday, April 17