Players are currently rehearsing and recording six of the eight programs
By Peter Alexander Sept. 21 at 10:30 a.m.
There were airplanes coming and going at the Boulder Municipal Airport last week, there were mechanics working on airplanes, pilots picking up brake fluid for airplanes—all the activity you would expect.
And there was an orchestra.
In fact, the Boulder Philharmonic was busy rehearsing their fall 2020 season in the Brungard Aviation hangar. It’s not usual activity at the airport, but if the pilot picking up brake fluid was taken aback, he didn’t show it.
This is part of the Boulder Phil’s answer to keeping the music alive during the pandemic. As conductor Michael Butterman explains, he and the orchestra spent several months looking for a way to have a 2020–21 season.
“This is probably the 40th iteration of ‘20–‘21,” he says. “Throughout the summer we kept changing our thoughts about what we’re going to be able to do.”
They finally found a way to stream the season online. Seven of the eight concerts will be available individually or by subscription through the Boulder Phil Web page. The eighth concert, the holiday program, will be available free with voluntary contributions. Each concert will be available for a limited time after its online premier. (See the full schedule below.)
To rehearse and record, Butterman realized, the players would have to be safely distanced and most playing with a mask. For that to be possible, they would have to use a reduced orchestra, mostly strings, and they would have to have a large space. For the former, there is a lot of available repertoire, but where would they find an appropriate space?
“It occurred to me that we have had galas at an airplane hangar at Rocky Mountain Airport,” Butterman says. “We ended up locating an opportunity at Boulder Municipal Airport, at Brungard Aviation’s hangar, and we’re grateful to them for that.”
Over a two week period—Sept. 15–20 and Sept. 22–27—players from the orchestra will rehearse and record for later streaming six of the eight concerts scheduled for the season. There will be three rehearsals and one three-hour recording session for each program.
The last two concerts—one a collaboration with the CU-Boulder Department of Theatre and the other with Frequent Flyers Aerial Dance—will be recorded later. That gives flexibility in working with the collaborating organizations and keeps open the possibility that some kind of live performance might be possible by the end of the season.
Two artists who have appeared with the Boulder Phil in the past—pianist Simone Dinnerstein and cellist Zuill Bailey—were invited to collaborate in chamber or chamber orchestra performances. “Zuill and Simone are wonderful to work with,” Butterman says. “The fact that we’ve had them both to Boulder already, and that they’ve been very popular with our audience, they were obvious choices.”
To make the video recordings, the Boulder Phil recruited the service of sound and video engineer Michael Quam. There will be 10 cameras recording each piece, providing a wide variety of camera angles for the streamed performances.
Streamed concerts offer both a challenge and an opportunity. “This season may offer opportunities for greater access for some people,” Butterman says: “anybody who has problems with transportation, who has a schedule conflict Saturdays at 7:30, who lives far enough from Boulder that they don’t want to drive in.” And of course the hope is that the convenience of being able to see concerts on demand will attract new audiences
The necessity of limiting the number of performers led to some thoughtful programming. For example, during the years after World War I and during the Spanish flu, Stravinsky and other composers did not have access to large orchestras. Instead, they wrote music for smaller groups, including Stravinsky’s L’Histoire du Soldat for seven players, which is ideal for the pandemic year. It will be on the April 3 program.
Other works will be performed in arrangements for reduced ensembles, such as Beethoven’s Sixth Symphony on April 24, arranged for a string sextet, and Ellen Taaffe Zwillich’s Cello Concerto, which the composer re-arranged for chamber ensemble, on March 13.
In fact, Butterman says, “the idea of this being a re-imagined season is embodied in each of the programs. We’re presenting pieces that themselves have undergone some amount of transformation. In the case of Vivaldi (recomposed by Max Richter, on the Oct. 17 concert), that’s obvious. The least obvious example is the Bach concert (Nov. 14), but any time you’re playing Bach on piano, that is a bit of a re-imagining.
“We’re obviously retooling the concert experience. I think there’s some very, very strong upsides to that, including bringing you inside the experience, and making the access wider.”
And if they find new fans among the mechanics at Brungard Aviation, or pilots that need brake fluid, so much the better.
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Boulder Phil 2021: Reimagined
All performances streamed online
Tickets available through the Boulder Phil Web page
Michael Butterman, conductor
Charles Wetherbee, violin
Jesse Montgomery: Strum
Benjamin Britten: Simple Symphony
Recomposed by Max Richter: Vivaldi, The Four Seasons
Available from 7:30 p.m. Saturday, Oct. 17
The Beauty of Bach
Simone Dinnerstein, pianist and conductorChristina Jennings, flute, and Charles Wetherbee, violin
J.S. Bach/Philip Lasser: Erbarm’ Dich
J.S. Bach: Orchestral Suite No. 2 in B minor
Keyboard Concerto in D minor
Brandenburg Concerto No 5 in D major
Available from 7:30 p.m. Saturday, Nov. 14
Happy Holidays from the Phil
No tickets required; contributions welcomed
Available from 3 p.m. Sunday, Dec. 13
Zuill and Zwillich
Zuill Bailey, cello, with Michael Butterman and Jennifer Hayghe, piano
Rachmaninoff: Vocalise for cello and piano
Ellen Taaffe Zwillich: Cello Concerto (chamber version)
Schubert: Piano Quintet in A major (“The Trout”)
Available 7:30 p.m. Saturday, Jan. 23
Mozart and Mendelssohn
Simone Dinnerstein, piano
Scott Joplin: “Solace” and “Bethena”
Mozart/Ignaz Lachner: Piano Concerto in C major, K467
Mendelssohn: Octet for Strings
Available from 7:30 Saturday, Feb. 13
A Celebration of Cello
Michael Butterman conductor, with Zuill Bailey, cello
Debussy/Schoenberg: Prelude to the Afternoon of a Faun
Schumann/Philip Lasser: Cello Concerto in A minor
Paul Trapkus: Trio for Three Violins
Giovanni Sollima: Violencelles, Vibrez!
Wagner: Siegfried Idyll
Available 7:30 p.m. Saturday, March 13
The Soldier’s Tale
Michael Butterman, conductor
CU Department of Theatre and Boulder Ballet
Stravinsky: L’Histoire du soldat (The soldier’s tale)
Available 7:30 p.m. Saturday, April 3
Beethoven 6 and Frequent Flyers
Michael Butterman, conductor
Frequent Flyers Aerial Dance
George Walker: Lyric for Strings
Korine Fujiwara: Suite from Claudel
Beethoven: Symphony No. 6 in F major (“Pastoral”; arr. for string sextet by M.G. Fischer)
Available 7:30 p.m. Saturday, April 24