Colorado Music Festival announces 2023 concerts

Joshua Bell as artist-in-residence, John Corigliano composer-in-residence

By Peter Alexander Jan. 25 at 11 a.m.

The Colorado Music Festival (CMF) has announced their 2023 summer season at Chautauqua. 

Peter Oundjian. Photo by Geremy Kornreich

The formal announcement of the season was made last night (Jan, 24) at the Center for Musical Arts in Lafayette, which is the sister organization of the CMF. The event was live streamed to the public.

Before the introduction of the concerts by music director Peter Oundjian, executive director Elizabeth McGuire announced that the CMF’s 2022 world premiere performance of Flying On the Scaly Backs of Our Mountains by Wang Jie had reached more than a million listeners world-wide through radio—“more than doubling the reach of the festival over its history with one performance,” she said.

Oundjian has written of the 2023 season, We are so fortunate to bring to you some of the greatest performers alive today, including artist-in-residence Joshua Bell, along with the extraordinary talents of eight of today’s brilliant composers. It is such a thrill to hear today’s voices alongside—and interacting with—groundbreaking voices from the past, giving us a unique window into centuries of the greatest in creativity.”

John Corigliano. Photo by J. Henry Fair

Since his appointment as music director in 2018, Oundjian has made the music of today a focus of the festival. Among the living composers whose music will be performed this summer is John Corigliano, winner of the Pulitzer Prize, four Grammies and an Academy Award. As composer-in-residence, Corigliano will be present at the festival for a concert devoted entirely to his music on July 13 (see full programs below).

Premieres will be presented of works by Jordan Holloway, CU faculty member Carter Pann, and Adolphus Hailstork. All three will be performed on July 16, as the culmination of a week of “Music of Today.” A preview of music by five other living composers will be offered by Bell, who has commissioned a five-movement suite for violin and orchestra from five different composers.

Joshua Bell. Photo by Phillip Knott

The suite, titled Elements, will have its official premiere later, but all five movements will be previewed over two concerts at CMF—the final two concerts of the season (Aug. 3 and 6). The composers who have contributed to Elements are among the most important composers working today: Jake Heggie, Jessie Montgomery, Edgar Meyer, Jennifer Higdon and Kevin Puts.

Bell will also be at CMF for the first week of the festival and will play Max Bruch’s Violin Concerto in G minor on the opening program, June 29 and 30.

A highlight of the 2023 festival will be two programs celebrating the 150th anniversary of the birth of composer Sergei Rachmaninoff (July 6–7 and July 9). Oundjian said that it seemed appropriate in 2023 to perform works composed outside Russia, many of them in the United States which was Rachmaninoff’s home in the later years of his life. These works include the Third and Fourth piano concertos, the beloved Rhapsody on a Theme of Paganini, and the rarely performed Symphony No. 3.

Michael Christie. Photo by Bradford Rogne

Another feature of the 2023 festival of which Oundjian is particularly proud is the continuation of the Robert Mann Chamber Music Series, named for the founding first violinist of the Juilliard String Quartet. In addition to performances by members of the Festival Orchestra, the four-concert series will also feature guest performances by the JACK Quartet, renowned for their performances of contemporary music, and the Brentano String Quartet.

The 2023 festival will also see the return of Music Director Emeritus Michael Christie to conduct concerts on July 20 and 21. Christie was the CMF music director 2000–13.

“Not only does the 2023 season promise to be artistically stunning, I know our audiences will appreciate the way the programming weaves so many diverse, timely, and relevant voices into the fabric of classical music,” executive director Elizabeth McGuire wrote.

Performances this summer will be at 7:30 p.m. on Tuesdays and Thursdays, and 6:30 p.m. Fridays and Sundays. As in past years, Tuesdays will be devoted to chamber music, other days to Festival Orchestra performances. In response to comments from patrons, the Family Concert on Sunday, July 2, has been moved earlier in the day, to 10:30 a.m. Other updates to the festival this year include a new ticketing system through the Chautauqua Box Office, and meals available for pre-order through the ticketing system.

Subscription tickets for the 2023 festival are available here. Single-concert tickets go on sale March 7 through the CMF Web page, or by phone at the Chautauqua Box Office at 303-440-7666. New for 2023, CMF is offering $10 tickets for youth (ages 18 and under) and students with current school identification. More information can be found HERE.

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COLORADO MUSIC FESTIVAL
2023 Performance Schedule
All performances at Chautauqua Auditorium

7:30 p.m. Thursday June 29 and 6:30 p.m. Friday, June 30: Festival Opening Program
Festival Orchestra, Peter Oundjian, conductor
With Joshua Bell, violin

  • Carlos Simon: “Motherboxx Connection” from Tales: A Folklore Symphony for orchestra
  • Max Bruch: Violin Concerto No. 1 in G minor
  • Mussorgsky: Pictures at an Exhibition (orchestrated by Ravel)

Family Concert: 10:30 a.m. Sunday, July 2
Festival Orchestra, Kalena Bovell, conductor
With Jennifer Bird-Arvidsson, soprano, and Janae Burris, narrator

  • Bizet: Carmen Suite No. 1
  • Eric Whitacre: Goodnight Moon
  • Samuel Coleridge-Taylor: “Danse Nègre” from African Suite
  • Prokofiev: Peter and the Wolf

7:30 p.m. Thursday, July 6 and 6:30 p.m. Friday July 7
Festival Orchestra, Peter Oundjian, conductor
With Nicolai Lugansky, piano

  • Rachmaninoff: Piano Concerto No. 3 in D Minor,
    —Symphony No. 3 in A Minor

6:30 p.m. Sunday, July 9
Festival Orchestra, Peter Oundjian, conductor
With Nicolai Lugansky, piano

  • Rachmaninoff: Rhapsody on a Theme of Paganini
    —Piano Concerto No. 4 in G Minor
    Symphonic Dances

7:30 p.m. Tuesday, July 11
Robert Mann Chamber Music Series: JACK Quartet

  • Morton Feldman: Structures for String Quartet (1951)
  • Caleb Burhans: Contritus (2010) 
  • Philip Glass: String Quartet No. 5 (1991)
  • Caroline Shaw: Entr’acte (2011)
  • John Zorn: The Remedy of Fortune for String Quartet (2016)

7:30 p.m. Thursday, July 13
Festival Orchestra, Peter Oundjian, conductor
With Timothy McAllister, saxophone

  • John Corigliano: Gazebo Dances (for orchestra) (1974)
    One Sweet Morning for voice and orchestra (2010)
    Triathlon for saxophone and orchestra (2020)

6:30 p.m. Sunday, July 16
World premieres: Festival Orchestra, Peter Oundjian, conductor
With Janice Chandler-Eteme, soprano, and Eric Owens, narrator

  • Jordan Holloway: Flatiron Escapades (world premiere commission)
  • Carter Pann: Dreams I Must Not Speak (world premiere commission)
  • Adolphus Hailstork: JFK: The Last Speech (world premiere)

7:30 p.m. Tuesday, July 18
Robert Mann Chamber Music Series: Brentano String Quartet

  • Mozart: String Quartet in D Major, K499
  • James MacMillan: Memento for string quartet (1994)
    For Sonny for string quartet (2011)
  • Beethoven, String Quartet No. 13 in B-flat Major, op. 130

7:30 p.m. Thursday, July 20, and 6:30 p.m. Friday, July 21
Festival Orchestra, Music Director Emeritus Michael Christie, conductor
With Michelle Cann, piano

  • Ravel: Piano Concerto in G Major
  • Florence Price: Piano Concerto in One Movement
  • Tchaikovsky: Symphony No. 4 in F Minor, op. 36

6:30 p.m. Sunday, July 23
Festival Orchestra, François López-Ferrer, conductor
With Grace Park, violin

  • Mozart: Overture to The Impresario K486
    —Violin Concerto No. 3 in G Major, K216
    —Adagio and Fugue in C Minor, K546
    —Symphony No. 36 in C Major, (“Linz”) K425

7:30 p.m. Tuesday, July 25
Robert Mann Chamber Music Series: Members of the Colorado Music Festival Orchestra

  • Benjamin Britten: Phantasy Quartet for Oboe and Strings, op. 2
  • Francis Poulenc: Sextet in C Major for Piano and Winds
  • Brahms: String Sextet No. 2 in G Major, op. 36

7:30 p.m. Thursday, July 27, and 6:30 p.m. Friday, July 28
Festival Orchestra: Eun Sun Kim, conductor
With Johannes Moser, cello

  • Mason Bates: The Rhapsody of Steve Jobs (2021)
  • Shostakovich: Cello Concerto No. 1 in E-flat Major, op. 107
  • Brahms: Symphony No. 2 in D Major, op. 73

6:30 p.m. Sunday, July 30
Festival Orchestra, Hannu Lintu, conductor,
With Lise de la Salle, piano

  • Einojuhani Rautavaara: Cantus Arcticus (1974)
  • Schumann: Piano Concerto in A Minor
  • Haydn: Symphony No. 96 in D Major (“Miracle”)

7:30 p.m. Tuesday, Aug. 1
Robert Mann Chamber Music Series: Members of the Colorado Music Festival Orchestra

  • Beethoven: String Trio in C Minor, op. 9 no. 3
  • Debussy: Danses sacrée et profane (Sacred and profane dances)
  • Dvořák: Piano Quintet No. 2 in A Major, op. 81

7:30 p.m. Thursday, Aug. 3
Festival Orchestra, Peter Oundjian, conductor
With Joshua Bell, violin

  • The Elements: Suite for Violin and Orchestra (commissioned by Joshua Bell)
    “Fire” by Jake Heggie
    “Ether” by Jessie Montgomery
    “Water” by Edgar Meyer
  • Debussy: La Mer

6:30 p.m. Sunday, Aug. 6: Festival Finale Concert
Festival Orchestra, Peter Oundjian, conductor
With Joshua Bell, violin

  • The Elements: Suite for Violin and Orchestra (commissioned by Joshua Bell)
    “Air” by Jennifer Higdon
    “Earth” by Kevin Puts
  • Mahler: Symphony No. 1 in D Major (“Titan”)

Elliot Moore is building bridges as director of the Longmont Symphony

First season is about connecting with local institutions—and friendship

By Peter Alexander

The Longmont Symphony Orchestra (LSO) has announced its 2017–18 season, the first under new music director Elliot Moore, and the consistent theme is building connections within the community.

Elliot Moore - credit - Photography Maestro

Elliot Moore. Photo by Photography Maestro

That and friendship. The first concert explicitly highlights friendships, and the entire season is filled with performances that developed out of Moore’s professional friendships.

“Building connections is something that I’m really passionate about with this orchestra and with Longmont,” Moore says. Some of the connections he has worked to establish over the coming season are with the Longmont Public Library, with local composers, with the Longmont Museum through a chamber orchestra concert in Stewart Auditorium, and with other local cultural organizations.

“These are friendships that I think are so valuable, and I’m happy that we’re highlighting that very thing on the first concert,” he says.

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Composer Carter Pann, one of Moore’s new friends

The season opening concert Oct. 7 features three pieces, each representing a different facet of friendship: Slalom by CU composer Carter Pann, who Moore counts as a new friend since coming to Colorado; Rachmaninoff’s Rhapsody on a Theme of Paganini with piano soloist Spencer Myer, a professional colleague and friend that Moore has worked with before; and Elgar’s Enigma Variations, in which each variation describes one of Elgar’s close friends, from his wife to his publisher.

In addition to Pann, the season includes another local composer, Michael Udow, a percussionist/composer who lives in Longmont. The LSO concert on Feb. 24 will feature the world premiere of Udow’s Mountain Myths.

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Percussionist/composer Michael Udow

Udow had been on the faculty of the University of Michigan when Moore was a student. “When I was guest conducting the LSO, Michael contacted me and said, ‘Oh, by the way, I’m living in Longmont,’” Moore explains. “I got to know some of his music, and thought that he writes really beautiful stuff. I was very happy to be able to draw on that connection with a fantastic composer who literally lives right there in Longmont, and it goes along with the theme of friends.”

Several of Moore’s friends will appear as soloists. In addition to Myer on the first concert, violinist Andrew Sords will play the Barber Violin Concerto on Nov. 11, and cellist Matthew Zalkind, Moore’s fellow student at Michigan who now teaches at the Lamont School of Music at the University of Denver, will play the Saint-Saëns Cello Concerto No. 1 on Feb. 24.

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Popular children’s author Jack Prelutsky

Another personal acquaintance on the season is sure to attract attention. “I believe this is going to be a real feather in the cap of this orchestra and this season,” Moore says. “The main work on our family concert (Jan. 27) is Lucas Richman’s Behold the Bold Umbrellaphant. People are going to have an unbelievable experience because the music is so good!”

In collaboration with the Longmont Public Library, the LSO is bringing in to narrate Richman’s piece the well known author and former Children’s Poet Laureate Jack Prelutsky. “Prelutsky is a music lover and a great singer,” Moore explains. “It just so happens that my mom conducted a choir, which she recently stepped down from, and Jack was in her choir.”

Another program that Moore wants to point out is the concert on Nov. 11, Veterans’ Day. Titled “The American Frontier: In Honor of Our Veterans,” the all-American program includes both Aaron Copland’s World War II-era “Fanfare for the Common Man,” and Joan Tower’s 1987 response to Copland’s iconic piece, “Fanfare for the Uncommon Woman.”

Other works on the program are “Hymn to the Fallen,” taken from John Williams’ score for the World War II film Saving Private Ryan, and the Barber Violin Concerto, played by Sords. The program closes with just about the first piece to enter the standard orchestra repertoire that was written in America, Antonín Dvořák’s Symphony No. 9, “From the New World.”

Balancing the needs of the orchestra and the audience, Moore has put together a season with a mix of styles and periods, known and unknown composers. There are several pieces by living composers, but also many of the most popular classical composers are on the schedule as well: Rachmaninoff, Elgar, Mendelssohn, Dvořák, Vivaldi, Bach, Sibelius, Tchaikovsky. And the season will end with a chamber orchestra concert featuring the two most loved classical-era composers, Beethoven and Mozart.

Six‐concert subscription packages will go on sale by phone only on Thursday, July 6 (303‐772‐5796; 10 a.m.–4 p.m. Mondays, Tuesdays and Thursdays, and 9:30 a.m.–3:30 p.m. Fridays). Prices and details will be available on the LSO Web page. Single tickets go on sale on Monday, Aug. 28 by phone or online.

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Longmont Symphony
Elliot Moore, music director
2017–18 Season

(All performances at Vance Brand Civic Auditorium except as noted)

Opening Night: On the Frontier with Old & New Friends
7:30 p.m. Saturday, Oct. 7
Elliot Moore, conductor, with Spencer Myer, piano

Carter Pann: Slalom
Rachmaninoff: Rhapsody on a Theme of Paganini
Elgar: Enigma Variations

The American Frontier: In Honor of Our Veterans
7:30 p.m. Saturday, Nov. 11
Elliot Moore, conductor, with Andrew Sords, violin

Joan Tower: Fanfare for the Uncommon Woman
John Williams: Hymn to the Fallen from Saving Private Ryan
Samuel Barber: Violin Concerto
Aaron Copland: Fanfare for the Common Man
Antonín Dvořák: Symphony No. 9, “From the New World”

HOLIDAY EVENTS

The Nutcracker Ballet with the Boulder Ballet
Elliot Moore, conductor
4 p.m. Saturday, Dec. 2.
2 p.m. Sunday, Dec. 3

Candlelight Concert with the Longmont Chorale Singers
4 p.m. Sunday, Dec. 17
Westview Presbyterian Church, Longmont
Longmont Symphony Chamber Orchestra
Elliot Moore, conductor, with the Longmont Chorale singers & soloists

Vivaldi: Gloria
J.S. Bach: Jesu, Joy of Man’s Desiring
Respighi: Adoration of the Magi
John Rutter: Candlelight Carol and Angel’s Carol
Cynthia Clawson: O Holy Night
Holiday carols & sing‐alongs

Family Matinee Concert
4 p.m. Saturday, Jan. 27, 2018
Elliot Moore, conductor, with Concerto Competition Winner (TBA)
Longmont Youth Symphony
Jack Prelutsky, narrator

Matthias Bamert: Circus Parade
Sibelius: Symphony No. 2 (Finale)
Lucas Richman: Behold the Bold Umbrellaphant

A Longmont World Premiere
7:30 p.m. Saturday, Feb. 24, 2018
Elliot Moore, conductor, with Matthew Zalkind, cello

Michael Udow: Mountain Myths (world premiere)
Saint–Saëns: Cello Concerto No. 1
Tchaikovsky: Symphony No. 4

Tales from the Sea
7:30 p.m. Saturday, April 7, 2018
Elliot Moore, conductor, with Sarah Barber, mezzo‐soprano

Mendelssohn: The Hebrides (Fingal’s Cave)
Elgar: Sea Pictures
Rimsky Korsakov: Scheherazade

Museum Concert
4 p.m. Sunday, April 15, 2018
Stewart Auditorium, Longmont Museum
Longmont Symphony Chamber Orchestra
Elliot Moore, conductor

Mozart: Symphony No. 35, “Haffner”
Beethoven: Symphony No. 1

Pops Concert: Divas through the Decades
7:30 p.m. Saturday, May 12, 2018
Elliot Moore, conductor, with vocal soloists

In celebration of Mother’s Day, the LSO will feature music by and about women across decades and genres―from opera to cabaret, jazz and pop, and from Bernstein’s West Side Story to Lady Gaga.

 

 

Standing still and a lust for bass at The Dairy

One Night Only concert features new music “Alive”

By Peter Alexander

The clarinetist says the hardest part is standing still. The violinist also plays the piano because she has a “lust for bass.”

It should be an interesting concert.

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Carter Pann

Saturday, March 4, the Dairy Arts Center will present “Alive,” a program of new music as part of its One Night Only concert series. The program will feature two world premieres, as well as the regional premiere of The Mechanics: Six from the Shop Floor for saxophone quartet by CU music professor Carter Pann, a Pulitzer Prize finalist in 2016.

“Alive” is the first of six One Night Only concerts scheduled for the spring. Those and other upcoming performances are listed on the Dairy Center website.

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Black Diamond Quartet

The Mechanics, performed by the Black Diamond Quartet, will close the program. Pann’s suite of six short movements was written for the Capitol Quartet, a group that Pann heard when they played on tour at Grusin Hall on the CU campus.

The “Alive” program opens with Serenity Diptych, a multi-media work for violin, tape and still images by Lithuanian composer Ziboukle Martinaityte. It was composed for violinist Karen Bentley Pollick, who will perform with photographic and video imagery by Philip VanKeuren.

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Deborah Marshall

Pollick switches to piano to play the world premiere of the Andante for Contrabassoon and Piano by Russian composer Ivan Sokolov, with contrabassoonist Michael Christoph of the Boulder Bassoon Quartet. The program’s second world premiere will be Danse for solo clarinet by Dirk-Michael Kirsch, performed by Deborah Marshall.

Also on the eclectic program are Etudes for Piano by David Rakowski, played by Amy Briggs; Briggs and Pann playing the Study No. 6 for player piano by Conlon Nancarrow; and the Boulder Bassoon Quartet accompanying ALT, a short film starring Abby Brammell.

Read more in Boulder Weekly.