Quartet named for a national park in Canada will perform Sunday and Monday at CU

Jasper Quartet will play lyrical pieces by Dvorak, Schumann and Grażyna Bacewicz

By Peter Alexander Feb. 15 at 4:30 p.m.

The Takács Quartet concert series will feature a guest ensemble Sunday and Monday (4 p.m. Feb. 18 and 7 :30 p.m. Feb. 19; details below) that is named for a place none of them have ever visited.

Jasper String Quartet

The Jasper String Quartet is named for the national park in Canada that they have only seen in photos—and a poster in at least one of their homes. “When we started the quartet it was quite difficult to think of a good name,” explains cellist Rachel Henderson Freivogel.

Spirit Island in Jasper National Park, Canada, the most celebrated view in the park. Photo by Peter Alexander

“We thought about things that we really liked to do, and one was being outside in a beautiful place. Our violist at the time said ‘What about Jasper? That’s a really beautiful place!’ And we loved the name, and we wanted to evoke natural beauty. It was easy to pronounce and just felt right to us. The closest we have been is Banff (about 180 miles south of Jasper)—although we do have a big poster of Jasper in my house.”

It is likely they haven’t had time to get to the Canadian park because they are too busy with their music. The professional quartet-in-residence at Temple University’s Center for Gifted Young Musicians, they have released eight albums. Earlier they were graduate quartet-in-residence at Rice University and Yale University with the Tokyo String Quartet, they have won top prizes and numerous chamber music competitions, and were the first ensemble chosen for Yale School of Music’s Horatio Parker Memorial Prize. They are currently in the eighth season of Jasper Chamber Concerts, a performance series founded by the quartet that is currently live-streamed from Philadelphia.

Their program in Boulder exemplifies the Jasper Quartet’s creative approach to programming. It opens with selections from Dvořák’s Cypresses, a set of love songs that the composer set for string quartet. That will be followed by the Quartet No. 4 by the Lithuanian/Polish composer Grażyna Bacewicz, and Schumann’s Quartet No. 1 in A minor.

This specific program evolved from the idea of a concert centered on lyricism, or an expression of love in music. “The Cypresses fit very well into that, since they’re settings of love songs,” Freivogel says. “The Bacewicz string quartet is based somewhat on folk tunes. The second  movement is incredibly lyrical, and I think there’s love there, also. And the third movement [of Schumann’s quartet] is just a beautiful love song.

“We try to pick pieces that really speak to each other in an interesting way. And [these pieces] all work together really well.”

Dvořák arranged 12 out of 18 songs in the original Cypresses cycle for string quartet. Of those 12, the Jasper will play six movements. “It made sense for us to play six of them because of the length of the other pieces,” Freivogel says. “We wanted to create a set that went together and had some contrast in it, because all of them are very, very beautiful. The ones that we selected have a natural flow. Some are very smooth and slow, and others are more exciting.”

Grażyna Bacewicz

Bacewicz is likely the least known composer on the program. “We’ve been wanting to play her music for quite a long time,” Freivogel says. “This is the first program that we constructed with her music, but we would really like to play more of it.

“The first quartet is a piece that our quartet teaches a lot. We got to know this piece by working on it with some great students, and really loved the piece and wanted to play it. It’s very approachable, and there’s a lot of lyricism in the first and second movements. And then the third movement is a very exciting kind of neo-classic dance that goes and goes.”

Schumann wrote three string quartets in 1841–42, a time when he was devoting himself to writing chamber music. The Op. 41 set of three quartets was dedicated to Mendelssohn, but was given as a birthday present to Schumann’s wife, Clara.

“In addition to the slow movement—and I speak for the quartet—I just love Schumann’s style of writing and the beauty in it,” Freivogel says. “You can hear in the first movement how the conversation flows around the quartet. It’s done in such a beautiful way. And seeing it live in person, there’s an energy in the room. You see how we are communicating with each other and having this conversation, and the language is about human feelings.

“I think that that comes through in a joyful and wonderful way.”

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Jasper String Quartet
J Freivogel and Karen Kim, violins; Andrew Gonzalez, viola; and Rachel Henderson Freivogel, cello

  • Dvořák: Selections from Cypresses
    I. “I Know that on My Love to Thee”
    II. “Death Reigns in Many a Human Breast”
    III. “When Thy Sweet Glances Fall on Me”
    IX. “Thou Only, Dear One”
    XI. “Nature Lies Peaceful in Slumber and Dreaming” 
    XII. “You Ask Why My Songs”
  • Grażyna Bacewicz: String Quartet No. 4 (1951)
  • Schumann: String Quartet No. 1 in A minor, op. 41 no. 1

4 p.m., Sunday, Feb. 18 and 7:30 p.m., Monday, Feb. 19
Grusin Music Hall

In-person and streaming tickets HERE