GRACE NOTES: Holiday Music Here and There

Warning! The most popular shows are selling out

By Peter Alexander Dec. 4 at 4:50 p.m.

The CU-Boulder College of Music’s annual “Holiday Festival” has limited tickets still available for the four performances Friday through Sunday (Dec. 6–8 in Macky Auditorium; details below).

The annual holiday extravaganza features orchestras, bands, jazz ensembles and world music groups and individual performers from the School of Music, in addition to faculty and guests. Based on previous years, it is almost a certainty that the performances will sell out by the weekend. If you wish to attend, move fast!

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“Holiday Festival”
Performers from the CU College of Music:
—Chamber Singers, Coreen Duffy, conductor
—Holiday Festival Chorus, Coreen Duffy and Elizabeth Swanson, conductors
—Holiday Festival Orchestra, Gary Lewis and Matthew Dockendorf, conductors
—Trumpet Ensemble, Ryan Gardner conductor
—Holiday Festival Jazz, Brad Goode, conductor
—Holiday Festival Brass, Elias Gillespie conductor
—West African Highlife Ensemble, Maputo Mensah, director
—Andrew Garland, baritone; Daniel Silver, clarinet; and Bobby Pace, carillon 

  • Program of selected music for the Holidays

7:30 p.m. Friday, Dec. 6 LIMITED TICKETS
1 p.m. and 4 p.m. Saturday 7 LIMITED TICKETS
4 p.m. Sunday, Dec. 8 LIMITED TICKETS

TICKETS

The “Gentle Nutcracker,” a sensory-friendly, abridged version of Tchaikovsky’s Nutcracker ballet presented by Boulder Ballet and the Longmont Symphony Orchestra (LSO) for individuals with special needs and their families, has limited tickets available for Saturday’s performance in Longmont’s Vance Brand Auditorium (1 p.m. Dec. 7; details below).

The same is true for one performance of the full Nutcracker ballet, Saturday at Vance Brand (4 p.m. Dec. 7). While Sunday’s performance is sold out, a few more tickets are available for Saturday.  All performances will be led by the LSO music director Elliot Moore.

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Boulder Ballet with the Longmont Symphony, Elliot Moore, conductor

“Gentle Nutcracker”

1–2 p.m. Saturday, Dec. 7
Vance Brand Civic Auditorium

TICKETS 

The Nutcracker

4 p.m. Saturday, Dec. 7 LIMITED TICKETS
2 p.m. Sunday, Dec. 8 SOLD OUT 
Vance Brand Civic Auditorium

TICKETS

Ars Nova Singers will celebrate the winter solstice with “Light/Shadow,” a program featuring rarely heard seasonal music that welcomes the return of light after winter’s darkness. A series of four concerts in Denver, Boulder and Longmont opens Saturday at the St. Paul Community of Faith in Denver with conductor Tom Morgan (Dec. 7; full concert details below).

Additional performances will be Sunday, Dec. 8 in Longmont; Thursday Dec, 12 at Mountain View Methodist  church in Boulder; and Friday, Dec. 13, at First Church in Boulder. All performances are at 7:30 p.m. In addition to the Ars Nova Singers, the performances will feature violist Matthew Dane and flutist Christine Jennings.

Highlights of the program will include the Magnificat by the Estonian composer Arvo Pärt, featuring the composer’s “tintinnabuli” style. This style, which Pärt introduced in the 1970s, combines a chant-like voice moving in stepwise motion with a “tintinnabular voice” that moves mostly in arpeggios. One of Pärt’s most popular works, the Magnificat is characterized by its gentle lyricism and calm mood.

Also noteworthy on the program is the U.S. premiere of the Vocalise for viola and choir by the Bulgarian composer Emil Tabakov. Known as both a conductor and composer in Bulgaria, Tabakov has written extensively for large ensembles, including 10 symphonies and a Concerto of Orchestra as well as a number of concertos. In that respect, the restrained and meditative Vocalise is exceptional among his works. 

Also on the program are pieces by the African-American composer B.E. Boykin, Shira Cion, the American singer/songwriter/actress Sara Bareilles, and arrangements of seasonal music by Morgan.

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“Light/Shadow”
Ars Nova Singers, Tom Morgan, conductor
With Matthew Dane, viola, and Christina Jennings, flute

  • Phillipe Verdelot: Beata es Virgo Maria
  • Anton Bruckner: Virga Jesse floruit
  • Joan Szymko: Illumina le tenebrae
  • B. E. Boykin: O magnum mysterium
  • Arvo Pärt: Magnificat
  • Emil Tabakov: Vocalise for solo voila and choir (U.S. premiere)
  • Abbie Betinis: “Be Like the Bird”
  • John Rutter: Musica Dei donum
  • Mykola Leontovych: “Carol of the Bells”
  • Italian Carol: Dormi, dormi (arr. Guy Turner)Israeli song: Ma navu (arr. Shira Cion)
  • “The Angels and the Shepherds” (arr. Paulus/Morgan)
  • Sara Bareilles/Ingrid Michaelson: “Winter Song” (arr. Morgan)
  • Traditional “The Holly and the Ivy” (arr. Morgan)

7:30 p.m. Saturday, Dec. 7
St. Paul Community of Faith, 1600 Grant St., Denver

7:30 pm. Sunday, Dec. 8
United Church of Christ, 1500 9th Ave., Longmont

7:30 p.m. Thursday, Dec. 12
Mountain View United Methodist, 355 Ponca Place, Boulder

7:30 p.m. Friday, Dec. 13
First Church, 1421 Spruce St., Boulder

TICKETS

NOTE: Matthew Dane is the correct name of the guest violist for this concert. The original posting had his name correctly in the text by misspelled as “Dance” in the program listing below.

Boulderites should act now for Holiday event

Low Ticket Warning for Dec. 1 Nutcracker in Macky; limited Longmont tickets still available

By Peter Alexander Nov. 26 at 12:05 a.m.

What would the Holiday season be without Tchaikovsky’s beloved ballet The Nutcracker?

For many families, something would definitely be missing from their celebrations. The Boulder Philharmonic and Boulder Ballet open their annual performances of Nutcracker this weekend, with performances Saturday and Sunday (Nov. 30 and Dec. 1; details below), but they are warning that the Sunday matinee, an especially popular time for families to attend events together, has a limited number of tickets left. 

Boulder Ballet production of The Nutcracker

If you do miss the Boulder performances, however, you need not despair! Boulder ballet will also present The Nutcracker in Longmont the following weekend (Dec. 7 and 8; details below) with the Longmont Symphony. Tickets are limited but still available for those performances. 

The Boulder Ballet and the Longmont Symphony will also present their annual “Gentle Nutcracker,” an abbreviated and sensory-friendly one-hour version of the ballet at 1 p.m. Saturday, Dec. 7. These performances are designed for individuals with special needs and their families.

In addition to the performances of the full ballet, Boulder Ballet will also feature additional events. As part of a theme titled “Unlocking Tradition,” the stage curtain will be left open until 10 minutes before the performance begins. This will offer audience members a glance behind the scenes, as they will be able to see dancers, musicians and stage crew preparing for the performance. 

For the performance with the Boulder Philharmonic in Macky Auditorium, there will be a coloring contest for children. A line drawing of characters and images from The Nutcracker has been posted online. Children attending each performance are invited to color the drawing, and bring their colored pages to the performance for a chance to win a Nutcracker doll.

Tchaikovsky: The Nutcracker Ballet

Boulder Ballet with the Boulder Philharmonic, Gary Lewis, conductor

  • The Nutcracker
    1 and 6:30 p.m. Saturday, Nov. 30
    1 p.m. Sunday, Dec. 1 LOW TICKETS
    Macky Auditorium

TICKETS 

Boulder Ballet with the Longmont Symphony, Elliot Moore, conductor

  • “Gentle Nutcracker”
    1–2 p.m. Saturday, Dec. 7
    Vance Brand Civic Auditorium

TICKETS

  • The Nutcracker
    4 p.m. Saturday, Dec. 7
    2 p.m. Sunday, Dec. 8
    Vance Brand Civic Auditorium

TICKETS

GRACE NOTES: Holiday performances everywhere

Popular themes of the 2023 Holidays include the solstice and music of the Baroque

By Peter Alexander Nov. 29 at 2:41 p.m.

The Longmont Symphony and Boulder Ballet start their 2023 series of Nutcracker  performances Saturday afternoon (1 p.m. Dec. 2) at Vance Brand Civic Auditorium with their annual “Gentle Nutcracker.” 

A shortened, sensory-friendly performance designed for neurodiverse individuals, their families and caregivers, the “Gentle Nutcracker” is approximately 90 minutes in length. 

That special presentation will be followed by two full performances Saturday and Sunday of Tchaikovsky’s beloved ballet, with the Christmas party, the Nutcracker Prince, “The Dance of the Sugar Plum Fairy,” and all the other features that have made both the music and the ballet a Holiday favorite (4 p.m. Saturday, Dec. 2 and 2 p.m. Sunday, Dec. 3; details below).

NOTE At the time of writing, there are only a few seats left, mostly in the balcony. There is no guarantee that tickets will be available by the time this story appears.

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Longmont Symphony Orchestra, Elliot Moore, conductor
Boulder Ballet

“Gentle Nutcracker”

1 p.m. Saturday, Dec. 2 NOW SOLD OUT
Vance Brand Civic Auditorium

TICKETS

Tchaikovsky: The Nutcracker Ballet

4 p.m. Saturday, Dec. 2
2 p.m. Sunday, Dec. 3
Vance Brand Civic Auditorium

TICKETS

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Conductor Cynthia Katsarelis and the Pro Musica Colorado Chamber Orchestra will present the Christmas portion of Handel’s Messiah Saturday (7:30 p.m. Dec. 2) at Mountain View Methodist Church (details below).

In addition to the Christmas section, chorus and orchestra will perform the much loved “Hallelujah” chorus from Messiah. The program opens with “Adoration” by Florence Price and Mozart’s Divertimento in D major, K136.

The Christmas portion of Messiah is one of three major divisions of the work. It comprises 21 separate movements including the opening Overture, choruses including “For unto us a Child is Born” and “Glory to God,” recitatives, and arias for soprano, tenor and bass soloists. Pro Musica will be joined by the Boulder Chamber Chorale and soloists Jennifer Bird-Arvidsson, soprano; Nicole Asel, alto; Steven Soph, tenor; and Ashraf Sewailam, bass.

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Pro Musica Colorado Chamber Orchestra, Cynthia Katsarelis, conductor
With the Boulder Chamber Chorale and Jennifer Bird-Arvidsson, soprano; Nicole Asel, alto; Steven Soph, tenor; and Ashraf Sewailam, bass

  • Florence Price: Adoration
  • W.A. Mozart: Divertimento in D major, K136 
  • G.F. Handel: Messiah, Part I
  • —“Hallelujah” chorus

7:30 p.m. Saturday, Dec. 2
Mountain View Methodist Church, 355 Ponca Place, Boulder

TICKETS

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The CU College of Music presents its annual Holiday Festival this coming weekend, Friday through Sunday in Macky Auditorium (Dec. 8–10; details below).

One of the most popular Holiday events in Boulder, the Holiday Festival features numerous ensembles from the College of Music, each presenting their own selections. Featured groups in this year’s program are the Chamber singers, the Holiday Festival Chorus made up of singers from several groups in the college, the Holiday Festival Orchestra, the Trombone Choir, Holiday Festival Brass, Holiday Festival Jazz, and the West African Highlife Ensemble.

NOTE: At the time of writing, there are limited tickets available for the four performances of the Holiday Festival program. Performances generally sell out, so interested persons should check the CU Presents Web page for availability.

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Holiday Festival, Donald McKinney, artistic director
CU College of Music Ensembles

Chamber Singers, Leila Heil, conductor
Noelle Romberger, graduate conductor

Holiday Festival Chorus
Galen Darrough, Raul Dominguez and Jessie Flasschoen, conductors 
Jun Young Na and Noelle Romberger, graduate conductors

Holiday Festival Orchestra, Gary Lewis, music director 
With Donald McKinney and Nelio Zamorano, conductors

Trombone Choir, Sterling Tanner, conductor

Holiday Festival Jazz, Brad Goode, director

Holiday Festival Brass, Lauren Milbourn, conductor

West African Highlife Ensemble, Maputo Mensah, director

7:30 p.m. Friday, Dec. 8
1 and 4 p.m. Saturday, Dec. 9
4 p.m. Sunday, Dec. 10
Macky Auditorium

TICKETS

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Cellist Charles Lee, the principal cellist of the Boulder Philharmonic Orchestra, will join Ars Nova Singers and conductor Tom Morgan for “Evergreen,” the latest edition of their annual celebration of the winter solstice.

The program will be presented four times, once in Longmont (Saturday, Dec. 9), once in Denver (Sunday, Dec. 10) and twice in Boulder (Thursday and Friday, Dec. 14 and 15; times and locations below). The program includes music by the medieval Benedictine abyss Hildegard Bingen, the English Renaissance master William Byrd, and the north German early Baroque composer Heironymus Praetorius. 

Not to be confused with his better known younger contemporary Michael Praetorius, Heironymus is known for his elaborate multi-voices motets. Also on the program are more contemporary works by the living composers Eriks Esenvalds, Jocelyn Hagan and Taylor Scott Davis. 

In a written news release, Morgan sets the stage for this concert timed to nearly coincide with the solstice, writing: “Dark and light, motion and stasis, intimate and universal, deeply familiar and refreshingly new—our season searches for the balance point in all of these, through the power and majesty of the human voice.”

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Ars Nova Singers, Tom Morgan, director
With Charles Lee, cello

“Evergreen”

  • Hildegard of Bingen: O frondens virga
  • Two 15th century English carols
  • Heoronymus Praetorius: In dulci jubilo (à 8)
  • William Byrd: O magnum mysterium
  • Ola Gjeilo: Serenity (O Magnum mysterium)
  • Andrea Casarrubios: Caminante
  • Taylor Scott Davis: Solstice
  • Eriks Esenvalds: Rivers of Light
  • Jocelyn Hagen: Mother’s Song
  • Dan Forrest: The Sun Never Says
  • Michael Head: The Little Road to Bethlehem
  • Arrangements of Holiday songs by Tom Morgan, Joanna Forbes, Alexander L’Estrange and others

7:30 p.m. Saturday, Dec. 9
United Church of Christ, 1500 9th Ave., Longmont

12:30 p.m. Sunday, Dec. 10
St. Paul Lutheran Church, 1660 Grant. St., Denver

7:30 p.m. Thursday, Dec. 14 and Friday, Dec. 15
Mountain View United Methodist Church, 355 Ponca Place, Boulder

TICKETS

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CU Presents will round out the university’s holiday performances with Christmas with the Canadian Brass at 7:30 p.m. Tuesday, Dec. 13 in Macky Auditorium.

The Canadian Brass generally announce their program from the stage. Nonetheless, the Christmas set list is more predictable and will likely feature some Canadian Brass favorites, including “Ding Dong Merrily on High,” evergreen Holiday music including “White Christmas” and “Carol of the Bells,” and jazzy arrangements including “Glenn Miller Christmas.”

Founded in 1970, the Canadian Brass has been a recognized and esteemed part of the musical scene for more than 50 years. Touring world-wide, they have made the repertoire of chamber music for brass, and specifically brass quintets, widely appreciated. 

There is still one original member of the quintet, tubist Chuck Dellenbach, while other members have joined over the years. The most recent addition, making her Canadian Brass debut this year, is trumpet player Ashley Hall-Tighe, who first met the members of the Canadian Brass in 2001 as a student in their chamber music residency at the Music Academy of the West.

With more than 10 Christmas albums, the Canadian Brass are especially well known for their holiday performances. Their total recording history currently totals more than 130 albums and more than 2 million sold worldwide.

NOTE: At the time of writing, there are limited tickets available.

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Canadian Brass

“Christmas with the Canadian Brass”

  • Program to be announced from the stage may include:
  • “Ding Dong Merrily on High” (arr. Henderson)
  • Gabrieli: Canzona per sonare No. 4
  • “White Christmas” (arr. Henderson)
  • Mykola Leondovich: “Carol of the Bells” (arr. McNeff)
  • Vince Guaraldi: “Christmas Time is Here” (arr. Ridenour)
  • Glenn Miller: “Glenn Miller Christmas” (arr. Dedrick)

7:30 p.m. Wednesday, Dec. 13
Macky Auditorium

TICKETS

* * * * *

The Longmont Symphony will look back to the 18th century for Candlelight: A Baroque Christmas at 4 p.m. Saturday, Dec. 16, in Vance Brand Civic Auditorium.

Under the direction of Elliot Moore, the featured work on the program will be the Gloria of Antonio Vivaldi. Composed around 1715, it is one of the Venetian composer’s most frequently performed works. Its 12 movements, divisions of the “Gloria” text from the Catholic Mass ordinary, call for chorus, orchestra, and soprano and alto soloists.

Celebrating the holiday season, the Candlelight Concert has long been a part of the Longmont Symphony’s season. There will be candles again this year, although the orchestra has announced that they will be battery-operated this year, rather than relying on a flame.

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Longmont Symphony and Chorus, Elliot Moore, conductor

“Candlelight: A Baroque Christmas”

  • Corelli: Concerto Grosso
  • Handel: “Rejoice greatly” from Messiah
  • Scarlatti: Christmas Cantata for soprano and strings
  • Vivaldi: Gloria

4 p.m. Saturday, Dec. 16
Vance Brand Civic Auditorium

TICKETS

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All the choirs of the Boulder Chorale and Boulder Children’s Chorale will join together to present “Season of Light,” their annual concert of music for the holidays, Saturday and Sunday (Dec. 16 and 17; details below).

The concert title refers to the tradition found in many different cultures to use light to counteract the dark of winter and forecast the return of the light in the weeks to come. In the words of the Boulder Chorale’s press information, the program “traces the history and development of many of the world’s most endearing holiday customs, all of which involve lighting up the winter season—from the burning Yule log, sparkling Christmas tree lights and candles in windows, to the lighting of luminaries (often called luminarias) in the American Southwest and the traditional ritual of the Hanukkah menorah.”

Tickets are available both at the door and through the Boulder Chorale Web page. The Sunday performance will also be presented through live streaming, available at the same Web page.

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Boulder Chorale, Vicki Burrichter, artistic director
With Boulder Children’s Chorales, Nathan Wubbena, artistic director

“Season of Light”

Children’s Chorale Bel Canto
Nathan Wubbena, conductor

  • John Rutter: “Angels’ Carol”
  • Flory Jagoda: “Ocho Kandelikas” (arr. Joshua Jacobson)

Children’s Chorale Volante
Kiimberly Dunninger, conductor

  • Franklin J. Willis: “Be the Light “
  • Robert Cohen and Ronald Cadmus: “The Joy of Simple Things”

Chamber Chorale
Vicki Burrichter, conductor

  • John Newell: “Light of Heaven” (text based on the Buddhist vajra guru mantra)

Chamber Choir, Bel Canto and Volante
Nathan Wubbena, conductor

  • Ryan Main: “Go! Said the Star”

Children’s Choir Piccolini
Melody Sebald, conductor

  • “Winter Canon” (arr. Andy Beck)
  • John Henry Hopkins Jr.: “We Three Kings”

Children’s Choir Prima Voce
Anna Robinson, conductor

  • Ruth Ann Schram: “Winter Solstice”
  • “This Little Light of Mine” (arr. Masa Fukuda)

Concert Chorale
Vicki Burrichter, conductor

  • Enya and Nicky Ryan: “Amid the Falling Snow” (words by Roma Ryan, arr. Audry Snyder)
  • Craig Carnahan: “Dancing on the Edges of Time” (words by Rabindranath Tagore)
  • Stephanie K. Andrews : “On Compassion” (words by the 14th Dalai Lama Tenzin Gyatso)

Combined Choirs
Kim Dunninger and Vicki Burrichter, conductors

  • Benji Pasek and Justin Paul: “Do a Little Good” (from Spirited)
  • Franz Gruber/David Kantor: “Night of Silence” (includes “Silent Night”; arr. Nathan Wubbena; Spanish text by Cynthia Garcia-Barrera)

4 p.m. Saturday and Sunday, Dec. 16 and 17
First United Methodist Church, 1421 Spruce St., Boulder

TICKETS

* * * * *

The Boulder Chamber Orchestra will combine its holiday celebration with the music of Beethoven in a program featuring pianist Adam Zukiewicz.

Their “Holidays Celebration with Beethoven” will be at 7:30 p.m. Saturday, Dec. 16 in the Boulder Seventh-Day Adventist Church. Zukiewicz will perform Beethoven’s Piano Concerto No. 2 with the orchestra and conductor Bahmann Saless. 

Other works on the program are Mozart’s Overture to The Marriage of Figaro, conducted by Nadia Artman; Chocolats Symphoniques (Symphonic chocolates) by Maxime Goulet; and the world premiere of the Concerto for Flute and Orchestra by Sylvie Bodrova with the BCO’s principal flutist Cobus DuToit as soloist. 

Part of the reason for combining the holiday music with Beethoven is that the composer’s birthday is believed to be Dec. 16. The date is not certain, since the only documents record his baptism on Dec. 17, but the birthday is traditionally observed on Dec. 16. That would make Dec. 16, the date of the concert, the 253rd anniversary of his birth.

As it happens, the full 2023–24 season has three of Beethoven’s five piano concertos listed. the Third Concerto was played by Petar Klasan Sept. 1, and the Concerto No. 5 (“Emperor:) will be performed with the BCO by  Jennifer Hayghe Feb 3 (7:30 p.m., Boulder Seventh-Day Adventist Church).

Goulet’s Chocolats Symphoniques was previously performed by the BCO on their holidays concert in 2021. The work’s four movements refer to four different flavors of chocolate: “Caramel Chocolate,” “Dark Chocolate,” “Mint Chocolate” and “Coffee-infused Chocolate.”

– – –

Boulder Chamber Orchestra, Bahman Saless, conductor
With Cobus DuTois, flute, and Adam Zukiewicz, piano
Nadia Artman, conductor

“Holidays Celebration with Beethoven”

  • Mozart: Overture to The Marriage of Figaro
  • Maxime Goulet: Chocolats Symphoniques (Symphonic chocolates)
  • Sylvie Bodorova: Concerto for Flute and Orchestra (world premiere)
  • Beethoven: Concerto No. 2 for Piano and Orchestra

7:30 p.m. Saturday, Dec. 16
Boulder Seventh-Day Adventist Church, 345 Mapleton Avenue

TICKETS  

* * * * *

The Boulder Bach Festival (BBF) will present “Handel’s Messiah Reimagined” in their very own version, based on an edition created by music director Zachary Carrettin.

Messiah will be performed by a string orchestra from the BBF’s Compass Resonance (CORE) Ensemble with harpsichord and chamber organ continuo and a 16-voice choir. Five featured solo singers will also perform within the chorus. The entire performance will be presented without conductor.

The program also incudes two a cappella vocal works and a violin concerto b Antonio Vivaldi. The concerto will be played by BBF’s artistic director, Zachary Carrettin, with Baroque guitar continuo played by Keith Barnhart.

– – –

Boulder Bach Festival CORE ensemble
Mara Riley, soprano; Sarah Moyer, soprano; Claire McCahan, mezzo-soprano;
Daniel Hutchings, tenor; and Adam Ewing, baritone
With Zachary Carrettin, violin, and Keith Barnhart, Baroque guitar

“A Baroque Christmas: Handel’s Messiah Reimagined”

4 p.m. Sunday, Dec. 17

Gordon Gamm Theater, Dairy Arts Center, Boulder

TICKETS  

From Nutcracker to a sing-along Messiah

A listing of Holiday performances by area musical organizations

By Peter Alexander

‘Tis the season, and the halls are alive with the sounds of Christmas.

The 2013 Holiday Festival by the College of Music in Macky Auditorium (Photo by Casey A. Cass/University of Colorado)

In the coming weeks, area musical organizations will offer performances ranging from The Nutcracker to Messiah, from Gregorian chant to Judy Collins, and from the Bach Christmas Oratorio to A Charlie Brown Christmas

In fact, the first Nutcrackers have already been completed, with more performances coming this weekend in Longmont (Dec. 3–4 with the Longmont Symphony and Boulder Ballet; see below for details, including links for tickets for all performances mentioned in this article). The Longmont performances include a “gentle Nutcracker,” an abridged, “sensory friendly” performance that welcomes neurodiverse audience members, their families and caregivers.

Boulder Ballet Nutcracker. Image by Amanda Tipton Photography

Other dance companies in the area offer The Nutcracker well into December and can easily be found on the Web; here I am listing the many musical groups in our area. This weekend the very popular CU Holiday Festival, with CU orchestras, bands and choirs starts the festivities on Friday at 7:30 in Macky Auditorium, with additional performances Saturday and Sunday (Dec 2–4). Check the Web page soon; some performances are close to selling out.

If you get enough “Rudolph” and “White Christmas” in the mall, several organizations offer alternative Holiday fare. Seicento Baroque Ensemble will present ”Noel: Christmas in the late Renaissance and early Baroque” over the coming weekend, Friday through Sunday (Dec. 2–4), in Denver, Boulder and Longmont. Ars Nova Singers will present their usual eclectic fare in the same cities over the following week (Dec. 9 & 11, 15 & 16). Their program, titled “Solstice,” includes Gregorian chant, Renaissance music based on chant, contemporary works for the time of solstice, and the premiere of director Tom Morgan’s own arrangement of the French carol “Un Flambeau, Jeanette, Isabella” (“Bring a torch, Jeanette, Isabella”).

The most wide-ranging program is surely that of The Boulder Bach Festival’s CORE (COmpass REsonance) Chamber Choir. Their “Christmas Across the Ages” program (Dec. 16 in the Broomfield Auditorium) offers exactly that, with selections from J.S. Bach’s Christmas Oratorio and Vince Guaraldi’s Charlie Brown Christmas, music by early American composer William Billings and songs by John Denver and Judy Collins. 

With their familiar penchant for embracing musical cultures around the world, the Boulder Chorale and conductor Vicki Burrichter will present “A Celtic Winter,” a program of traditional music performed with a Celtic ensemble led by Jessie Burns. The Boulder Chamber Orchestra offers “The Gift of Music” Dec. 17 (Boulder’s Seventh Day Adventist Church), including Handel arias sung by soprano Szilvia Schranz. Instrumental pieces will include Bach’s “Double” Violin Concerto in D minor, and Holiday selections.

If you wanted to hear Handel’s Messiah in Longmont, you will have to bring a score and sing along. The Longmont Symphony’s performance Dec. 17 is already sold out, but the Sing-Along Messiah Dec. 18 still has tickets available. The Boulder Philharmonic Brass will perform traditional songs of Christmas and Hanukkah at Mountain View Methodist Dec. 18. And with that, the musicians that I know about will pack up their cases and likely enjoy some eggnog. There are surely other events out there that have not come to my attention. With a little enterprise you can find those performances online, too.

# # # # #

CU Holiday Festival
CU College of Music orchestras, bands and choirs

  • Traditional music of the Holiday season

7:30 p.m. Friday, Dec. 2
1 and 4 p.m. Saturday, Dev. 3
4 p.m. Sunday, Dec. 4
Macky Auditorium

TICKETS

# # # # #

“Noel: Christmas in the late Renaissance an early Baroque”
Seicento Baroque Ensemble, Evanne Browne, artistic director
With Wesley Leffingwell, organ; and Joseph Howe, Baroque cello

  • Program includes music by Palestrina, Victoria, Sweelinck and Rossi.

7:30 p.m. Friday, Dec. 2, St. Paul, Lutheran Church, Denver
7:30 p.m. Saturday, Dec. 3. First United Methodist Church, Boulder
3 p.m. Sunday, Dec. 4, First Congregational Church, Longmont

TICKETS

# # # # #

The Nutcracker ballet
Longmont Symphony, Elliot Moore, conductor
With the Boulder Ballet

  • Tchaikovsky: The Nutcracker

1 p.m. Saturday, Dec. 3 (“Gentle” Nutcracker: abridged, “sensory friendly” performance))
4 p.m. Saturday, Dec. 3
2 p.m. Sunday, Dec. 4

TICKETS

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“Solstice”
Ars Nova Singers, Tom Morgan, director
With John Gunther, saxophone

Program includes:

  • Gregorian Chant, Vox clara Ecce Intonat
  • Gabriel Jackson: Vox clara Ecce Intonat
  • Tomás Luis de Victoria: Ave regina caelorum
  • Bob Chilcott: The Shepherd’s Carol
  • Tom Morgan, arr: Un Flambeau, Jeanette, Isabella (premiere)

7:30 p.m. Friday, Dec. 9, First Congregational Church, Longmont
4 p.m. Sunday, Dec. 11, St. Paul Lutheran Church, Denver
7:30 p.m. Thursday, Dec. 15, Mountain View Methodist Church, Boulder
7:30 p.m. Friday, Dec. 16, First United Methodist Church, Boulder
LIVESTREAM: 4 p.m. Sunday, Dec. 11

TICKETS

# # # # #

Christmas Across the Ages”
Boulder Bach Festival CORE Chamber Choir
With Claire McCahan, mezzo-soprano, and Jeremy Reger, keyboards

Program includes:

  • John Tavener: “A Christmas Round”
  • William Billings: “A Virgin Unspotted”
  • —“Bethlehem” (While shepherd watched their flocks by night)
  • Jamaican folk tune: “An’ She Rock de Baby”
  • John Denver: “Aspenglow”
  • Judy Collins: “The Blizzard”
  • J.S. Bach: Selections from Christmas Oratorio
  • Vince Guaraldi: “Christmastime is Here” (From A Charlie Brown Christmas)

7:30 p.m. Friday, Dec. 16
Broomfield Auditorium

TICKETS

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Longmont Symphony
Elliot Moore, conductor, with chorus and soloists

  • G.F. Handel: Messiah

4 p.m. Saturday, Dec. 17
Westview Presbyterian Church, Longmont

SOLD OUT

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“The Gift of Music”
Boulder Chamber Orchestra, Bahman Saless, conductor
With Szilvia Schranz, soprano, and Kevin Sylves, double bass

  • G.F. Handel: Selected arias
  • Henry Eccles: Sonata in G minor for double bass and strings
  • J.S. Bach: Concerto in D minor for two violins and orchestra
  • Holiday selections

7:30 p.m. Saturday, Dec. 17
Seventh-Day Adventist Church, Boulder

TICKETS

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“Singalong Messiah
Longmont Symphony, Elliot Moore, conductor
With vocal soloists

  • G.F. Handel: Selections from Messiah

4 p.m. Sunday, Dec. 18
Westview Presbyterian Church, Longmont

TICKETS

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“Holiday Brass”
Boulder Philharmonic brass and percussion
Brian Buerkle, conductor

  • Program includes traditional songs of Christmas and Hanukkah.

4 p.m. Sunday, Dec. 18
Mountain View Methodist Church, Boulder

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Holiday season brings a wide spectrum of musical celebrations

Two Messiah performances lead the local programs

By Peter Alexander Dec. 1 at 3:52 p.m.

What is one thing COVID has not closed down this year? The flood of Holiday-themed concerts in December.

This is in stark contrast to last year, when there were virtually no live concerts anywhere. Holiday music-making, if any, was done online. But now Boulder has returned to near normal, and there is no space or time to give individual coverage to all the concerts. Here is a compilation of most local classical concerts, all of them available for live attendance and some with streaming as well (details and ticket information are below; check each group’s Web page for COVID requirements):

Boulder Ballet Nutcracker (2018). Image by Amanda Tipton Photography

The Nutcracker returns to Longmont in performances by the Longmont Symphony and Boulder Ballet (Dec. 3–5). Performances of this perennial family favorite also include a sensory-friendly “Gentle” Nutcracker performance that will be under one hour with both dramatic and musical elements as well as lighting adapted for special needs children.

Boulder Ballet’s production of The Nutcracker almost had to be cancelled for the second year running, until supporters of the ballet and the symphony raised funds to support the performances. LSO executive director Catherine Beeson released a statement, saying “The thought of our communities having to miss a second year of this holiday tradition was too disappointing to consider. We are so grateful to Boulder Ballet and LSO patrons, supporters and sponsors who stepped up to fill the gap.”

The CU Holiday Festival (Dec. 3–5), featuring CU College of Music ensembles, is one of the oldest musical traditions in Boulder, dating back decades. Performing groups this year will be the Holiday Brass, the Holiday Festival Orchestra, Chamber Singers, Holiday Festival Choral Union, West African Highlife Ensemble, Holiday Festival Jazz, and the Magari Quartet.

The 2013 Holiday Concert put on by the College of Music in Macky Auditorium at the University of Colorado Boulder. (Photo by Casey A. Cass/University of Colorado)

There will be some very familiar Holiday music—“Ding, Dong Merrily on High,” “Do You Hear What I Hear?” and the perennial favorite, Leroy Anderson’s “Sleigh Ride.” But there will also be some unusual selections, including the Spanish villancico “Ríu, ríu, chíu,” the Gloria from the Misa Criolla (Creole Mass) by the Argentinian composer Ariel Ramírez, and a Nigerian Christmas song, “Betelehemu” (Bethlehem). The program will conclude with the “Hallelujah” chorus from Handel’s Messiah.

The Holiday Festival often sells out. That may be different this year, with COVID restriction still in place, but check availability before making plans.

There will be two performances of Handel’s Messiah  in Boulder this year: One by conductor Cynthia Katsarelis with the Pro Musica Colorado Chamber Orchestra and Boulder Chamber Chorale (Dec. 4), and one by conductor Zachary Carrettin and performers of the Boulder Bach Festival (Dec. 17 and 19).

Both organizations will present only the Christmas portion of Messiah; Pro Musica Colorado will add the “Hallelujah” chorus. Theirs will be the more traditional style of performance, with full chorus. The Boulder Bach Festival will present Messiah with only one on a part in both orchestra and chorus; in other words, the choral parts will all be sung by a quartet of vocal soloists rather than a traditional chorus.

The Ars Nova Singers will present their Holiday program, “Made Merry,” in Denver (Dec. 10), Longmont (Dec. 12) and Boulder (Dec. 16 and 17).

Harpist Kathryn Harms

Under the direction of Thomas Edward Morgan, the Ars Nova Singers will be joined by guest artist Kathryn Harms on harp. The program follows the usual pattern for Ars Nova Holiday concerts: a mix of new arrangements and recent compositions with more traditional tunes. 

Featured works will include Variations on “Lo How a Rose” by Hugo Distler, a prominent composer of sacred music in early 20th century Germany, whose short life illustrates the tragedy of his times. Torn between his revulsion for the Nazi regime and the prominent positions he was granted, he took his own life in 1942 at the age of 34. 

Other works on the program are Morgan’s arrangement of “What Child is This?,” Benjamin Britten’s arrangement of “In the Beak Midwinter,” Jeffrey Van’s arrangement of the Mexican carol “El Rorro” (The babe) and contemporary English composer Jonathan Dove’s setting of “The Three Kings” by Dorothy Sayers.

The Longmont Symphony’s annual Candlelight concert, this year titled “A Baroque Christmas,” will be presented at 4 p.m. Sunday, Dec. 19 at the Westview Presbyterian Church in Longmont. Elliot Moore will conduct, with soprano soloist Ekaterina Kotcherguina.

Music by familiar Baroque composers will comprise the majority of the program, including Corelli’s Concerto Grosso op. 6 no. 8, known as the “Christmas Concerto” and J.S. Bach’s Third Brandenburg Concerto. Kotcherguina will sing arias from Handel’s Messiah, including “I know that my redeemer liveth” and “Rejoice Greatly.”

She will also sing “The Holy City,” a Victorian-era ballad that was extremely popular and widely performed around the turn of the 20th century, and that has been called “the most pirated piece prior to the internet.” Published under the name Stephen Adams, it was actually the work of English composer and singer Michael Maybrick.

According to legend, the song got a group of drunken prisoners released by a judge, it was mentioned in James Joyce’s Ulysses, and via a spiritual titled “Hosanna” its melody found its way into Duke Ellington’s Black and Tan Fantasy. It continues to be performed, often under the title “Jerusalem.”

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Longmont Symphony and Boulder Ballet
Tchaikovsky: The Nutcracker

7 p.m. Friday, Dec. 3
1 and 4 p.m., Saturday, Dec. 4
1 p.m. Sunday, Dec. 5: “Gentle Nutcracker”
4 p.m. Sunday, Dec. 5

Vance Brand Civic Auditorium
Tickets

CU College of Music ensembles
“Holiday Festival 2021”
Featuring College of Music faculty with student choirs, bands and orchestras

7:30 p.m. Friday, Dec. 3
1 p.m. and 4 p.m. Saturday, Dec. 4
4 p.m. Sunday, Dec. 5

Macky Auditorium
Tickets

Pro Musica Colorado Chamber Orchestra, Cynthia Katsarelis, conductor
With the Boulder Chamber Chorale and vocal soloists
George Frideric Handel: Messiah

7:30 p.m., Saturday, Dec. 4, First United Methodist Church, Boulder

Tickets for in-person and live-streamed performance

Ars Nova Singers, Thomas Edward Morgan, conductor
“Made Merry”

7:30 p.m. Friday, Dec. 10, St. Paul Community of Faith, Denver
4:30 p.m. Sunday, Dec. 12, United Church of Christ, Longmont
7:30 p.m. Thursday, Dec. 16, First United Methodist Church, Boulder
7:30 p.m. Friday, Dec. 17, First United Methodist Church, Boulder

Tickets for in-person and streamed performances.

Boulder Bach Festival, Zachary Carrettin, conductor
George Frideric Handel: Messiah

7:30 pm. Friday, Dec. 17
2 p.m. Sunday, Dec. 19

Broomfield Auditorium
Tickets

Longmont Symphony Orchestra, Elliot Moore, conductor
“Candlelight: A Baroque Christmas”

4 p.m. Sunday, Dec. 19, Westview Presbyterian Church, Longmont

Tickets

Boulder Philharmonic continues exploring music for small orchestra

Streamed concert available April 3 will feature Stravinsky’s “Soldier’s Tale”

By Peter Alexander April 2 at 1 p.m.

The past year has been the year of the chamber orchestra.

To respect the need for safe distancing between players, orchestras including the Boulder Philharmonic have presented entire programs of music written, or arranged, for reduced orchestra or chamber ensembles. Each of the Philharmonic’s 2020-21 performances has been recorded and streamed for ticket purchasers to access from the safety of their homes—as most orchestras have done.

That trend continues with the Phil’s next concert, but with a twist. The one piece on the program for Saturday (April 3, available from 7:30 p.m.), Stravinsky’s theater piece L’Histoire du soldat (The soldier’s tale), is ideal for performance during a pandemic—because it was in fact written during the last global pandemic, the Spanish Flu of 1918–19.

Stravinsky sat out World War I in Switzerland. As the war was coming to an end, the production of large-scale works, such as his previous ballets The Firebird, Petrushka and The Rite of Spring, was no longer possible. Instead, Stravinsky thought of creating a theater piece for a small group of musicians and actors that could be toured to Swiss villages. 

Stravinsky and the Swiss writer C.F. Ramuz collaborated to write L’Histoire du soldat, based on a Russian folk tale and written for seven players (violin, string bass, clarinet, bassoon, trumpet, trombone and percussion), three actors and a dancer—ideal numbers for safely distanced performances. In the end, the flu defeated Stravinsky’s plan for a tour, but L’Histoire was premiered in Lausanne, Switzerland, in 1918. The music has retained a place in the chamber orchestra repertoire, and the score is important as a bellwether of the transition from the massive musical works of the pre-war period to the neo-classicism of the late 19-teens and ‘20s.

The folktale that provided the plot is one that Stravinsky knew from Russia, but it is found in many different cultures: A lonely soldier engages in a contest with the devil. This is a well known story, from legends of Paganini selling his soul for unnatural fiddle skills, to Blues musicians being in league with the devil, to the Charlie Daniels Band’s “The Devil Went Down to Georgia.”

C.F. Ramuz and Stravinsky

In the story worked up by Stravinsky and Ramuz, the soldier trades his fiddle—representing his soul—to the devil for knowledge that will make him wealthy. The soldier prospers and marries a princess, but the devil returns and triumphs in the end. 

“I think it’s a confusing story to follow,” Michael Butterman, conductor of the Boulder Phil, says. “It helps to have some frame of reference. I’m going to give a brief outline of what’s happening, so that people understand that the devil keeps coming back in different guises and disguises.”

The basic moral of the story, Butterman says, is that the soldier gets lots of stuff, but stuff doesn’t make him happy. “It’s all nothing without the fiddle—that’s your soul,” Butterman says. This is essentially the message of a passage from the Gospel According to Mark, “What shall it profit a man, if he shall gain the whole world, and lose his own soul?” Butterman suggests.

Although 20th-century modernist in style, the music is easily grasped by listeners. “We have marches,” Butterman explains. “Although they are not totally regular in their march rhythm, they still feel like left, right, left, right. You have three dances that are stylized, but clearly identifiable. And there’s chorales that sound like chorales.”

The dances are a tango, a waltz, and one titled “Ragtime”—but, Butterman observes, “it’s not going to remind anybody of Scott Joplin.” Stravinsky had never heard American jazz performed, although he had some printed copies. He used the rhythms as he saw them on the page and listeners will likely recognize the syncopations.

Michael Butterman. Photo by Rene Palmer.

“Stravinsky sees everything through his own unique prism,” Butterman says. “What’s interesting about the piece to me is that it sounds less complex that it appears on the page. It’s a very complicated piece to put together and to conduct, just technically speaking. Much of the music does not line up at all with the meter that he’s [notated].”

Those are complications for the performers, but not necessarily for the listeners. “There’s enough familiar both in terms of the story and in terms of the musical forms that you know where to glom onto it” Butterman says. “The music is accessible, it’s not highly dissonant, it’s downright tuneful, quite clever, and always given to you in digestible chunks.”

The performance is presented in collaboration with the CU Department of Theater and Dance and the Boulder Ballet. The performance, which has already been recorded, was staged by Bud Coleman, department chair. Theater students fill the roles of four actors—a narrator, the soldier, and two actors to portray the devil. Boulder Ballet has provided the dancer and choreography.

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Members of the Boulder Philharmonic Orchestra
Michael Butterman, conductor
Staged by Bud Coleman with actors from the CU Dept. of Theater and Danc
Dance from the Boulder Ballet

Stravinsky: L’Histoire du soldat (The Soldier’s Tale)

Available at 7:30 p.m. Saturday, April 3 (through April 17)

Pre-concert discussion at 7 p.m.

Tickets

Boulder Phil offers Americana, east and west

“Dance, American Style” features collaboration with Boulder Ballet

By Peter Alexander

They will be dancing in the aisles, and on the stage of Macky Auditorium when the Boulder Philharmonic presents its first concert of 2016.

Rodeo

Photo by Keith Bobo

The program, titled “Dance, American Style,” will be presented at 7:30 p.m. Saturday (Jan. 16; tickets). Boulder Ballet will perform the complete ballet Rodeo by Aaron Copland, with choreography by artistic director Ana Claire.

Music director Michael Butterman will conduct the performance, which will also feature concert performances of music from Copland’s Billy the Kid ballet, the Symphonic Dances from West Side Story by Leonard Bernstein, and the New England Triptych of American composer William Schuman.

aa_bernstein_copland

Bernstein and Copland, 1945

The program is an attractive anthology of American music from the mid-20th century. Copland was one of the most prominent composers of that era, with his folkish American style represented by both Billy the Kid and Rodeo, two staples of the orchestral repertoire to this day. Leonard Bernstein was both a champion of Copland’s music and a composer of protean abilities who made a mark on Broadway—the ultimate American musical genre of the 20th century—and in the concert hall. And William Schuman was the composer of acclaimed, accessible concert works, winner of the Pulitzer Prize in music, and a leader of American music for many years as president of first the Juilliard School and later Lincoln Center.

But as the title suggests, the program can also be seen as a tribute to the personalities and companies who established an American world of dance. In fact, it touches many of the legendary dance figures of the mid-20th century.

Billy the Kid was commissioned from Copland by dance impresario Lincoln Kirstein and premiered in 1938 by Kirstein’s Ballet Caravan. That company preceded the New York City Ballet, co-founded by Kirstein and Georges Balanchine. Billy was choreographed by Eugene Loring, who also danced in the premiere and later joined American Ballet Theater.

rodeoslides10p1

De Mille’s Rodeo; photo by Peter Shields

Rodeo was commissioned for the Ballet Russes de Monte Carlo. The choreographer was Agnes de Mille, who also danced the lead role at the 1942 premiere at the Metropolitan Opera House. In the audience that night were Richard Rogers and Oscar Hammerstein, who in turn invited de Mille to choreograph the dance sequences for their upcoming show, Oklahoma, thereby transforming the Broadway musical.

 Symphonic Dances from West Side Story is a suite for symphony orchestra taken from the score for Bernstein’s 1957 Broadway hit. It was compiled in 1961 by Bernstein in collaboration with his colleagues Sid Ramin and Irwin Kostal, who had just finished producing the orchestral score for the film version of the show, employing a much larger orchestra than the original Broadway pit band.

Robbins_rehearsal61

Robbins rehearsing West Side Story

The score incorporates West Side Story’s top hits, “Somewhere” and “Maria,” alongside the many dance sequences from the show. Director and choreographer of the original Broadway production was Jerome Robbins, whose innovative dances for the rival street gangs won the 1957 Tony Award for best choreography. Robbins was for many years one of the most influential American directors, choreographers and producers of ballet, Broadway, film and television.

For the Jan. 16 concert, Rodeo will be the only dance that is brought onto the stage. The performance will conclude with Boulder Ballet performing the full ballet—slightly longer than the familiar orchestral suite—on the front of the stage and in the aisles. Even though the full orchestra will be onstage with the dancers, “we’re going to give them as much room as we can,” Butterman says.

In any case, he adds, “It’s an uncommon chance to experience great concert music and see a short ballet on the same night!”

Butterman (old)

Michael Butterman

The rest of the program, Americana of several types—the “great concert music”—all seems to fit together in a very coherent way. But in fact, Butterman says, “this concert came together in kind of a bizarre way,” with each of the other pieces having been originally planned for another concert. “But I do think the program itself works rather nicely,” he adds.

The least familiar work will be Schuman’s New England Triptych, a work that is deeply rooted in America’s early history. It is based on the work of William Billings, a colonial-era song- and hymn-writer. Three of his songs—“Be glad then America,” “When Jesus Wept” and “Chester”—are the sources of the three movements.

“This is music that a lot of wind players encounter through the wind ensemble literature,” Butterman says. “It’s really attractive, it’s splashy when it needs to be, and yet that middle movement is beautifully introspective. The outer movements are very difficult—quick and very demanding.”

schum2

William Schuman

In fact, he says, the whole concert will be difficult playing. “As I was studying this program over the past few days, I began almost kicking myself,” he says. “What was I thinking? In spite of the fact that the music is pretty familiar, it’s all difficult!”

That would be most obviously true of the Symphonic Dances from West Side Story, which was clearly designed as a jazzy virtuoso showpiece for the musicians of the New York Philharmonic. “A member of a prominent orchestra (told me) a few years ago he thought this was one of the hardest pieces in the standard repertoire,” Butterman says.

“You have to get the swinging right, you have a real sort of screaming trumpet, and you’ve got lots of percussion. It’s really hard stuff to get together. It will be a challenge—it’s a challenge for any orchestra. It just takes some work.”

Fortunately, he adds, the orchestra will have four rehearsals in Macky Auditorium before the concert, instead of having part of their rehearsal week in the Dairy Center or some other location with different acoustics. “We’ll be able to hear it the same way four times in a row,” he says. “That will help a lot, I think.”

Once all the pieces are put in place, Butterman has no doubts that the audience will love the program. It fits Boulder Phil’s winning formula: some familiar pieces, even some pop and jazz-inflected music from Broadway, and a chance for people to discover something new in the New England Triptych.

“It’s all high energy and colorful, fun Americana,” he says, “with the added appeal of seeing the Copland brought to life in the way it was originally conceived—as dance music.”

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Dance, American Style
Boulder Philharmonic Orchestra, Michael Butterman, music director
With the Boulder Ballet, Ana Claire, artistic director

7:30 p.m. Saturday, Jan. 16, 2016
Macky Auditorium

William Schuman: New England Triptych
Leonard Bernstein: Symphonic Dances from West Side Story
Aaron Copland: “Prairie Night, “ “Waltz” and “Celebration Dance” from Billy the Kid
Aaron Copland: Rodeo (complete ballet)
Boulder Ballet performing choreography by Ana Claire, artistic director

Tickets