GRACE NOTES: Chamber piano with strings, bassoons and student soloists

Piano Quartet at the Academy, Bassoon Quartet with Cantabile, BCO with competition winners

By Peter Alexander May 7 at 4:40 p.m.

The Boulder Piano Quartet—pianist David Korevaar with violinist Igor Pikayzen, violist Matthew Dane and cellist Thomas Heinrich—will present a free concert in Chapel Hall at the Academy University Hill Friday (7 p.m. May 9; details below).

The central work on the program is the five-movement King of the Sun by Stephen Hartke, who is chair of composition at the Oberlin Conservatory. Written for the Los Angeles Piano Quartet, The King of the Sun was inspired by a series of five paintings by the Spanish painter Joan Miró. 

Miró: Characters in the night guided by the phosphorescent tracks of snails, Art Institute of Chicago

The five major movements of Hartke’s score are titled after the titles of the paintings: “Personages in the night guided by the phosphorescent tracks of snails,” “Dutch interior,” “Dancer listening to the organ in a gothic cathedral,” “The flames of the sun make the desert flower hysterical,” and “Personages and birds rejoicing at the arrival of night.” The third and fourth movements are  separated by a brief “Interlude,” leading Hartke to describe the piece as comprising “five and a half” movements. 

The title of the work, The King of the Sun, is a mistranslation of a 14th-century canon that is quoted in the second and fourth movements of Hartke’s score. The actual title of the canon is Le ray au soleil, which means the sun’s ray. The change of one letter—Le rey instead of Le ray—changes “The sun’s ray” into “The king of the sun.”

The program opens with Phantasy for Piano Quartet, written in 1910 by English composer Frank Bridge. It was commissioned by Walter Wilson Cobbett, who worked to promote the composition of British chamber pieces in the style of Fantasy, or Phantasy, a type of work that had flourished in Elizabethan times. Bridge was one of 11 British composers Cobbett commissioned to write a phantasy in 1910.

The final piece on the program is the Piano Quartet in E-flat major of Robert Schumann. It was composed in the summer of 1842, which became known as Schumann’s “year of chamber music.” He had mostly written piano music until 1840, a year in which he wrote 120 songs. The following year he wrote two symphonies, and then in 1842 he completed three string quartets, a piano trio, a piano quintet, and the Piano Quartet.

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Boulder Piano Quartet
Igor Pikayzen, violin; Matthew Dane, viola; Thomas Heinrich, cello; and David Korevaar, piano

  • Frank Bridge: Phantasy for Piano Quartet
  • Stephen Hartke: The King of the Sun
  • Schumann: Piano Quartet in E-flat major, op. 47

7 p.m. Friday, May 9
Chapel Hall, The Academy University Hill, Boulder

Free

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Quartets of all bassoons are a musical rarity—except in Boulder.

The Boulder Bassoon Quartet will present an unusual program of music for bassoon and chorus on a concert shared with Boulder’s Cantabile Singers, directed by Brian Stone, Friday and Sunday at the First Congregational Church (May 9 and 11; details below).

Boulder Bassoon Quartet

The program will be repeated at 3 p.m. Sunday, June 1, at the Boulder Bandshell

A centerpiece of the program will be the newly commissioned “I Shall Raise My Lantern” by Greg Simon. That work for chorus and bassoon quartet will be paired with “Three Earth Songs” by Bill Douglas. Other works on the program are a capella works for chorus by Ralph Vaughan Williams, Benjamin Britten, Craig Hella Johnson and Shawn Kirchner. 

The Sunday performance will be available online by a free live stream.

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“The Beauty Around Us”
Cantabile Singers, Brian Stone, director, with the Boulder Bassoon Quartet

  • Greg Simon: “I Shall Raise My Lantern”
  • Bill Douglas: “Three Earth Songs”
  • Works by Ralph Vaughan Williams, Benjamin Britten, Craig Hella Johnson and Shawn Kirchner

7:30 p.m. Friday, May 9
3 p.m. Sunday, May 11
First Congregational Church, Boulder

3 p.m. Sunday, June 1, Boulder Band Shell

Tickets HERE

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The Boulder Chamber Orchestra (BCO) will present the winners of the 2025 Colorado State Music Teachers Association (CSMTA) Concerto Competition as soloists on a concert program Saturday (8 p.m. May 10; details below).

The winners in four categories—Piano Elementary, Piano Junior, Piano Senior, and Strings/Harp—will each play the concerto movement that was required for the competition, with the orchestra (see the concert program below). BCO music director Bahman Saless will conduct.

Boulder Chamber Orchestra with conductor Bahman Saless

An annual event, the CSMTA Concerto Competition has three piano categories that are held every year: elementary, junior and senior. There are vocal and instrumental categories in alternating years: strings/harp and voice in odd-numbered years, and winds/percussion in even-numbered years. The competition is for pre-college students up to age 19.

This year’s competition was held in March, and had violin, cello and harp contests in the strings/harp category. Every instrument has one concerto movement specified as its competition repertoire. The judges for the 2025 competition were Saless; Mary Beth Rhodes-Woodruff, artistic director of the Santa Barbara (Calif.) Strings; and Kate Boyd, professor of piano at Butler University.

The winners who will appear with the BCO are:
—Piano elementary: Natalie Ouyang
—Piano, junior: Lucy (Yuze) Chen
—Piano, senior: Bobby Yuan
—Strings/Harp: Sadie Rhodes Han (violin)

This is the second year that the BCO has presented the CSMTA Concerto Competition winners as concert soloists.

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CSMTA Concerto Competition Winners’ Concert
Boulder Chamber Orchestra, Bahman Saless, conductor

  • Haydn: Keyboard Concerto in C major, Hob. XVIII/5, I. Allegro moderato
    -Natalie Ouyang, piano
  • Mozart: Piano Concerto No. 21 in C major; K467, I. Allegro maestoso
    -Lucy (Yuze) Chen, piano
  • Schumann: Piano Concerto in A minor, op 54, I. Allegro affettuoso
    -Bobby Yuan, piano
  • Saint-Saëns: Introduction et Rondo Capriccioso
    -Sadie Rhodes Han, violin

8 p.m. Saturday, May 10, Boulder Adventist Church

TICKETS

Grace Notes: DeVotchKa in Boulder, ‘Turandot’ in Denver, choruses everywhere

Season-ending performances provide broad choices for audiences

By Peter Alexander May 2 at 10:40 p.m.

The Longs Peak Chorus, the Longmont chapter of the Barbershop Harmony Society (BHS), will end their 2022–23 season of performances with a concert titled “Celebration.”

“Barbershop Harmony,” or “Barbershop Quartet” singing, is four-part a-capella singing for male voices. The most common format is to have individual quartets of four singers, although the music is also performed by larger groups of male voices, such as the full Longs Peak Chorus. Barbershop quartets have been featured in popular entertainment, such as The Music Man by Meredith Willson. 

Artistic License Barbershop Quartet

The occasion for the celebration is the 75th anniversary of the group, which was chartered with the BHS in 1948. Their concerts Friday at Saturday at Niwot High School (7 p.m. and 2 p.m.; details below) will also feature the quartet Artistic License and mixed choirs from local high schools.

Barbershop quartets are often associated with the “Gay Nineties,” or the 1890s, as was the case in The Music Man. Quartets usually wear coordinated outfits, often in a Gay Nineties style with straw hats and vests.

The visit by Artistic License and the inclusion of high school choirs are part of Long Peaks Chorus’s outreach to local music educators and students. Artistic License will visit local schools and spend time with choirs and their directors for clinics and coachings.

The program for the performances will feature classic four-part harmony as well as larger a-capella arrangements. 

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“Celebration”
Longs Peak Chorus,  Ron Black, director
With Artistic License quartet and local high school choirs

7 p.m. Friday, May 5
2 p.m. Saturday May 6

Niwot High School Theater

TICKETS   

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Boulder’s Cantabile Singers and artistic director Brian Stone will end the concert season this weekend (May 5 and 7; details below) with a tribute to the culture of the Chickasaw Nation.

The main work on their concert program will be Ilhoba”by the Chickasaw composer and pianist Jerod Impichchaachaaha’ Tate. Subtitled “The Vision,” Ilholba’ is based on a Chickasaw garfish dance song and will be performed in the Chickasaw language to a text by the composer.

Tate is an American Indian composer and pianist who has written symphonic music, ballet and opera. His works have been commissioned by major orchestras and performed around the world. He has gained a reputation as a composer who can successfully express American Indian culture through classical orchestral music.

Three other works complete the program. “Stomp on the Fire” by Andrea Ramsey uses the voice and percussive sounds of the body together. Chante Waste Hoksila (My kind-hearted boy) is a traditional Lakota lullaby that has been arranged by Lakota spiritual leader and composer Linthicum-Blackhorse in honor of the children of Uvalde, Texas. Finally, the “Wichita Baptist Hymn” uses two melodies from the Southern Plains Wichita tribe as transcribed by tribal member Tracey Gregg-Boothby.

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“Ilhloba’: The Vision”
Cantabile Singers, Brian Stone, artistic director

  • Jerod Tate: Ilholba’
  • Andrea Ramsey: “Stomp on the Fire”
  • Lakota trad., arr. Linthicum-Blackhorse: Chante Waste Hoksila (My kind-hearted boy)
  • Andrew Marshall, arr.: “Wichita Baptist Hymn”

7:30 p.m. Friday, May 5
3 p.m. Sunday, May 7

First Congregational Church, Boulder

TICKETS   

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The Boulder Philharmonic Orchestra will enter new territory Saturday when they team up with Colorado Indie rock band DeVotchKa (Russian for “girl”).

The four members of DeVotchKa

For one thing ,it will be their first appearance with the unique group that combines four acoustic performers with a wide variety of instrumental possibilities, including theremin, bouzouki, guitar, accordion, sousaphone, double bass, flute and percussion—among others. For another, the orchestra’s executive director, Sara Parkinson, will take a step beyond her usual administrative duties to conduct the performance—at the request of DeVotchKa member Tom Hagerman with whom she has collaborated in the tango quartet Grande Orquestra Navarre.

While this is a new role for Parkinson with the Phil, it is not really new for her. She has conducted opera, choirs, and orchestras in Boulder and with the Dallas Opera’s Linda and Mitch Hart Institute for Women Conductors.

DeVotchKa has a distinctive sound that derives largely from the inclusion of the sousaphone, accordion and the electronic theremin, along with more traditional instruments including guitar, flute and trumpet, along with a solid rhythm section. They have a passionate following in Colorado, and gained wider recognition after their music was featured in the Academy Award-winning film Little Miss Sunshine in 2006.

DeVotchKa describes their sound as a “blend of various musical genres, including Romani music, punk rock, and Eastern European folk music.” Their four key members are Hagerman, Nick Utra, Jeanie Schroder and Shawn King. The band was formed in 1997.

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Devotchka with the Boulder Philharmonic
Sara Parkinson, conductor

7:30 p.m. Saturday, May 6

Macky Auditorium

TICKETS  

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Opera Colorado’s upcoming production of Puccini’s popular Turandot is selling rapidly. 

The two-thousand-plus capacity Ellie Caulkins Opera House is already sold out for two performances (May 6 and 24) and two other performances are currently listed as “limited availability” (details below).

Based on a play by Carlo Gozzi, Turandot is the tale of a cruel princess who seeks revenge on all men for the death of an ancestor. Besieged by suitors, she poses three riddles to the men who attempt to woo her; if they fail to answer correctly, they will be killed. After seeing the Prince of Persia fail and go to his execution, Calaf, Prince of Tartary, impulsively declares his suit.

Calaf successfully answers the three riddles, but offers to face execution anyway if Turandot can guess his name before dawn. Liú, a servant girl in love with Calaf, kills herself rather than reveal his name. Calaf himself reveals his name, but Turandot, rather than have him killed, declares that his true name is love.

Puccini died before completing Turandot. The score was completed by the composer Franco Alfano in time for the opera’s premiere, April 25, 1926, but the conductor of the premiere, Arturo Toscanini, chose to end the performance where Puccini had stopped writing. Subsequent performances generally use the Alfano completion, although it has never been highly regarded. Other completions have been attempted, but none have caught on.

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Giacomo Puccini and Franco Alfano: Turandot
Opera Colorado
Ari Pelto, conductor; Aria Umezawa, stage director

7:30 p.m. Saturday, May 6 SOLD OUT
7:30 Tuesday, May 9 (limited availability)
7:30 p.m. Friday, May 12 (limited availability) 
2 p.m. Sunday, May 24 SOLD OUT

Ellie Caulkins Opera House, Denver

TICKETS