Renée Fleming presents a musical tribute to the natural world

“Voice of Nature” will feature songs and a film from National Geographic

By Peter Alexander Jan. 22 at 5:50 p.m.

Soprano Renée Fleming

Soprano Renée Fleming will come to Macky Auditorium next week (7:30 p.m. Friday, Jan. 31) to present a program that she developed while cut off from her professional life during the COVID pandemic of 2020–21.

Collaborative pianist Howard Watkins

Titled “Voice of Nature: The Anthropocene,” the concert features Fleming and pianist Howard Watkins. The repertoire draws on a Grammy-winning album of the same title that Fleming recorded in 2023 with Yannick Nézet-Séguin, music director of the Metropolitan Opera, as pianist, and features songs that mention or reflect on the natural world. Part of the program will be accompanied by a film produced by the National Geographic Society.

“During the pandemic, the most comforting and healing activity for me was just being outside,” Fleming says. “Walking every day, gardening—to the point that I didn’t even want to come in. I always found it interesting that art song, especially the 19th century, also the 18th century and early 20th century, uses poetry that brought nature into the conversation about any aspect of the human condition. I found that interesting, in comparison with new works, which very often never mention nature.”

In that context, she worked with Nézet-Séguin to put together an album of songs that celebrate the consoling and healing power of nature. She decided to commission new songs from three living composers—Kevin Puts, Nico Muhly and Caroline Shaw—to bring the program up to today, and combine them with selected pieces from the extant song literature.

Yannick Nézet-Séguin and Renée Fleming on their album cover

“It was really fun to put the program together,” Fleming says. For the 19th-century art songs, “obviously I had to find things I thought would suit Yannick (Nézet-Séguin), give him enough of an interesting program that he would want to play it. And also because Yannick is French-Canadian, (the French) language works beautifully for him.”

The result is an album that features some very lovely but unfamiliar songs by Gabriel Fauré and Reynaldo Hahn, both French composers of the early 20th century, and also songs by Liszt and the Norwegian composer Edvard Grieg. “I just chose beautiful music that has powerful poetry and stuff I hadn’t performed before,” Fleming says. “I had performed Grieg, I had not performed Hahn at all, and I was thrilled to put Fauré” on the program.

The next step occurred when the album won a Grammy. Fleming decided to take a version of the program on tour, but with some additions. “Rather than just doing ‘Voice of Nature,’ the album, I added some more popular things that I’ve recorded and never perform, like a Björk song and a selection from Lord of the Rings,” Fleming explains. She also added songs by Burt Bacharach and Jerome Kern, and one of the most popular operatic arias in her repertoire, “O mio babbino caro” from Puccini’s Gianni Schicchi.

The final musical addition is a recording Fleming made of Jackson Browne’s “Before the Deluge” together with the Grammy winning folk singer/fiddler and opera composer Rhiannon GIddens, multi-Grammy winning bluegrass singer/fiddler Alison Krauss, and Nézet-Séguin, in an arrangement by composer Caroline Shaw. The recording will be played about halfway through the concert intermission.

Once she committed to the tour, Fleming had another idea: “I thought, let’s take this on the road but I’d like to have film with it,” she says. “I said, I’d really like to do something that shows the planet and encourages us to protect it.

“I happened to meet someone who worked with National Geographic at a dinner party. I was telling him about it and he said ‘I can introduce you to the head of National Geographic.’ So I had a two minute Zoom call with the CEO (Michael Ulica), and he said, ‘We’re looking for influencers and we’ll make your film.’ They did it in about three weeks and I’ve been touring it ever since, because it’s a beautiful piece.”

Fleming says that her devotion to nature and the planet dates back a long way. “When I was a teenager I saw a film that had a huge impact on me,” she says. “The film came out in the ‘70s, Soylent Green. 

“The scene that really had a powerful effect on me was the one in which Edward G. Robinson, who was dying of cancer, (played a scientist who) had signed up for end of life care, and was looking at beautiful pictures of earth, and none of that existed anymore. I thought, ‘How could that possibly ever happen?’ And here we are, later in my life—if we don’t get a handle on this, I think we’re ultimately talking about the destruction of us on the planet.”

In an artist’s statement on the “Voice of Nature” program, Fleming writes: “Thankfully, the stunning natural world depicted in (the National Geographic) film still exists, unlike that movie scene so upsetting to my younger self. In blending these beautiful images with music, my hope is, in some small way, to rekindle your appreciation of nature, and encourage any efforts you can make to protect the planet we share.”

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“Voice of Nature: The Anthropocene”
Renée Fleming, soprano, and Howard Watkins, piano

  • Hazel Dickens: “Pretty bird” 
  • Handel: “Care Selve” from Atalanta 
  • Nico Muhly: “Endless Space” 
  • Joseph Canteloube: “Bailero” from Songs of the Auvergne 
  • Maria Schneider: “Our Finch Feeder” from Winter Morning Walks 
  • Björk: “All is Full of Love”
  • Heitor Villa-Lobos: “Epílogo” from Floresta do Amazonas (piano solo) 
  • Howard Shore: “Twilight and Shadow” from Lord of the Rings 
  • Kevin Puts: “Evening” 
  • Curtis Green: “Red Mountains Sometimes Cry” 
  • Burt Bacharach: “What the World Needs Now” 
    To be played halfway through the intermission—:
  • Recording of Jackson Browne: “Before the Deluge” (arr. by Caroline Shaw) by Rhiannon Giddens, Alison Krauss, Renée Fleming; with Yannick Nézet-Séguin, piano 
  • Gabriel Fauré: “Au Bord De L’eau” 
    —“Les Berceaux” 
  • Edvard Grieg: “Lauf Der Welt” 
    —“Zur Rosenzeit” 
  • Puccini: “O mio babbino caro” from Gianni Schicchi 
  • Jerome Kern: “All the Things You Are” 
  • Andrew Lippa: “The Diva” 

7:30 p.m. Friday, Jan. 31
Macky Auditorium

NOTE: Very few tickets are left for this performance. You can check availability HERE.

Colorado Music Festival announces summer 2025 season

Two ninth symphonies among highlights

By Peter Alexander Jan 22 at 11:25 a.m.

The Colorado Music Festival (CMF) has announced its summer schedule of concerts at the Chautauqua Auditorium in Boulder. 

Chautauqua Auditorium. Photo by Geremy Kornreich

The season of 19 concerts will culminate with performances of two different ninth symphonies: Beethoven’s masterpiece, featuring the “Ode to Joy” finale, July 31 and August 1; and Mahler’s Ninth Aug. 3. Both are their composer’s last completed symphony, which has given a special mystique to the number of the “Ninth Symphony.”

Other highlights during the summer include appearances by outstanding solo artists, including pianist Hélène Grimaud playing the Gershwin Concerto in F on the opening night concert July 3 and 6; saxophonist Steven Banks playing the world premiere of Joan Tower’s Love Returns for saxophone and orchestra; and violinist Anne Akiko Meyers playing Eric Whitacre’s Murmur, a CMF co-commission written for her. 

Two birth anniversaries will be celebrated during the summer: Ravel’s 150th, with performances of  Daphinis et Chloé, Suite No. 2 and Bolero on the opening concert program, and Aaron Copland’s 125th with a performance of Appalachian Spring on July 17 and 18 and An Outdoor Overture on July 11.

Some younger, rising artists will be featured this summer. Classical guitarist Xuefei Yang will perform Rodrigo’s popular Concierto de Aranjuez July 27. Violinist Benjamin Beilman and conductor Chloé van Soeterstède will appear on an all-Mozart program July 13. Cellist Hayoung Choi and conductor Maurice Cohn will perform July 20, and pianist Yeol Eum Son will appear with conductor Ryan Bancroft July 24 and 25.

This year’s Family Concert, presented at 10:30 a.m. July 6, will be an orchestral mystery, “Sherlock Holmes and the Case of the Missing Maestro.” Shira Samuels-Shragg will conduct the program, in which all of the musicians are suspects and Sherlock Holmes must investigate each of the instrument families.

All of the CMF’s summer concerts and programs are listed below. Tickets to the 2025 Festival will be available for purchase beginning March 4. For information or to purchase tickets for the 2025 festival, visit the CMF Web page, or call the Chautauqua box office at 303-440-7666.

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Colorado Music Festival, Peter Oundjian, music director
2025 Summer Season
All performances in Chautauqua Auditorium

Peter Oundjian and the CMF Orchestra. Photo by Geremy Kornreich, 2023

Opening Night
Festival Orchestra, Peter Oundjian, conductor
With Hélène Grimaud, piano

  • Stravinsky: Feu d’artifice (Fireworks)
  • Gershwin: Piano Concerto in F
  • Ravel: Daphnis et Chloé, Suite No. 2
    Bolero

7:30 p.m. Thursday, July 3
6:30 p.m. Sunday, July 6

Family Concert
Festival Orchestra, Shira Samuels-Shragg, conductor

  • Sherlock Holmes and the Case of the Missing Maestro

10:30 a.m. Sunday, July 6

Chamber Music Concert
Colorado Music Festival musicians

  • Schubert: String Trio in B-flat major, D471
  • Prokofiev: Quintet in G minor, op. 39
  • Brahms: Piano Quartet No. 3 in C minor, op. 60

7:30 p.m. Tuesday, July 8

Festival Orchestra Concert
Peter Oundjian, conductor
With Steven Banks saxophone

  • Copland: An Outdoor Overture
  • Joan Tower: Love Returns for saxophone and orchestra (world premiere)
  • Brahms: Symphony No. 1 in C minor, op. 68

7:30 p.m. Thursday, July 10
6:30 p.m. Friday, July 11

An Evening of Mozart
Festival Orchestra, Chloé van Soeterstède, conductor
With Benjamin Beilman, violin

  • Mozart: Overture to Don Giovanni
    —Violin Concerto No. 5 in A major, K219 (“Turkish”)
    —Overture to Le Nozze di Figaro (The Marriage of Figaro)
    —Symphony no. 34 in C major, K338

6:30 p.m. Sunday, July 13

Chamber Music Concert
Brentano String Quartet

  • Schubert: Quartet in A minor, D804 (“Rosamunde”)
  • Anton Webern: Five Movements for String Quartet, op. 5
  • Brahms: String Quartet No. 3 in B-flat major, op. 67

7:30 p.m. Tuesday, July 15

Festival Orchestra Concert
Peter Oundjian, conductor
With Anne Akiko Meyers, violin

  • Copland: Appalachian Spring
  • Eric Whitacre: Murmur (CMF co-commission)
  • Ravel: Tzigane
  • Berlioz: Overture to Béatrice et Bénédict
  • Tchaikovsky: Romeo and Juliet Fantasy Overture

7:30 p.m. Thursday, July 17
6:30 p.m. Friday, July 18

Festival Orchestra Concert
Maurice Cohn, conductor
With Hayoung Choi, cello

  • Respighi: Gli uccelli (The birds)
  • Tchaikovsky: Variations on a Rococo Theme, op. 33
  • Beethoven: Symphony No. 1 in C major, op. 21

6:30 p.m. Sunday, July 20

Chamber Music Concert
Colorado Music Festival musicians

  • Nico Muhly: Doublespeak (2012)
  • Mozart: Quintet for piano and winds in E-flat major, K452
  • Dvořák: String Quintet No. 3 in E-flat major, op. 97

7:30 p.m. Tuesday, July 22

Festival Orchestra Concert
Ryan Bancroft, conductor
With Yeol Eum Son, piano

  • Sofia Gubaidulina: Fairytale Poem (Märchenpoem, 1971)
  • Beethoven: Piano Concerto No. 3 in C minor, op. 37
  • Shostakovich: Symphony No. 10

7:30 p.m. Thursday, July 24

6:30 P.M. Friday, July 25

Festival Orchestra Concert
Peter Oundjian, conductor
With Xuefei Yang, guitar

  • Zoltán Kodály: Dances of Galánta
  • Joaquin Rodrigo: Concerto de Aranjuez
  • Schubert: Symphony No. 5 in B-flat major, D485

6:30 p.m. Sunday, July 27

Chamber Music Concert
Dover Quartet

  • Leoš Janáček: String Quartet No. 1 (“Kreutzer Sonata”)
  • Schumann: String Quartet No. 1 in A minor, op. 41
  • Tchaikovsky: String Quartet No. 1 in D major, op. 11

7:30 p.m. Tuesday, July 29

Festival Orchestra Concert
Colorado Music Festival orchestra and the St. Martin’s Festival Singers
Peter Oundjian, conductor
With Lauren Snouffer, soprano; Abigail Nims, mezzo-soprano; Issachah Savage, tenor; and Benjamin Taylor, baritone

  • Michael Abels: Amplify (CMF co-commission)
  • Beethoven: Elegischer Gesang (Elegiac song), op. 118
    —Symphony No. 9 in D minor, op. 125

7:30 p.m. Thursday, July 31
6:30 p.m. Friday, Aug. 1

Festival Finale
Colorado Music Festival Orchestra, Peter Oundjian, conductor

Mahler: Symphony No. 9

6:30 p.m. Sunday, Aug. 3